A Streetcar Named Desire
The author of Passage 2 focuses on Marlon Brando’s portrayal of Stanley Kowalski as being particularly memorable and powerful, whereas the author of Passage 1 focuses on Tennessee Williams’ skilled writing. In your opinion, what makes for better drama: a
The author of Passage 2 focuses on Marlon Brando’s portrayal of Stanley Kowalski as being
particularly memorable and powerful, whereas the author of Passage 1 focuses on Tennessee
Williams’ skilled writing. In your opinion, what makes for better drama: a high-quality script or
unparalleled acting? Can a drama be successful with one but not the other? Why?