In The Winter’s Tale, Shakespeare carries his characters from a court setting in Sicilia to a rural area in Bohemia, and then reconciles the plot in the original court. This play incorporates a pastoral theme by showing the role of providence...

Florizel and Perdita are depicted in The Winter’s Tale as the epitome of young love. Whilst the majority of the play is surrounded by heartache, pessimism and paranoia, Florizel and Perdita’s relationship serves as a reminder of hope and happiness...

When a transcript of Cardenio emerged and was soon labeled one of Shakespeare’s “lost plays,” several critics and scholars nodded their heads in a unified disagreement while others became instantly interested in analyzing its contents. Throughout...

Many of Shakespeare’s plays contain the structural and symbolic elements of mythology. The inheritance of mythological conventions, which shall be explored in this essay, create an effect that is ritualistic and leads to Nietzsche’s observation of...

The utilisation of time and place is of great consequence in the late plays, The Tempest and The Winter’s Tale. In the former, Shakespeare creates unity of both time and place in order to explore his central concerns, whereas the latter is...

Explore the relationship between fathers and sons, or fathers and daughters, in two of the plays we have studied. Freud hypothesized that, “The earliest affection of the girl-child is lavished on the father”[1] Shakespeare seems to explore the...

In The Winter’s Tale, by William Shakespeare, the concept of ‘faith’, both in a religious and social sense, plays a pivotal role in the interactions between major figures in the play, and which underpins and re-affirms the consistent theme of...

In 1611, William Shakespeare, tired of convention and determined to write a play that was both new and bold, wrote A Winter’s Tale. Today the show is most famous not for its dialogue or story, but for a single stage direction in Act III Scene iii...

Paulina’s participation in The Winter’s Tale offers a strong sense of feminism to the play, as her outstanding character stands out to men with high power like Leontes and she is the only character in the play that is not afraid to stand up for...

William Shakespeare’s vast collection of plays can generally be categorized by genre: his plays such as Romeo and Juliet, Macbeth and Hamlet are considered tragedies, while Twelfth Night and A Midsummer Night’s Dream are considered comedies. One...

Bianca appears sparsely in Othello: a grand total of three times. However, she is subject to lashing from both men and women, and she is a complete outsider to any society. Through Shakespeare's depiction of her, she ultimately becomes a microcosm...

Othello’s final speech explores his guilt over murdering Desdemona, as well as Othello’s own struggle with identity as a black Muslim in Venice. Before delivering his speech, Othello becomes convinced by Iago that Desdemona has been unfaithful to...

Throughout ‘Othello’, Shakespeare deliberately engineers male-female relationships to show an imbalance of power. Be it Bianca, who has no power as a courtesan in a patriarchal society, a mere “bauble” with which to play; Emilia, a woman weakened...

The female gaze characterizes Mustafa Sa'eed's self-worth in Tayeh Salih's Season of Migration to the North. As he conforms to stereotypes of Arab-Africans during his interactions with Western women, Mustafa assumes made-up personalities,...

In both the tragedies of King Lear and Othello, the plot is affected by one character's malicious actions, which exacerbate any tensions that are already inherent in the relationships between the characters. Iago in Othello and Edmund in King Lear...

Separating qualities common to one 'set' or 'type' of Shakespeare's plays which are not common to the plays as a whole is a difficult task: it would no doubt be possible to find evidence of any feature uniting 'the Tragedies' within any of...

In Greek tragedy, inevitability plays an important role, portraying the protagonists as pawns of the fates, whose roles in the tragedy are distributed arbitrarily and without justice. The outcomes of these roles are decided before the play even...

Tales of women as sorceresses and magic-wielders abound in the literature and mythology of cultures that promote the gendered binary of culture over nature, activity over passivity, and reason over superstition. In these patriarchal societies,...

Choose one non-dramatic text offered on the module, (an extract from Samuel Taylor Coleridge's Literary Remains,) and show how it might help us understand Othello.

The extract presents a sustained attack by Coleridge on Shakespeare for his lack of...

In Shakespeare's play, Othello, the men hunt the women, as a human hunts animals in the wild. The man exerts dominance and expects the woman to accept her submissive role in relation to his dominance. The central couples involved in showing this...

Speech in Shakespeare's "Othello" possesses a power beyond that of deeds'. It is Othello's fantastical storytelling that won him Desdemona at the start, Iago's poisonous suggestion that leads the general to murder his own wife, Emilia's testimony...

"IAGO: Stand you a while apart.

Confine yourself but in a patient list.

Whilst you were here, o'erwhelmèd with your grief -

A passion most unsuiting such a man -

Cassio came hither. I shifted him away,

And laid good 'scuse upon your ecstasy,

Bade him...

Othello is a man of action. Hamlet is a man of inaction. If Hamlet were placed in Othello's world and vice versa one could assume that both would function well in those circumstances. Othello is a man of action in a play that demands his...

As William Shakespeare's only truly Aristotelian tragedy, Othello has no subplot or comic relief, and, when originally performed, had little spectacle in the way of the set or action. The absence of these distractions leave the themes of the play...