Maestro
What are the themes are ideas presented in page 74 when Keller hears Wagner and reacts out of place for his character. Are there themes of setting, character, atmosphere if so what?
Now I see it perfectly clearly: as the first bars of the Wagner shimmered into the air, and vanished, shimmered again and vanished again, Keller became very silent. Of course he would have been silent anyway, listening to the music, but this silence was somehow different, deeper, stronger: a zone of silence in the noise of the music, so deep that it…screamed.The muscles of his face had frozen, his eyes were unblinking.And suddenly he was wobbling to his feet, shouting in German. A swirl of shushes washed against him from all sides, but he wouldn’t be stopped. Neither would the orchestra: the conductor half-turned at the first interruption, and a few prim faces and glinting spectacles turned upwards from their instruments momentarily, but the music continued.Tears were filling the deep fissures of that parched landscape, Keller’s face. Weeping in his white tropical suit, he stood in the audience like a stranded member of the orchestra, unable to reach the stage, or not allowed to play.Two ushers - volunteers from the Musical Society, well-meaning, dithering - were at his side: ‘Please maestro. Not again.’Not again? The word stuck in my ear, and stayed there, trapped, buzzing.