How the writer showed the theme 'Religion ' in this story.

Brecht's view of religion in this play is blatantly clear: it is of little help, and is often a hindrance, during wartime. Religion is portrayed through the sniveling, hypocritical figure of the Chaplain, and it has little positive role to play. The Chaplain changes his allegiances (for example, dusting out his clerical robes when peace is announced) at the drop of a hat (see Scene 6 for the point at which his character becomes clearest). At the very end, the prayers of the peasants are juxtaposed with Kattrin climbing the rooftop, suggesting ineffective inaction among the religious versus effective action by Kattrin.

The text, like all of Brecht's work, is steeped in a complex knowledge of the Old Testament, but the play itself makes little concession to religion as a positive influence on society.

Key scenes to analyze in writing about this theme: Scenes 2, 3, 6, and 8.