Though firmly entrenched in the Protestant Christian tradition, Spenser followed the artists of his day in admiring the work and beliefs of the ancient Greeks. Nowhere is this more evident than in Amoretti and Epithalamion, where the driving emotion--love--is given free rein to roam the fields of nymphs and drink deeply in the bowers of Bacchus. Spenser uses the most lusty of pagan traditions to emphasize his full-bodied passion for his bride and for life itself. In Spenser's poetic world, there is no division between spirit and flesh; to exalt one is to exalt the other.Pride is another element found in this work. In both the Protestant Christian tradition and the classical Greek tradition, pride is often referred to as the greatest sin a person can commit. Spenser deals with pride in Amoretti, sometimes criticizing his beloved for her proud stance, but more often defending her pride as an outward manifestation of her inner perfection. That she seems proud to lesser men is true only because these men (including the speaker) are truly lesser beings than she. She is not arrogant--she merely is who and what she was created to be.