Discuss the sudden change of chume's attitude towards his wife and it's consequential effect on his relationship with brother jero

This scene represents that peak of the play's rising action, as Jero's fallacies are revealed to Chume. Chume has finally decided to act on his own volition, making his first decision in the play that is not reliant on the opinions of Jero or Amope. It is ironic that in moments of real fear, Amope, too, relies on Jero, turning to a power considered--if not by her, then by most others--higher than her own. In this moment, Amope will herself to believe in Jero's power as well. Yet she is just as quick to dismiss him once again, when out of Chume's angry hands.

Jero is satisfied with his presence in the scene, unknown to all others, as if he is omniscient, watching the characters act out the plot of a play he has already written. His "mock-horror" at the scene unfolding before him stresses his own enjoyment at the disaster, and his ability to separate himself from the consequences of his actions as if he were indeed watching a play rather than engaging with reality. He is, of course, unwilling to take responsibility for his actions, as he sneaks out of the scene.