How does Soyinka portray religion?

Soyinka's play is widely considered a satire of proselytizing faith. Brother Jero’s success rests entirely on the blind faith of his followers, whom he is able to win over easily by offering false and fantastic prophesies. Thus the virtue in faith alone is called into question, and Christianity—at least in the form found with characters like Brother Jero—scrutinized. Although Brother Jero loses one follower in Chume at the end of the play, he is able to win over another, the Member of Parliament, just as quickly, speaking to the power of faith in its aim to fulfill personal hope and desire. Soyinka’s play forces the reader to question when belief is and is not justified, and to consider who has the power to claim and impart knowledge.