A Lost Lady Willa Cather

A Lost Lady is a 1923 novel by American writer Willa Cather. It tells the story of Marian Forrester and her husband, Captain Daniel Forrester, who live in the western town of Sweet Water along the Transcontinental Railroad. Throughout the story, Marian—a wealthy married socialite—is pursued by a variety of suitors. Her social decline is seen to represent the end of the American frontier.[1] F. Scott Fitzgerald's 1925 novel, The Great Gatsby was significantly influenced by this work.[2]

Niel Herbert, a young man who grows up in Sweet Water, witnesses the slow decline of Marian Forrester, for whom he feels very deeply, and also of the West itself from the idealized age of noble pioneers to the age of capitalist exploitation.

• Niel Herbert – the main character who is a young boy when he meets the beautiful Mrs. Forrester. He falls in love with what she represents and struggles to preserve his boyhood image of her. After watching her have an affair with Frank Ellinger and later, as a widow, with lawyer Ivy Peters, he leaves Sweet Water. By the end of the novel, Niel realizes that his love of Marian was based on Captain Forrester's idealization of her.
• Mrs. Marian Forrester – a charming socialite married to Captain Forrester. The young Niel falls in love with her beauty and apparent refinement. He is later dismayed to discover her affair with Frank Ellinger. After her husband's death, the widow becomes the mistress of Ivy Peters, who runs her estate. She eventually leaves the town and moves to California, dying before Niel sees her again.
• Captain Daniel Forrester – an aging man of the Pioneer generation who made his fortune building track for the railroads when the continent was crossed. He is proud of his beautiful, sophisticated wife. The novel opens at a time when he has already been physically destroyed by a fall from a horse. After suffering two strokes, he eventually dies, signifying the end of the pioneering era.
• Frank Ellinger – a muscular bachelor and businessman of the Gilded Age generation. Frank is Mrs. Forrester's lover and visits her when the Captain is away from the house. He marries Constance Ogden.
• Ivy Peters – a cocky and pretentious young man of the Jazz Age generation, who later becomes a lawyer. He becomes very wealthy and manages the Forrester estate, taking the widowed Marian as a mistress. He eventually owns the estate.
• Constance Ogden – a Southern girl who is Niel's age and is envious of Marian's beauty. She later marries Frank Ellinger.
• Judge Pommeroy – Niel's uncle, he is a lawyer who falls on hard times in much the same way the Forresters do.

The novel has a robust symbolic framework.[3] Critical approaches have noted that the character of Marian Forrester symbolically embodies both the American Dream, as "focused on self" [4][5] and the gradual decline of the American West.[6]

F. Scott Fitzgerald acknowledged the influence of this novel; he borrowed many of its themes and elements.[2] Marian Forrester, in particular, partly inspired his Daisy Buchanan character in The Great Gatsby.[2] Fitzgerald later wrote a letter to Cather apologizing for any unintentional plagiarism.[2]

The first film version of the novel was created in 1924, adapted by screenwriter Dorothy Farnum.[7] Directed by Harry Beaumont, the film starred Irene Rich, Matt Moore, June Marlowe, and John Roche.[7]

The novel was adapted again, very loosely, as a film of the same name in 1934 by Gene Markey. It starred Barbara Stanwyck as Marian Forrester.[8] The film did not live up to the novel's reputation and is generally regarded as mediocre.[8] Cather was so displeased with the film that she forbade any further film or stage adaptations of her work.[9]

Citations

1. ^ Rosowski 1977, p. 51: "Mrs. Forrster's decline parallels the West's decline; the novel becomes an elegy for the pioneer past".
2. ^ a b c d Quirk 1982, p. 578; Bruccoli 1978, pp. 171–72.
3. ^ Rosowski 1977, p. 51; Harvey 1995, p. 76; Funda 1995, p. 275.
4. ^ Harvey 1995, p. 76: "Marian Forrester, then, represents the American Dream boldly focused on self, almost fully disengaged from the morals and ethics to which it had been tied in the nineteenth century".
5. ^ Funda 1995, p. 275.
6. ^ Rosowski 1977, p. 51.
7. ^ a b A Lost Lady 1924.
8. ^ a b A Lost Lady 1934.
9. ^ Fuller 2019.

Works cited

• "A Lost Lady (1924)". Los Angeles, California: American Film Institute. Retrieved July 16, 2021.
• "A Lost Lady (1934)". Los Angeles, California: American Film Institute. Retrieved July 16, 2021.
• Bruccoli, Matthew J. (Spring 1978). "'An Instance of Apparent Plagiarism': F. Scott Fitzgerald, Willa Cather, and the First 'Gatsby' Manuscript". Princeton University Library Chronicle. 39 (3). Princeton, New Jersey: Princeton University: 171–78. doi:10.2307/26402223. JSTOR 26402223.
• Fuller, Jaime (December 17, 2019). "Looking at Willa Cather's West". Jezebel. New York City. Retrieved August 16, 2020.
• Funda, Evelyn I. (Fall 1995). "Review of 'Redefining the American Dream: The Novels of Willa Cather'". Great Plains Quarterly. 15 (4). Lincoln, Nebraska: University of Nebraska–Lincoln: 275–76. JSTOR 23531702.
• Harvey, Sally Peltier (1995). Redefining the American Dream: The Novels of Willa Cather. Florham Park, New Jerse: Fairleigh Dickinson University. ISBN 9780838635575.
• Quirk, Tom (December 1982). "Fitzgerald and Cather: The Great Gatsby". American Literature. 54 (4). Durham, North Carolina: Duke University Press: 576–91. doi:10.2307/2926007. JSTOR 2926007. Retrieved May 25, 2021.
• Rosowski, Susan J. (Autumn 1977). "Willa Cather's 'A Lost Lady': The Paradoxes of Change". Novel: A Forum on Fiction. 11 (1). Durham, North Carolina: Duke University Press: 51–62. doi:10.2307/1344886. JSTOR 1344886.

• A Lost Lady at Project Gutenberg
• A Lost Lady at the Internet Archive
• A Lost Lady public domain audiobook at LibriVox
• A Lost Lady at the IMDB