How does Mendes’ ‘American Beauty’ manifest the representation of mimetic desire in Nabokov’s ‘Lolita’? Julia Kim 11th Grade

The mimetic theory, originated by Rene Girard, is based upon the observational tendency of human individuals to subconsciously imitate others and the extension of this mimesis to the realm of desire. This mimetic theory is portrayed throughout both Nabokov’s ‘Lolita’ and Mendes’ ‘American Beauty’ and places emphasis on the roles of the triangular relationship, otherwise known as the mimetic mechanism. The representation of mimetic desire in ‘Lolita’ addresses the desires of an individual by highlighting the distinct qualities of the romantic poet. Whereas, in ‘American Beauty’, the depiction of mimetic desire stems from the protagonist’s self actualization, which is a result of the competing desires in the pluralistic nature of the postmodern city in which he lives. The approach to the portrayal of mimetic desire is notably contrasting, with Humbert depicted as a character who believes his motives in regards to Lolita are authentic. Whereas, Lester’s desire for Angela is a result of him beginning to separate himself from the societal policies within his image-obsessed neighborhood and family. His desire is depicted as more lustful, rather than authentic. However, despite the different aspects of Girard’s theory portrayed...