Amor Mundis Literary Elements

Amor Mundis Literary Elements

Speaker or Narrator, and Point of View

The poem is a combination of description and dialogue. In the parts where description is present, the narrator is a third person omniscient person. During the dialogues, they are presented from a first person subjective point of view.

Form and Meter

The poem is written in an iambic meter.

Metaphors and Similes

The term uphill is used here as a metaphor for a righteous life while downhill is used to refer to a sinful way of living. The two terms are the main metaphors in the poem.

Alliteration and Assonance

We find alliteration in the fourth stanza where three different lines begin with the word "Oh."

Irony

The author compares the woman’s feet with two pigeons. This is ironic because in the Bible, doves are associated with holly matters and with Godly power and approval. This however is not the case for the woman who instead of saving the other person, brings him to ruin.

Genre

Allegorical poem

Setting

The action takes place on a road in an unnamed time and place.

Tone

The tone is at times tragic and at times cheerful and positive.

Protagonist and Antagonist

There is no protagonist in the poem but the antagonist is presented as being the woman leading the other person downhill.

Major Conflict

The major conflict is between good and evil or rather between the desire to follow one’s every whim and the desire to live a life that involves sacrifices for the greater good.

Climax

The poem reaches its climax when the second person sees the dead body on the side of the road and realizes the place where the woman led him to.

Foreshadowing

When the woman tells the other person they will never have to return uphill foreshadows how the person in question will never be able to recover from what he or she has done and that he will be forever dammed.

Understatement

When the woman claims in the first stanza that the person following her will never want to take the path uphill ever again is an understatement as in the last stanza the person in question tries to do everything he or she can to return to the previous path.

Allusions

It is alluded that in the fourth stanza, the person who followed the woman either died or is beyond any type of redemption. These ideas are alluded by the presence of a dead body and also other elements suggesting decay and death.

Metonymy and Synecdoche

The term path is used here in a general way to suggest different ways of life. By taking the downhill path, the person following the woman gave up on the once righteous life he or she may have had and decided to follow their desires rather than listen to God and His word.

Personification

In the third stanza "a message dumb, portentous."

Hyperbole

There is an instance of hyperbole in the last stanza, ‘I fear is hell's own track.'

Onomatopoeia

No onomatopoeia is present in the poem.

Update this section!

You can help us out by revising, improving and updating this section.

Update this section

After you claim a section you’ll have 24 hours to send in a draft. An editor will review the submission and either publish your submission or provide feedback.

Cite this page