1 How many different kinds of pain are listed in this poem? 5 3 4 2 2 What kind of literary element is "fouled tunes" (line 4)? allegory simile metaphor comparison 3 What does "wretched" most likely mean in the context of line 6? physically appealing promiscuous foul, disgusting lovely and beautiful 4 What does Baraka mean by "without shadow, or voice, or meaning" when referring to the "hard flesh" that he touches in Stanza II? They are monsters They are dead bodies He is interacting with their flesh but has no contact with their souls They are actually robots 5 What traps the speaker of the poem? The confines of jail A factory that he cannot escape He is being held captive by a horde of men His own flesh, which is made into an object by society 6 What is the first kind of pain listed in this poem ("As now, as all his / flesh hurts me")? having a skin condition that makes skin-to-skin contact painful jumping into a vat of acid the torture of being stuck inside your body that is not a part of who you actually are being touched with someone that has very rough hands 7 What is the second kind of pain given in this poem ("As when she ran from me into / that forest")? pain of the unknown not being able to run pain of abandonment and loss of love worry that she will be eaten by monsters in the forest 8 What goes "higher than even old men thought / God would be" (Stanza V)? the mind a bird a helicopter the devil 9 Who turns out to be a "self, after all" (Stanza VI)? the "lost soul" God the devil the speaker 10 What kind of literary element is "whithered yellow flowers" in Stanza V? metaphor hyperbole metonymy simile 11 How is beauty practiced in Stanza V? through nature, like trees and a river through the separation between soul and body through pain through poetry 12 What does the speaker *actually* live inside? human love his home New York City his body 13 What can the speaker be recognized as? words and emotion where he lives his height and weight his facial features 14 What has no feeling in Stanza VIII? words the body metal the soul 15 What is left screaming by the end of the poem? the soul that is trapped inside of its body the speaker's lover the "lost soul" everyone 16 Based on textual evidence, who could be the "lost soul" the speaker refers to in Stanza V? Jack Kerouac Baraka's first wife, Hattie Jones the person the speaker abandoned in a past life white people 17 What kind of literary element is "blind" (Stanza V)? hyperbole simile onomatopoeia metaphor 18 What kind of literary device is used in "silver, spiraled, whirled" (Stanza V)? alliteration metonymy onomatopoeia assonance 19 What does "corrupt" most likely mean in the context of line 35? complete debased/depraved healthy together 20 What is the closest definition of "gale" in the context of Stanza VI? a courtyard a forest a windy place a type of bridge 21 What kind of associations come up with the actions of "the cold men in their gale" in Stanza VI? fear, death, destruction ritual, conformity, collectivity harmony, unity, peace religion, sacredness, awe 22 In other words, what do the speaker's enemies do to him in Stanza III? carry him in a ritualistic procession as if preparing him for sacrifice kill him make him read lots of books and expand his mind offer him the tools necessary to have a successful life 23 Why does the speaker call flesh "an abstraction" is Stanza III? any perception of the body is influenced by societal conventions his flesh has been cut up and deformed through torture someone's flesh is often obstructed by clothing bodies are very beautiful and often the skin looks like a work of art 24 What "glows as the day with its sun" (Stanza VII)? God the gale that the cold men are living in the sky flesh, symbolized by metal that is so hot it becomes white 25 Why might have Baraka chosen to repeat "the yes" the times in Stanzas V-VI? because it sounds cool to really emphasize what he is referring to it creates a repetition of rhythm and speeds up the meter towards the climax of the poem; also helps the poem sound more musical to bring up different kinds of "yes"