1 How many different kinds of pain are listed in this poem? 3 5 4 2 2 What kind of literary element is "fouled tunes" (line 4)? simile allegory metaphor comparison 3 What does "wretched" most likely mean in the context of line 6? foul, disgusting promiscuous physically appealing lovely and beautiful 4 What does Baraka mean by "without shadow, or voice, or meaning" when referring to the "hard flesh" that he touches in Stanza II? He is interacting with their flesh but has no contact with their souls They are monsters They are actually robots They are dead bodies 5 What traps the speaker of the poem? A factory that he cannot escape The confines of jail He is being held captive by a horde of men His own flesh, which is made into an object by society 6 What is the first kind of pain listed in this poem ("As now, as all his / flesh hurts me")? having a skin condition that makes skin-to-skin contact painful the torture of being stuck inside your body that is not a part of who you actually are being touched with someone that has very rough hands jumping into a vat of acid 7 What is the second kind of pain given in this poem ("As when she ran from me into / that forest")? not being able to run worry that she will be eaten by monsters in the forest pain of abandonment and loss of love pain of the unknown 8 What goes "higher than even old men thought / God would be" (Stanza V)? a bird the mind the devil a helicopter 9 Who turns out to be a "self, after all" (Stanza VI)? the speaker the "lost soul" the devil God 10 What kind of literary element is "whithered yellow flowers" in Stanza V? metonymy metaphor simile hyperbole 11 How is beauty practiced in Stanza V? through pain through the separation between soul and body through poetry through nature, like trees and a river 12 What does the speaker *actually* live inside? New York City his body human love his home 13 What can the speaker be recognized as? his facial features where he lives words and emotion his height and weight 14 What has no feeling in Stanza VIII? the soul the body metal words 15 What is left screaming by the end of the poem? the speaker's lover the soul that is trapped inside of its body everyone the "lost soul" 16 Based on textual evidence, who could be the "lost soul" the speaker refers to in Stanza V? Baraka's first wife, Hattie Jones white people the person the speaker abandoned in a past life Jack Kerouac 17 What kind of literary element is "blind" (Stanza V)? hyperbole onomatopoeia metaphor simile 18 What kind of literary device is used in "silver, spiraled, whirled" (Stanza V)? metonymy assonance alliteration onomatopoeia 19 What does "corrupt" most likely mean in the context of line 35? complete healthy together debased/depraved 20 What is the closest definition of "gale" in the context of Stanza VI? a windy place a forest a type of bridge a courtyard 21 What kind of associations come up with the actions of "the cold men in their gale" in Stanza VI? ritual, conformity, collectivity fear, death, destruction religion, sacredness, awe harmony, unity, peace 22 In other words, what do the speaker's enemies do to him in Stanza III? carry him in a ritualistic procession as if preparing him for sacrifice offer him the tools necessary to have a successful life kill him make him read lots of books and expand his mind 23 Why does the speaker call flesh "an abstraction" is Stanza III? his flesh has been cut up and deformed through torture any perception of the body is influenced by societal conventions bodies are very beautiful and often the skin looks like a work of art someone's flesh is often obstructed by clothing 24 What "glows as the day with its sun" (Stanza VII)? the sky flesh, symbolized by metal that is so hot it becomes white God the gale that the cold men are living in 25 Why might have Baraka chosen to repeat "the yes" the times in Stanzas V-VI? because it sounds cool it creates a repetition of rhythm and speeds up the meter towards the climax of the poem; also helps the poem sound more musical to really emphasize what he is referring to to bring up different kinds of "yes"