The jet of kerosene
The writer’s description of the jet of kerosene evokes, in the reader’s subconscious, its image as it makes the joyful arc in the air. In this way, a deep conception of the scenery is facilitated by the writer’s excellent choice of vocabulary. The description proceeds as:
“The jet of kerosene made a joyful arc in the air, which would color the circles of light that came into the room through the leaves of the apricot tree that canopied the cistern.”
The image of the mourning Almaza
The narrator employs expert language characterized by intense descriptions to enhance the reader’s perceptions of Almaza as she mourns the death of her son, Anton. She tears her garments and winds them around her arms. The descriptions enhance the reader’s imagery of the woman as mourns in specific terms: “Now she tears her garments into strips and winds them around her arms, and she begs that at her death they put only one thing into the coffin with her Anton's pillow.”
The imagery of the man in the narrator’s barbershop
The appearance of the man in the barbershop owned by the narrator’s father begins with the writer’s presentation of his “bloodshot eyes” as they “snap open.” The imagery then is enhanced as the descriptions continue to become more prominent and detailed:
“Just as my father finished lathering the man's face, his bloodshot eyes snapped open and he looked out the western window. His trained gaze was aimed at the place where three white horses stood tethered to the gate of the goat-shed on the western outskirts of the village. The man's hands tightened around the English rifle poised between his knees.”
The flame
The narrator employs a personification to enhance the reader’s understanding of the hesitant flame as it devours the damp logs. On the other hand, there are two white globes of labaneh lying in the mirror of oil. The specifics presented in these descriptions serve the purpose of enhancing visual imagery:
“A hesitant flame licks the damp logs. Abu Habeeb urges me to eat. Two white globes of labaneh lie in the mirror of oil, and bread freshly warmed over the fire.”
