1 Which point(s) of view is/are used in the poem? Second-person Third-person Second and third-person First-person 2 Describe the speaker. The speaker is Sassoon himself. The speaker is a commanding officer. An unidentified speaker witnesses a battle taking place. The final plea to Jesus to stop the violence indicates that the speaker is either participating in the battle, or is speaking on behalf of the soldiers. The speaker is a soldier who experiences shell shock as a result of the bristling fire. 3 How many lines does the poem have? 12 14 11 13 4 What poetic form does "Attack" most closely resemble? Epic Sonnet Villanelle Sestina 5 What kinds of poems deal with morning and the departure of lovers? Sonnet Love poem Shakespeare Aubade 6 Describe the sunlight in the poem. Wild purple, glowering Strong and blinding Pale yellow, filtering Bright purple, glowing 7 Define "dun" The state of being finished Of a dull grayish-brown color. A bright green color A horse 8 What first emerges in the morning light? The trench The tanks The soldiers The ridge 9 Which is not an example of alliteration? The barrage roars and lifts Smouldering through spouts of drifting smoke that shroud The menacing scarred slope time ticks blank and busy 10 What is alliteration? The repetition of the sound of a vowel or diphthong in nonrhyming stressed syllables near enough to each other for the echo to be discernible The occurrence of the same letter or sound at the beginning of adjacent or closely connected words A figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. The use of "like" or "as" to make a comparison. 11 Why are the soldiers "clumsily bowed"? They are deathly afraid. They bow to their superiors They have been crippled. They are weighed down by gear. 12 What is a barrage? Soldiers' accommodations A place where military gear is stored A battlefield A concentrated artillery bombardment over a wide area 13 What does not get personified in the poem? The sunlight The slope Hope The mud 14 Which is example of personification? They leave their trenches, going over the top, And hope, with furtive eyes and grappling fists, / Flounders in mud Lines of grey, muttering faces, masked with fear, At dawn the ridge emerges massed and dun 15 What is personification? The attribution of a personal nature or human characteristics to something nonhuman, or the representation of an abstract quality in human form The occurrence of a poet humanizing someone. The occurrence of the same letter or sound at the beginning of adjacent or closely connected words A figure of speech in which a word or phrase is applied to an object or action to which it is not literally applicable. 16 What is the form? Strict iambic pentameter Iambic pentameter, with some exceptions in syllabic stress Free verse Blank verse 17 Finish this quote: "While time ticks__" meaninglessly blank and brutal on their wrists in their chests blank and busy on their wrists 18 Who does the speaker plead to in the final line? God His mother His commanders Jesus 19 What is the tone? Bitter, Tragic, Reflective Eerie, Desperate, Violent Acerbic, Violent, Uncanny Pointed, Angry, Violent 20 Which detail best foreshadows the violence to come? The smoke smolders The scarred slope is menacing Men jostle and climb to The dawn light makes the ridge visible 21 Which of the following is used in the poem? Onomatopoeia Personification Understatement Hyperbole 22 Which collection was this poem published in? The War Poems The Old Huntsman Counter-Attack and Other Poems Collected Poems 23 How was the collection received? Poorly, as the details were too grotesque Poorly, Sassoon was then hospitalized for shell shock Well, due to its truthful and harrowing accounts of World War I. Well, though Sassoon was then hospitalized for shell shock 24 Which of the following is not a theme? Explicitly Criticizing the British Public Anonymity The Horrors of Warfare Nature 25 Which line best demonstrates the theme of Anonymity? Lines of grey, muttering faces, masked with fear, Smouldering through spouts of drifting smoke that shroud And hope, with furtive eyes and grappling fists The menacing scarred slope; and, one by one,