Anton Chekhov was a Russian playwright, a writer of short stories, and one of the most prominent dramatists in theater history. He was born in Taganrog, a bustling port in southern Russia. The third of six children, his family was once serfs, but his grandfather managed to purchase their freedom. Only a year after Chekhov's birth, Russian peasants were emancipated and the feudal system was abolished. Still, Chekhov was weighed down by the class status of his family. His father was a merchant and was often physically abusive to his family. Eventually, his father went bankrupt, and Anton became financially responsible for his family. He wrote vignettes about Russian street life to support himself while also pursuing a medical degree. At the time, Russia was so socially stratified that there were no successful writers of his class; Chekhov became the only great Russian writer of the 19th century from the peasant class.
In 1887, Chekhov was commissioned to write a play, Ivanov. In 1895, he wrote The Seagull, which was a failure: after it ended, the audience booed, and Chekhov renounced theater. In 1898, however, the play was revived by Stanislavski's Moscow Art Theatre to great critical acclaim. This launched Chekhov's career as a playwright, and Stanislavski would go on to produce Chekhov's Uncle Vanya, Three Sisters, and The Cherry Orchard.
In 1901, Chekhov married Russian actress Olga Knipper, who had acted in many of his plays in Moscow. Their marriage lasted only three years: Chekhov died of tuberculosis in 1904. That same year, his final play, The Cherry Orchard, premiered to great acclaim. Posthumously, Chekhov became a Russian literary celebrity on par with Tolstoy, who was a friend and admirer. Gradually, Chekhov became popular elsewhere. In the United States, his popularity is linked to the trend of Stanislavski's school of method acting becoming more popular in the 20th century. There, Chekhov's approach to psychology and drama greatly influenced the work of many theater practitioners, including Clifford Odets, Lee Strasberg, and actors like Marlon Brando. He also influenced non-dramatic writers, such as Raymond Carver and William Boyd.