Crimes and Misdemeanors Woody Allen

Crimes and Misdemeanors is a 1989 American existential comedy drama film written and directed by Woody Allen, who stars alongside Martin Landau, Mia Farrow, Anjelica Huston, Jerry Orbach, Alan Alda, Sam Waterston, and Joanna Gleason.

The film was met with critical acclaim, receiving three Academy Award nominations: Allen, for Best Director and Best Original Screenplay, and Landau, for Best Actor in a Supporting Role. Several publications have ranked Crimes and Misdemeanors as one of Allen's greatest films.

The story follows two main characters: Judah Rosenthal, a successful and reputable ophthalmologist, and Clifford Stern, a small-time documentary filmmaker.

Judah, an upper-class respected family man, is having an affair with flight attendant Dolores Paley. After it becomes clear to her that Judah will not end his marriage, Dolores threatens to disclose the affair to Judah's wife, Miriam. She is also aware of some questionable financial deals Judah made before becoming a wealthy ophthalmologist, which adds to his stress. He confides in a patient, Ben, a rabbi who is rapidly losing his eyesight. Ben advises openness and honesty between Judah and his wife, but Judah does not wish to imperil his marriage. Desperate, Judah turns to his brother, Jack, a gangster, who hires a hitman to kill Dolores. Before her corpse is discovered, Judah retrieves letters and other items from her apartment in order to cover his tracks. Stricken with guilt, Judah turns to the religious teachings he had rejected, believing for the first time that a just God is watching him and passing judgment.

Cliff, meanwhile, has been hired by his pompous brother-in-law, Lester, a successful television producer, to make a documentary celebrating Lester's life and work. Cliff grows to despise him. While filming and mocking the subject, Cliff falls in love with Lester's associate producer, Halley Reed. Despondent over his failing marriage to Lester's sister Wendy, he woos Halley, showing her footage from his ongoing documentary about Professor Louis Levy, a renowned philosopher. He ensures Halley is aware that he is shooting Lester's documentary merely for the money so he can finish his more meaningful project with Levy.

Cliff learns that Professor Levy, whom he had been profiling for a documentary centered on his philosophical views and the strength of his celebration of life, has committed suicide, leaving a curt note that only says: "I've gone out the window". When Halley visits to comfort him, he makes a pass at her, which she gently rebuffs, telling him she is not ready for another romance. Cliff's dislike for Lester becomes evident during the first screening of the film. Cliff has maliciously edited the film, which juxtaposes footage of Lester with clownish poses of Benito Mussolini addressing a throng of supporters from a balcony. It also shows Lester yelling at his employees and clumsily making a pass at an attractive young actress. Lester fires him.

Adding to Cliff's burdens, Halley leaves for London, where Lester is offering her a producing job; when she returns several months later, Cliff is astounded to discover that she and Lester are engaged. Hearing that Lester sent Halley white roses "round the clock, for days" while they were in London, Cliff is crestfallen as Halley falling for Lester is his “worst fear realized.”[3] His last romantic gesture to Halley had been a love letter which he had mostly plagiarized from James Joyce including references to Dublin.

Judah and Cliff meet by happenstance at the wedding of the daughter of Rabbi Ben, who is Cliff's brother-in-law and Judah's patient. Judah has worked through his guilt and is enjoying life once more; the murder had been blamed on a drifter with a criminal record. He draws Cliff into a supposedly hypothetical discussion that draws upon his moral quandary. Judah says that with time, any crisis will pass; but Cliff morosely claims that “very few guys could live with that on their conscience.”[3] Judah cheerfully leaves the wedding party with his wife, and Cliff is left sitting alone, dejected.

The wedding party continues. Rabbi Ben, who is now blind, shares a dance with his daughter while the voice of Professor Levy is heard, saying that the universe is a dark and indifferent place which human beings fill with love, in the hope that “future generations will understand more.”[3]

• Alan Alda as Lester
• Woody Allen as Cliff Stern
• Martin Landau as Judah Rosenthal
• Mia Farrow as Halley Reed
• Anjelica Huston as Dolores Paley
• Jerry Orbach as Jack Rosenthal
• Sam Waterston as Ben
• Joanna Gleason as Wendy Stern
• Caroline Aaron as Barbara
• Claire Bloom as Miriam Rosenthal
• Jenny Nichols as Jenny
• Martin S. Bergmann as Professor Louis Levy[4]
• Frances Conroy as house owner
• Nora Ephron as wedding guest
• Dolores Sutton as Judah's Secretary
• Daryl Hannah as Lisa
• Zina Jasper as Carol

After viewing the first cut of the film, Allen decided to throw out the first act, call back actors for reshoots, and focus on what turned out to be the central story.[5]

Music

Allen makes use of classical and jazz music in many of the film's scenes. The soundtrack includes Franz Schubert's String Quartet No. 15 (a recording by the Juilliard String Quartet), which is used in the scenes leading up to Dolores' death, and Judah discovering her body.

Influences

The outline of Judah's moral dilemma—whether a person can continue everyday life with the knowledge of having committed murder—evokes[6] the pivotal idea of Russian novelist Fyodor Dostoevsky's Crime and Punishment (1866), despite suggesting a resolution nearly opposite to that of the novel. Allen would revisit the theme in his films Match Point, Cassandra's Dream, and Irrational Man.

• Rosalie (1937) – Written by Cole Porter – Performed by The Jazz Band
• Excerpt from the Soundtrack of 'Mr. & Mrs. Smith' (1941) – Music by Edward Ward
• Dancing on the Ceiling (1930) – Music by Richard Rodgers – Performed by Bernie Leighton
• Taking a Chance on Love (1940) – Music by Vernon Duke – Lyrics by John La Touche
• I Know That You Know (1926) – Music by Vincent Youmans – Lyrics by Anne Caldwell
• English Suite No. 2 in A minor (1722) – Music by Johann Sebastian Bach – Performed by Alicia de Larrocha
• Home Cooking – Written by Hilton Ruiz – Performed by The Hilton Ruiz Quartet
• Happy Birthday to You (1893) – Written by Mildred J. Hill & Patty S. Hill
• Sweet Georgia Brown (1925) – Music by Ben Bernie & Maceo Pinkard – Lyrics by Kenneth Casey
• I've Got You (1942) – Music by Jacques Press – Lyrics by Frank Loesser
• This Year's Kisses (1937) – Written by Irving Berlin – Performed by Ozzie Nelson
• All I Do Is Dream of You (1934) – Music by Nacio Herb Brown – Lyrics by Arthur Freed
• String Quartet in G major, Op. 161, D.887, 1st movement(1826) – Music by Franz Schubert – Performed by the Juilliard String Quartet
• Murder He Says (1942) – Music by Jimmy McHugh – Lyrics by Frank Loesser
• Beautiful Love (1931) – Music by Victor Young, Wayne King and Egbert Van Alstyne – Lyrics by Haven Gillespie
• Great Day (1929) – Music by Vincent Youmans – Lyrics by Billy Rose & Edward Eliscu
• Star Eyes (1943) – Music by Gene de Paul – Lyrics by Don Raye – Performed by Lee Musiker
• Because (1902) – Music by Guy d'Hardelot – Lyrics by Edward Teschemacher
• Crazy Rhythm (1928) – Music by Roger Wolfe Kahn & Joseph Meyer – Lyrics by Irving Caesar
• I'll See You Again (1929) – Written by Noël Coward
• Hopak - traditional Ukrainian dance[7]
• Cuban Mambo (1958) – Music by Xavier Cugat & Rafael Angulo – Lyrics by Jack Wiseman
• Polkadots and Moonbeams (1939) – Music by Jimmy Van Heusen – Lyrics by Johnny Burke
• I'll Be Seeing You (1938) – Music by Sammy Fain – Lyrics by Irving Kahal – Performed by Liberace[8]

Box office

The film grossed a domestic total of $18,254,702.[2]

Critical response

Crimes and Misdemeanors received mostly positive reviews. It holds a 92% rating on review aggregator Rotten Tomatoes, based on 50 critics, with an average rating of 7.9/10.[9] It holds a 77/100 weighted average score on Metacritic, based on 10 critics.[10]

Vincent Canby of The New York Times lauded the film, remarking:

The wonder of Crimes and Misdemeanors is the facility with which Mr. Allen deals with so many interlocking stories of so many differing tones and voices. The film cuts back and forth between parallel incidents and between present and past with the effortlessness of a hip, contemporary Aesop. The movie's secret strength—its structure, really—comes from the truth of the dozens and dozens of particular details through which it arrives at its own very hesitant, not especially comforting, very moving generality."[11]

Roger Ebert of the Chicago Sun-Times gave the film four out of four, writing:

The movie generates the best kind of suspense, because it's not about what will happen to people—it's about what decisions they will reach. We have the same information they have. What would we do? How far would we go to protect our happiness and reputation? How selfish would we be? Is our comfort worth more than another person's life? Allen does not evade this question, and his answer seems to be, yes, for some people, it would be.[12]

Though normally a fierce critic of Allen's work, John Simon of National Review declared the film to be "Allen's first successful blending of drama and comedy, plot and subplot", and added:

The chief strength of the movie is its courage in confronting grave and painful questions of the kind the American cinema has been doing its damnedest to avoid.[13]

Variety gave the film a more mixed review, however, writing, "Woody Allen ambitiously mixes his two favoured strains of cinema, melodrama and comedy, with mixed results in Crimes and Misdemeanours."[14]

Accolades

The film was nominated for three Academy Awards: Allen for Best Director and Best Original Screenplay, and Martin Landau for Best Actor in a Supporting Role.

In Empire magazine's 2008 poll of "The 500 Greatest Movies of All Time", Crimes and Misdemeanors was ranked number 267.[15] In 2010, it was the first film to win the 20/20 Award[16] for Best Picture, Best Original Screenplay (Allen), and Best Supporting Actor (Landau). It also received three additional nominations, for Best Director (Woody Allen), Best Supporting Actor (Jerry Orbach) and Best Supporting Actress (Huston). In a 2016 Time Out contributors' poll, it ranked second only to Annie Hall among Allen's efforts, with Dave Calhoun praising it as "the film in which Woody's comic and serious sides most comfortably align".[17] The film achieved the same rank in a 2016 article by The Daily Telegraph critics Robbie Collin and Tim Robey, who wrote, "Here [Allen is] thinking deeply about moral choice, the question of whether guilt in your own eyes or the eyes of the world matters more. This bubblingly wise film, rich with beautifully dovetailing metaphors about blindness and conscience and the perils of self-knowledge, [...] is Allen on soaring form, gliding so elegantly through its maze of ideas it's as if the spirit of Fred Astaire gave it lift-off."[18] Crimes and Misdemeanors was also named Allen's second best by Chris Nashawaty of Entertainment Weekly[19] and Barbara VanDenbergh of The Arizona Republic,[20] third by Darian Lusk of CBS News,[21] and fourth by Zachary Wigon of Nerve.[22] In a 2015 BBC critics' poll, it was voted the 57th greatest American film ever made.[23]

In October 2013, the film was voted by The Guardian readers as the third best film directed by Allen.[24]

Home media

Crimes and Misdemeanors was released through MGM Home Entertainment on DVD on June 5, 2001. A limited-edition Blu-ray of 3,000 units was later released by Twilight Time on February 11, 2014.[25]

• Litch, Mary M. (2010) [1st ed. 2002]. "Existentialism – The Seventh Seal (1957), Crimes and Misdemeanors (1988), and Leaving Las Vegas (1995)". Philosophy Through Film (2nd ed.). London: Taylor & Francis. pp. 209–226. ISBN 978-0-4159-3875-4.

1. ^ "Crimes and Misdemeanors (15)". British Board of Film Classification. December 6, 1989. Archived from the original on November 4, 2021. Retrieved March 1, 2012.
2. ^ a b Crimes and Misdemeanors at Box Office Mojo
3. ^ a b c "Crimes and Misdemeanors (1989) Movie Scripts | SQ". stockq.org. Retrieved March 9, 2023.
4. ^ "In the Shadow of Moloch". The New York Times Book Review. Vol. 98. 1993. p. 43. ISSN 0028-7806. Archived from the original on November 4, 2021.
5. ^ Ebert, Roger (September 2, 2005). "2046". Chicago Sun-Times. Archived from the original on February 18, 2012. Retrieved November 4, 2021.
6. ^ Nichols, Mary P. (2000). "The Ophthalmologist and the Filmmaker". Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen. Lanham, Maryland: Rowman and Littlefield. pp. 149–164. ISBN 978-0-8476-8990-3.
7. ^ Thomas S. Hischak. The Woody Allen Encyclopedia. - Rowman&Littlefield, 2018. - P. 72
8. ^ Harvey, Adam (2007). The Soundtracks of Woody Allen. Jefferson, North Carolina: McFarland & Company. p. 42. ISBN 978-0-7864-2968-4.
9. ^ Crimes and Misdemeanors at Rotten Tomatoes
10. ^ Crimes and Misdemeanors at Metacritic
11. ^ Canby, Vincent (October 13, 1989). "Review/Film; 'Crimes and Misdemeanors,' New From Woody Allen". The New York Times. Archived from the original on January 25, 2016. Retrieved September 19, 2015.
12. ^ Ebert, Roger (October 13, 1989). "Crimes and Misdemeanors". Chicago Sun-Times. Archived from the original on September 20, 2015. Retrieved September 19, 2015.
13. ^ Simon, John (December 8, 1989). "And Justice for None: Review of Crimes and Misdemeanors". National Review. pp. 46–48. ISSN 0028-0038.
14. ^ "Review: 'Crimes and Misdemeanors'". Variety. December 31, 1988. Archived from the original on March 11, 2020. Retrieved September 19, 2015.
15. ^ "The 500 Greatest Movies of All Time (300–201)". Empire. 2008. Archived from the original on September 8, 2013. Retrieved August 27, 2012.
16. ^ "The 20/20 Awards – 2010 Nominees and Winners 1st Annual Awards". The 20/20 Awards. Archived from the original on January 23, 2013. Retrieved October 4, 2022.
17. ^ "The best Woody Allen movies of all time". Time Out. March 24, 2016. Archived from the original on May 29, 2017. Retrieved January 31, 2017.
18. ^ Collin, Robbie; Robey, Tim (October 12, 2016). "All 47 Woody Allen movies – ranked from worst to best". The Daily Telegraph. Archived from the original on January 18, 2021. Retrieved February 1, 2017.
19. ^ Nashawaty, Chris (July 18, 2016). "Woody Allen Films, Ranked". Entertainment Weekly. Archived from the original on February 5, 2017. Retrieved February 2, 2017.
20. ^ VanDenbergh, Barbara (July 29, 2014). "Woody Allen's top 10 best films". The Arizona Republic. Archived from the original on November 4, 2021. Retrieved February 2, 2017.
21. ^ Lusk, Darian (August 7, 2013). "Top 10 Woody Allen movies". CBS News. Archived from the original on February 3, 2017. Retrieved February 2, 2017.
22. ^ Wigon, Zachary. "Ranked: woody Allen Films from Worst to Best". Nerve. Archived from the original on December 14, 2016. Retrieved February 2, 2017.
23. ^ "The 100 greatest American films". BBC. July 20, 2015. Archived from the original on September 16, 2016. Retrieved February 1, 2017.
24. ^ "The 10 best Woody Allen films". The Guardian. October 4, 2013. Archived from the original on November 29, 2014. Retrieved November 22, 2014.
25. ^ "Crimes And Misdemeanors (1989) (Blu-Ray)". Screen Archives Entertainment. Archived from the original on February 8, 2014. Retrieved February 13, 2014.

• Crimes and Misdemeanors at IMDb 
• Crimes and Misdemeanors at AllMovie
• Crimes and Misdemeanors at the TCM Movie Database
• Crimes and Misdemeanors at the AFI Catalog of Feature Films