Daughter of Earth Literary Elements

Daughter of Earth Literary Elements

Genre

Autobiographical novel

Setting and Context

The autobiography is set from the 1890s to the 1920s in the context of Smedley's life.

Narrator and Point of View

First-person narrative

Tone and Mood

Violent, aggressive, abusive and cynical

Protagonist and Antagonist

Marie Rodgers is the protagonist and of the book.

Major Conflict

The major conflict occurs when her father physically abuses Marie's mother. As a result, Marie's family is unhappy and disoriented. Similarly, the protagonist's father kicks out Aunt Helen because he finds out that she is a prostitute.

Climax

The climax comes when Marie gets a teaching job in Mexico, and she can send her earnings to help her siblings at home.

Foreshadowing

The death of Marie’s mother foreshadowed her overburdened responsibility in the coming days. Marie finds herself in a tight situation because she is the one who is supposed to work and support her siblings.

Understatement

The happiness of Marie is understated. For instance, Marie is not successful in any of her marriage attempts. Unfortunately, she is often raped and misused sexually by her suitors.

Allusions

The story is an illusion of the responsibility of being the eldest child in a family. More often, the eldest children are burdened with taking care of their siblings when their parents separate or die.

Imagery

The imageries of rape and sadism dominate the novel. The author describes the aggressive nature of Marie's mother to depict sight imagery which aids readers to see the negativities of a patriarchal society. Marie's father abuses his wife physically and easily gets away with it. Similarly, Marie is severely raped by men, but society still blames her for not being pure.

Paradox

The main paradox is that Marie wants a man to marry her on her terms and conditions simply because she does not want to fall victim to abuse like her mother.

Parallelism

Marie’s troubled life parallels her mother’s unhappy life because both are abused and misused.

Metonymy and Synecdoche

N/A

Personification

N/A

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