Death Comes for the Archbishop

Death Comes for the Archbishop Literary Elements

Genre

Historical fiction

Setting and Context

New Mexico, 1851 to near the end of the 19th century

Narrator and Point of View

Third-person omniscient, focused on Jean Marie Latour

Tone and Mood

Calm, curious, devoted

Protagonist and Antagonist

Jean Marie Latour, Joseph Vaillant (protagonists); separation, alienation (conceptual antagonists)

Major Conflict

Fathers Latour and Vaillant try to establish the Catholic Church in their new diocese of New Mexico and must engage with the existing religious practices of the Mexicans and Native Americans there.

Climax

Father Vaillant leaves for Colorado, and he and Father Latour understand that this is a definitive goodbye for the both of them.

Foreshadowing

Father Vaillant is frequently traveling as a missionary and feels compelled to go where he is needed the most.

Understatement

Father Latour and Father Vaillant do not usually express how much each means to the other in their friendship.

Allusions

The Spanish cardinal in the prologue mentions that he has read James Fenimore Cooper.

Imagery

Cather fills the story with vivid descriptions of the New Mexico landscape through which Father Latour and Father Vaillant travel.

Paradox

Father Latour hopes to improve the spiritual lives of the New Mexicans to whom he brings the Catholic religion, but he is part of the wider trend of Western colonization that is inflicting deep changes on native societies.

Parallelism

Father Latour comes to disdain the company of cultured men just as his former Bishop, Ferrand, does in the prologue.

Metonymy and Synecdoche

Father Vaillant's signet ring comes to stand for him as a metonym after his death.

Personification

Eusabio is described as being like the New Mexican landscape, personified.

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