Doctor Faustus (Marlowe) Christopher Marlowe

What is truth but the best of us in all of us. Great truths are portions of the soul of man. There are no facts, only interpretations. There is no one truth, or ‘the truth’, but there are as many truths as there are perspectives, and there are as...

The depiction of the Seven Deadly Sins serves a vital role in understanding the contexts through which works of literature explore religiosity and morality. Within both Marlowe’s Dr. Faustus and Spenser’s The Faerie Queene, the portrayal of the...

In the world of theatre, there are many plays in which the central figure is one who harnesses extreme personality traits above all others. For example, Sophocles' Oedipus is a fatherly king with great ambition and strength; and Shakespeare's...

Throughout the course of The Tragical History of Doctor Faustus, a complex relationship develops between Dr. Faustus and the devil Mephastophilis that can be characterized by Faustus' total dependence on his counterpart and a mutual sense of...

In both plays, Twelfth Night and Doctor Faustus, there exists a high and a low (or comic) plot. This plot division serves as a parallel - the actions and characters in the low plot coincide with the actions and characters in the high plot. The...

In Doctor Faustus, good and evil are presented as two polarized ideas: God and Heaven on one side, and Lucifer and Hell on the other. Contrasting representations of this division also appear, such as the old man and the Good Angel opposed to...

"Religion hides many mischiefs from suspicion" (I, ii, 279-280)

Religion, as Barabas describes in this quotation from The Jew of Malta, acts as a measure in defending one's actions as moral or just. Christopher Marlowe presents this use of...

The traditional Christian message Christopher Marlowe was working with during the time he wrote Doctor Faustus stated that one should avoid leading a life of temptation and sin, the origins of which were rooted in an enterprising proprietor of...

Among the various definitions of tragedy, the one most commonly proffered is: a play that treats - at the most uncompromising level - human suffering, or pathos, with death being the usual conclusion. According to Aristotle's Poetics, the purpose...

Christopher Marlowe’s Doctor Faustus presents a protagonist who sells his soul to the devil for god-like knowledge and power. The tension in Faustus surfaces from the protagonist’s self-damnation, for he is constantly reminded and aware of his...

Throughout both ‘Paradise Lost’ and ‘Doctor Faustus,’ the authors draw upon the ideas of responsibility, free will, and blame. Marlowe, in ‘Doctor Faustus’, melds the conventional religious ideology of the Middle Ages with the comparatively new...

In Act 1 Scene 1, Marlowe continues to subtly parody the structure of a typical Aristotelian tragedy, following the Chorus’ unusual introduction with a seemingly orthodox dialogue from the protagonist, Dr Faustus. However, he does not interact...

The literature of the English Renaissance demonstrates a remarkable range of attitudes towards women. While there are significant proclamations of chivalric attitudes towards women such as Walter Raleigh's devotion to Queen Elizabeth I, nearly...

Christopher Marlowe’s Doctor Faustus depicts a clash between the values of the medieval world and the emerging humanism of the Renaissance. During the Middle Ages in Europe, God is the center of intellectual life, and in art and literature, the...

Two concepts often appear to be in conflict or contrast at the heart of Gothic fiction; the dualities of good and bad are often critical to the formation of the literature. Within ‘Dr. Faustus’ the battle between good and bad is particularly...

The theatrical device of performing a play within another play has been employed for centuries, most notably in European theatre and literature (Fisher and Greiden xi). The play within a play “describes a strategy for constructing play texts that...

Throughout Marlowe’s play Doctor Faustus, the themes of sin, damnation and redemption are presented somewhat ambiguously. The key focus of this ambiguity, is the identification of Faustus’ point of no return with regards to the damnation of his...

Sometimes, the Devil—or, at least, one of his most trusted minions—really is in the details. In Christopher Marlowe’s play The Tragical History of Doctor Faustus, the most compelling hero is not the eponymous main character. Doctor Faustus, with...

The period referred to as the Golden Age of English Drama was a revolutionary period when it came to the portrayal of human thought and behavior in society. Some would even argue that this period in Renaissance England was a major influence in the...

Shakespeare’s minor characters are as often as diverse and essential to the plot as their protagonist counterparts, used within his plays to illuminate the main characters’ goals and feelings. The presence of these personages also expands upon the...

Doctor Faustus’ closing speech is unquestionably the most emotional scene in Dr. Faustus. His mind moves from idea to idea in desperation and he spends his final hour in vain hoping that he may be spared from his fate. He looks inward for an...

Christopher Marlowe’s play entitled, Doctor Faustus, tells the story of a curious and ambitious man who has grown tired of focusing on all of the traditional areas of study, and wishes to learn something less known by others. Faustus is intrigued...

A play can have power over its audience, whether it simply captivates them with its plot or makes them question their beliefs with its commentary. Though while the actors are the ones directly exercising this power over the audience, it is the...

Marlowe’s Doctor Faustus and Shakespeare’s The Tempest present similar definitions of “power” through the differing circumstances of their protagonists. Power, in these plays, can be thought of as “control of the unknown.” If one character has...