Anonymous - Beowulf
The author of Beowulf is unknown. Please see the About Beowulf section for more background on the history of Beowulf and its authorship.
The author of Beowulf is unknown. Please see the About Beowulf section for more background on the history of Beowulf and its authorship.
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The story of Beowulf shows the effect of the spread of Christianity in the early Danish paganistic society that values heroic deeds and bravery above all else. The mythical creatures that Beowulf kills with his supernatural strength make the story...
Beowulf, the Old-English epic poem, is characteristic of its Nordic-Germanic roots as a tale of a great Scandinavian warrior - Beowulf - who saves a neighboring kingdom from the wrath of the destructive, blood-thirsty monster, Grendel, and...
"In peaceful times the warlike man sets upon himself." The poem "Beowulf" illustrates the violent, primitive reality of the truth in Nietszche's aphorism. The monster Grendel plays a symbolic role as the primordial, inalienable instincts that...
Although Seamus Heaney and R. M. Liuzza have both translated the literary work Beowulf from Old English text, subtle differences appear throughout their works that reveal the unique perspectives held by each author. When one compares the different...
At a time in history in which war was rampant and conquering lands and enemies seemed a priori, the period's hero tended to follow suit. Beowulf, as a prime example of Old English literature, is set in this highly male-dominated world governed by...
Within the Old English epic poem entitled âBeowulf,â? one theme dominates: to overcome chaos and establish order, a fearless individual must continually fight the force of evil. Even after the poemâs protagonist, Beowulf, victoriously destroys...
Beowulf opens with the story of the ancient king, Shield Sheafson, in order to establish a discussion on kingship, and to begin building a definition of what constitutes a "good king". Once this definition has been established, the text uses it to...
The supernatural is a literary device that has frequently been utilized in works of fiction. The purpose of this literary device have evolved alongside the evolution of literature and language. The function of the supernatural often varies based...
In Beowulf and Beroul's The Romance of Tristan, the heroes Beowulf and Tristan are magnificent fighters. Their numerous victories against seemingly insurmountable odds and powerful enemies are testaments to their battle-talents. Yet the two heroes...
Victorious Pagan Beliefs
British poet Percy Bysshe Shelley once remarked that "Revenge is the naked idol of the worship of a semi-barbarous age." Though not referring to Old English poetry, Shelley's acclamation is illustrated in the epic poem ...
Throughout western history, enormous gender differences have been evident in both monotheistic and polytheistic cultures. Indeed, the patriarchal hierarchies in both social systems have emphasized the superiority of the male sex; however, greater...
Supernatural creatures play an important role in defining the hero in both the eighth century epic poem Beowulf, and the fourteenth century British Romance Sir Gawain and the Green Knight. Though both tales involve the hero's journey to find and...
The description of the two different battle scenes wherein Beowulf slays the monsters are described in great detail, and are both quite different. Beowulf's battle with Grendel occurs in the Danish king's mead hall-a civilized and comfortable...
It is difficult to pinpoint the exact moment that the Anglo-Saxon heroic culture came to an end. There is no doubt, however, that the ideals prominent during the time of Beowulf, Hrothgar, and Wiglaf have gradually dissipated and taken on...
"So that troubled time continued, woe that never stopped..." (Beowulf 38)
In the epic poem Beowulf, the relation of aggression and heroism is complicated and challenging, especially when a contemporary reader is introduced to views expressed from...
Beowulf is an important text in the history of British literature as it is the first notable work to be written in the English language. Yet, it is significant beyond its chronological status. Containing both Christian and pagan elements, Beowulf...
In the thrilling epic Beowulf, the theme of fatalism is very apparent throughout the poem. "Fate will go as it must." (Line 455) The Anglo Saxons believed that people lived life as an everyday struggle against undefeatable odds and that a man's...
The phrase "he was a good king" appears three times in Beowulf. The first iteration (line 11) is a homage to Shield Sheafson. By describing Sheafson in honorific terms, the poet suggests that Sneafson's offspring are also worthy of respect. The...
The poem Beowulf was written between the 8th and 10th centuries, a time of great transition. Anglo-Saxons still dominated England, and Christianity had only come to the region one hundred or so years before. Although the new religion spread...
Beowulf, as a character, is often described as the original model for the hero found in literature from antiquity to the modern day. New interpretations of the text, however, focus more on Beowulf the man rather than Beowulf the hero of Heorot. If...
Every act of translation is simultaneously an act of interpretation. With regard to Beowulf’s last scene and final words to the young warrior Wiglaf, an analysis of three translations of the poem, by E. Talbot Donaldson, R.M. Liuzza, and Seamus...
In the Old English poem Beowulf, the warrior culture is centered upon the heroic codes. Those who are members of Hrothgar’s court are ranked based upon the identities and reputations of their ancestors. It can be said that the armor of these...
Beowulf’s fight with Grendel proves his heroic credentials and strength. Grendel, the unstoppable demonic troll, all but surrenders at Beowulf’s squashing grip. The bone-crushing grab, however, raises a crux debated by Beowulf scholars: Does...
In her 1995 article "The Women of Beowulf: A Context for Interpretation," Gillian R. Overing argues that "[t]he women in Beowulf, whether illegitimate monsters or pedigreed peaceweaving queens, are all marginal, excluded figures…"(Overing, 335)...