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Essays include research and analysis on themes, characters, and historical context. Critical essays are a source for examples, essay notes, essay prompts, and essay topics. Essays require membership to view.
Essays include research and analysis on themes, characters, and historical context. Critical essays are a source for examples, essay notes, essay prompts, and essay topics. Essays require membership to view.
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In William Shakespeare's Othello, the deceptive Iago weaves an intricate web of lies with which he enmeshes Othello alongside his many other victims. His manipulation of other characters, machinations that serve as the driving force behind the...
In "Portrait D'une Femme", Ezra Pound contrasts the female inclination towards fragmentation, inertia and subservience with the corresponding male characteristics of spontaneity, wholeness, and dominance in an effort to underscore the threat posed...
The name Iago comes from Latin, "Iacobus," meaning "one who trips up another and takes his place." This name also belongs to the most important character in Shakespeare's Othello and one of the most wonderfully evil characters of all time. The...
Shakespeare's Othello is a tragedy unlike others of it's time. Othello is a play concerned with domestic fidelity more than royal usurpations. It is a play in which ocular proof comes from a mystical strawberry handkerchief rather than a ghost of...
Othello is a tragedy. But what qualities does it possess to qualify it as such? The key difference between comedy and tragedy is the ability to reconcile and tolerate the inevitable foibles of the human condition. In Othello nothing is tolerated,...
It has been suggested by many scholars and critics that William Shakespeare (1564-1616) "borrowed" the plotlines in his plays from various sources, such as the tragic works of the ancient Greeks and Romans and from other European writers that...
"Is this the promised end?" Analyse the final scene of Othello.
"Iago, you have done well that men must lay their murders on your neck" [5:2 line 166, p.157]. This ironic tone is akin to that of "Is this the promised end?" Can it be anything but...
According to the great English essayist and scholar William Hazlitt, the character of Iago from William Shakespeare's masterpiece Othello "is one of the supererogations of Shakespeare's genius," due the fact that Iago's "villainy is without a...
John Dexter saw Othello as 'a man essentially narcissistic and self-dramatising... a pompous, word-spinning arrogant black general'. However, Helen Gardner believed him to be 'a man of action and heroic in his deeds'. Using these views of Othello...
Othello is, among other things, a play about words. Each character's essence is expressed by a distinct idiom, and each character succeeds or fails, at least to an extent, because of language. A passage in the temptation scene, 3.3.191-222,...
As William Shakespeare's only truly Aristotelian tragedy, Othello has no subplot or comic relief, and, when originally performed, had little spectacle in the way of the set or action. The absence of these distractions leave the themes of the play...
Othello is a man of action. Hamlet is a man of inaction. If Hamlet were placed in Othello's world and vice versa one could assume that both would function well in those circumstances. Othello is a man of action in a play that demands his...
"IAGO: Stand you a while apart.
Confine yourself but in a patient list.
Whilst you were here, o'erwhelmèd with your grief -
A passion most unsuiting such a man -
Cassio came hither. I shifted him away,
And laid good 'scuse upon your ecstasy,
Bade him...
Speech in Shakespeare's "Othello" possesses a power beyond that of deeds'. It is Othello's fantastical storytelling that won him Desdemona at the start, Iago's poisonous suggestion that leads the general to murder his own wife, Emilia's testimony...
In Shakespeare's play, Othello, the men hunt the women, as a human hunts animals in the wild. The man exerts dominance and expects the woman to accept her submissive role in relation to his dominance. The central couples involved in showing this...
Choose one non-dramatic text offered on the module, (an extract from Samuel Taylor Coleridge's Literary Remains,) and show how it might help us understand Othello.
The extract presents a sustained attack by Coleridge on Shakespeare for his lack of...
Compared with other literature of the Heian Period, the Torikaebaya Monogatari stands out as an unusual story. The reversal of gender roles that is central to the plot is a narrative device not found among the other surviving monogatari from this...
Less than a decade after Karl Marx completed his philosophical work, The German Ideology: Part I, Charles Darwin was finally persuaded to publish his biological masterpiece, The Origin of Species. Could these two works be bound intrinsically...
The Mirrors of Macondo
In Gabriel Garcia Marquez's One Hundred Years Of Solitude the fictional town of Macondo provides a stage, on which the speaker uses the regression of a society to show the disastrous consequences of capitalism on an...
True to its title, One Hundred Years of Solitude masterfully analyzes that human superego which brings each individual to a torturous state of perpetual solitary confusion. Although taking no stance on the validity of societal morale, Gabriel...
Power is the predominant theme of Ken Kesey's 'One Flew Over The Cuckoo's Nest': who holds power, who doesn't, who wants it, who loses it, how it is used to intimidate and manipulate and for what purposes, and, most especially, how it is disrupted...
"One should never direct people toward happiness, because happiness too is an idol of the market-place. One should direct them towards mutual affection. A beast gnawing at its prey can be happy too, but only human beings can feel affection for...
"What is absurd is the confrontation between the sense of the irrational and the overwhelming desire for clarity which resounds in the depths of man."
-Albert Camus
The human existence is controlled, monitored, and viewed to assume a predictable...
Form as Strategy: Keats's "On the Sonnet" and "Bright Star"
"On the Sonnet" is a poem that deplores convention, flouts convention, is governed by convention, and recuperates convention. It is neither a proper Petrarchan poem nor a Shakespearean...