Genre
History, Drama, Epic Theater
Language
Originally German, translated into English
Setting and Context
The events described in the story take place in a time period from 1606 to 1633 in Padua, Florence, Rome and in countryside near Florence.
Narrator and Point of View
There is no narrator.
Tone and Mood
The tone is often didactic, rhetorical, and intellectual, with moments of dramatic tension.
Protagonist and Antagonist
Galileo is the protagonist of the story. The Inquisitor is the antagonist of the story.
Major Conflict
The major conflict of this story is that Galileo's theories present a threat to the Roman Catholic society in which he lives and are therefore controversial. While Galileo wants to push science forward and be an innovative thinker, the church wants to suppress his ideas, and he is punished for his work.
Climax
The moment when Andrea and his other pupils hear the proclamation of Galileo’s recantation is the climax of the play.
Foreshadowing
A mention of the Copernican system foreshadows events of the story, for a reader understands that this play is going to be dedicated to Galileo’s attempt to prove that the Copernican system is correct. Virginia's discussion with the Inquisitor foreshadows the fact that Galileo is going to be brought in for questioning.
Understatement
Galileo's response to the plague is an example of understatement, in that he does not take the danger of the outbreak seriously, privileging his work over his safety.
Allusions
Giordano Bruno, Aristotle, Copernicus, the Bible, astrology.
Imagery
Paradox
Even though Galileo is proving principles of science in an empirical way, people still do not believe him, choosing to believe in the ineffable principles of religion rather than science.
Parallelism
Andrea is Galileo's parallel, in that he is his protege and carries on his intellectual legacy.
Personification
Use of Dramatic Devices
Projections are used to show some of Galileo's written work.