Hayavadana Sources and ClassicNote Author

Haney II, William S. Postmodern Theater and the Void of Conceptions. Newcastle-upon-Tyne: Cambridge Scholars Publisher, 2006.

Dharwadker, Aparna Bhargava. Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947. Iowa City: University of Iowa Press, 2005.

Alexandru, Maria-Sabina Draga, and Maria-Sabina Draga Alexandru. Performance and Performativity in Contemporary Indian Fiction in English. Leiden: BRILL, 2015.

Anand Mahadevan. "Switching Heads and Cultures: Transformation of an Indian Myth by Thomas Mann and Girish Karnad." Comparative Literature, vol. 54, no. 1, 2002, pp. 23-41.

Leslie, Julia. "Nailed to the Past: Girish Karnad's Plays." Journal of South Asian Literature, vol. 31/32, no. 1/2, 1996, pp. 50-84.

Hansen, Kathryn. "Indian Folk Traditions and the Modern Theatre." Asian Folklore Studies, vol. 42, no. 1, 1983, pp. 77-89.

Doniger, Wendy. "When a Kiss Is Still a Kiss: Memories of the Mind and the Body in Ancient India and Hollywood." The Kenyon Review, vol. 19, no. 1, 1997, pp. 118-26.

Awasthi, Suresh, and Richard Schechner. "'Theatre of Roots': Encounter with Tradition." TDR (1988-), vol. 33, no. 4. 1989, pp. 48-69.

Divya, Nayakwadi. "KARNAD'S ALIENATED MODERN MAN DEPICTED THROUGH HAYAVADANA." Pune Research, vol. 3, no. 5, 2017, pp. 1-8.

Kumar, Nand. Indian English Drama: A Study in Myths. Delhi, Sarup & Sons, 2003.

Khan, Amara. "Girish Karnad's Hayavadana: Analysis of Text and its Theatrical Performance." Journal of Research in Humanities, vol. LVI, pp. 141-153.

B.L., Arya. "Hayavadana: A Celebration of Hybridity." Literary Endeavor, vol. X, no. 2, 2019, pp. 48-51.

Bhatia, Gitanjali. "Girish Karnad: Pioneering ‘The Theatre of Roots.’" Galaxy: International Multidisciplinary Research Journal, vol. II, no. III, 2013, pp. 1-19.