Homegoing

Homegoing Literary Elements

Genre

Historical Fiction

Setting and Context

Ghana and the United States, from the early 1800s through the early 2000s

Narrator and Point of View

Third person omniscient

Tone and Mood

Serious

Protagonist and Antagonist

Major Conflict

Since the novel is made up of many short stories, there are small conflicts within each chapter, most of which are centered around interaction between whites and Africans or African-Americans. However, it could be said that the separation of Maame's descendants is the overarching conflict of the story.

Climax

Marjorie and Marcus face their fears of fire and water on the beach of Cape Coast.

Foreshadowing

The African villagers' distrust of white colonists foreshadows the cruel treatment of Africans and African-Americans by whites over the next three centuries.

Understatement

Allusions

Allusions are made to Fante and Asante religion and folktales. Allusions are made to classic literature in the chapter titled "Marjorie."

Imagery

Vivid imagery, especially of the abuse slaves suffered while at the Cape Coast Castle and on plantations in the American South, is utilized to communicate the horror of slavery.

Paradox

Parallelism

Many parallels are drawn between the related characters in the book. These include Willie and Sonny both working at the same jazz club, the name Kojo being used for two characters, and many characters being marked by scars.

Metonymy and Synecdoche

Personification

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