Medea Euripides

Medea and Iphigenia, specifically in Euripides’s plays Medea and Iphigenia at Aulis, are two faces of the same issue in Greek mythology. There are cultural expectations of womanhood that involve being gentle, restrained, and obedient. But...

The mythological figure of Medea and her story has been told throughout the centuries, her deeds encouraging many moral and ethical debates. However, writers from different periods represent her in different ways, no retelling quite the same as...

What lends tragic literature its proximity to human nature is that the border between being a tragic villain and a tragic hero is extremely thin.

A question that this statement will certainly bring up is whether there is such a thing as a hero or a...

How far is it true to say that Medea loses her identity throughout Euripides' Medea.

Perhaps in order to address this title, it is necessary to look for a definition of 'identity'. The Oxford English Dictionary defines it as 'individuality,...

Tales of women as sorceresses and magic-wielders abound in the literature and mythology of cultures that promote the gendered binary of culture over nature, activity over passivity, and reason over superstition. In these patriarchal societies,...

Although Euripides was known for his propensity to challenge tradition and complacency, his Medea was quite controversial when it was introduced in 431 B.C. in Classical Greece (ca. 479-323 B.C. ). Athenian society, a man's world by organization,...

Euripides portrays his character, Medea, through a combination of sometimes contrasting traits. She is female in gender yet is largely responsible for the glory achieved by her husband and has achieved Kleos, an honor usually reserved for men. She...

Throughout western history, enormous gender differences have been evident in both monotheistic and polytheistic cultures. Indeed, the patriarchal hierarchies in both social systems have emphasized the superiority of the male sex; however, greater...

At first glance, the system of ethics presented by Euripides in his masterpiece Medea seems to parallel the systems found in several other tragedies of ancient Greek theatre. This system of helping friends and harming enemies, which recurs...

Critics have noted that unlike his illustrious predecessors who also specialized in Greek tragedy, Euripides bears a far greater sensibility towards the marginalized sections of society such that many of his prominent characters are seen to be...

The plays Medea and Lysistrata both portray title characters that are women in Ancient Greece. In each of these plays the title characters feel they must confront the patriarchal society in which they live. The men of Ancient Greece see the women...

In Euripides’ Medea, Plutarch’s Sayings of Spartan Women, Lycurgus and Xenophon’s Spartan Society, it is made clear that filicide is a byproduct of the dichotomy of an honor vs. shame society. Medea, the barbarian wife of a man who remarries in...

“Nothing in excess” is inscribed on the temple of Apollo at Delphi. As the cornerstone of Greek philosophy, this creed was embraced through a lifestyle of moderation and self-restraint. In spite of this ideal, in his tragic masterpiece Medea,...

Writer Oscar Wilde once said: “A mask tells us more than a face.” Throughout history, lies and masks have been a means to an end in achieving the goals of women who are limited in their current situations – social, political, or economical. Women...

Medea, as introduced by Euripides, is known for her violent actions and domestic violations. Motivated by Jason’s unfaithfulness and wavering heart, Medea loses her sanity and eventually commits infanticide. Medea’s story is representative of...

Throughout the course of history, marriage as an institution has changed drastically, weaving in and out of various phases and forms. What began as a purely reproductive relationship evolved into an emotional companionship. Or has it? Does...

Despite her violent transgressions, Euripedes paints Medea as a victim from the start to the end of the play. Even Medea’s most violent act, the murder of her own children, is made complicated by Euripides’ appeal to the reader’s sympathy for her...

Medea, in Medea by Euripides, might be described as a hysterical and ruthless murderer, for she kills an innocent princess and slaughters her very own children. The women in The Tale of Genji by Murasaki Shikibu could easily be described as needy...

Greek theatre, portrayed in Medea, emphasizes the characters and the plot through the structure of Greek theatre as well as bringing about a new moral and social portrayal of Greece. Originated in Athens around the 5th century BC, Greek theater,...

The struggle of the outsider is facilitated by their isolation and their inability to form significant bonds with others in their community. Whilst outsiders have the capacity to challenge their respective communities, their struggles inevitably...

In Euripides’ Medea, one could argue that Medea’s most tragic flaw is her emotions. Medea goes on a quest to seek revenge on her unfaithful husband Jason and her retaliation is her closure. Jason’s betrayal is the fuel for this revenge, and...

In a last, desperate attempt to gain support and exercise free will in a society that condemns her, Seneca’s Medea calls on the gods for help. Medea finds herself in a country with an oppressive government that despises foreigners, and her foreign...

Originally written by Euripides, Medea is an ancient Greek tragedy based upon the myth of Medea and Jason. After encountering Jason during his quest for the Golden Fleece, Medea falls in love and abandons her homeland to help him throughout his...

The scattered leaves of the great tree shivered a sound of wind through rotted sail, and from some immense crevice near the tree’s considerable base, a serpentine shadow of midnight scale and flashing fang poured rapidly forth to surge across the...