Over to You Literary Elements

Over to You Literary Elements

Genre

Short stories, Short Fiction, World War II fiction

Setting and Context

The stories are set during World War II specifically within the ranks of the Royal Air Force.

Narrator and Point of View

"An African Story' is narrated by a third person narrator who tells the story of a young airforceman lost in a remote area of Africa.

Tone and Mood

The tone is very dark; the mood deals with the insanity of the war.

Protagonist and Antagonist

War is the antagonist, the pilots are the protagonists, and mankind as a whole is also a protagonist.

Major Conflict

The major conflict in the collection is World War II.

Climax

The climax comes at the end of the collection when Dahl turns the book over to the reader; we are instructed to consider ourselves as the people waiting underneath the bombs.

Foreshadowing

The conversations that the pilots have together foreshadows the mental breakdowns they are going to experience at the end of the war, when they return to their families and their lives as they were before.

Understatement

N/A

Allusions

The title of the story "They Shall Not Grow Old" alludes to lines in a poem by Laurence Binyon entitled "Anzac Ode".

Imagery

The imagery in the collection is extremely dark and foreboding, and the majority of the images created involve mass death and destruction.

Paradox

In the story about the man and his dog, Smith, the men notice a paradox; if one of them as an individual committed a heinous crime, or if a building full of people dropped dead suddenly and randomly, there would be national outrage, but when they bomb a building filled with people in the name of the war, barely an eyebrow is raised.

Parallelism

The premise of the collection is that there is a parallel between the reader and the people in the buildings that the pilots are planning to drop a bomb on.

Metonymy and Synecdoche

"You" is not only used to address on specific reader, it also represents the global readership of the collection.

Personification

N/A

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