Speaker or Narrator, and Point of View
The speaker is an adult narrating in the first person, veering between remembering his distant childhood and describing his current state.
Form and Meter
Five quatrains with a loose ABAB rhyme scheme
Metaphors and Similes
Metaphors include "the trapped sky," a description of the wells' reflective surface, and "big-eyed Narcissus," a self-deprecating description of the speaker himself. Similes include "fructified like an aquarium," a description of an overgrown, plant-filled well.
Alliteration and Assonance
Alliteration includes the D sounds of "the dark drop," and the F sounds of "ferns and tall/Foxgloves." Assonance, frequently used throughout the poem, appears in phrases such as "old pumps with buckets," "a bucket/plummeted," both of which use assonant U sounds, and "a rat slapped," which uses assonant A sounds.
Irony
Ironically, the speaker's adult peers would find his habit of staring into wells vain or narcissistic. This is ironic because, in fact, the opposite is true: he enjoys wells because they reveal him to himself in a new light, without the burden of ego and self-consciousness. The reader's expectation of a link between self-examination and vanity is elegantly upended.
Genre
lyric poetry, nature poetry
Setting
A countryside area, implied to be twentieth-century Ireland
Tone
contemplative, playful
Protagonist and Antagonist
The speaker is the protagonist. The poem's antagonist is the outside world, which consistently tries to keep him from wells and from the exploration he loves.
Major Conflict
The speaker's desire to explore wells, which conflicts with the expectations he faces as an adult.
Climax
The poem's climax is the speaker's declaration that carefree exploration would be beneath "adult dignity."
Foreshadowing
The poem's opening line, in which the speaker implies that adults tried to keep him from wells as a child, foreshadows the conflict he will later face between exploration and social expectations.
Understatement
N/A
Allusions
The "Helicon" in the title is an allusion to a mountain which, in Greek myth, is said to be home to streams that are themselves sources of poetic inspiration. "Narcissus," another allusion to Greek myth, is a figure said to have fallen in love with his own reflection in a body of water.
Metonymy and Synecdoche
In "a white face hovered over the bottom," the face is a metonymic representation of the speaker's reflection. The phrase "I rhyme" uses rhyme as a metonymic representation of the practice of writing poetry more generally.
Personification
Wells are personified in the description "Others had echoes, gave back your own call."
Hyperbole
The opening line's phrase "they could not keep me from wells" hyperbolically describes the young speaker's desire to visit wells against others' wishes.
Onomatopoeia
The word "crash" is onomatopoetic.