Mates - “A Black Mate”
Conrad writes, “As a matter of fact, the mates of the ships then lying in the London Dock were like the majority of officers in the Merchant Service — a steady, hard-working, staunch, unromantic-looking set of men, belonging to various classes of society, but with the professional stamp obliterating the personal characteristics, which were not very marked anyhow.” These images render the mates as professionals who are enthusiastic about their jobs. The men typify a proficiency which eclipses their individual aspects. Nonetheless, their expertise does not validate racial egalitarianism based on how they exhibit prejudice.
Mr. Stonor - “The Brute”
Conrad observes, “Besides, it’s no use nodding to a monument. And he was like one. He didn’t speak, he didn’t budge. He just sat there, holding his handsome old head up, immovable, and almost bigger than life. It was extremely fine.” Conrad’s imagery renders him a giant-like look that appeals for reverence. The unassailable form sets him apart from Jeremy and the stranger. Clearly, Mr. Stonor is unequivocally noticeable.
