Strange Interlude Sources and ClassicNote Author

Törnqvist, Egil. “To Speak the Unspoken: Audible Thinking in O’Neill’s Plays.” The Eugene O’Neill Review,vol. 16, no. 1, 1992, pp. 55–70.

Houchin, John H. “Eugene O’Neill’s ‘Woman Play’ in Boston.” The Eugene O’Neill Review, vol. 22, no. 1/2, 1998, pp. 48–62.

Granger, Bruce Ingham. “Illusion and Reality in Eugene O’Neill.” Modern Language Notes, vol. 73, no. 3, 1958, pp. 179–86.

Dubost, Thierry. “‘Strange Interlude’, or the Pursuit of Happiness Revisited.” The Eugene O’Neill Review, vol. 29, 2007, pp. 36–49.

Malone, Kemp. “The Diction of Strange Interlude.” American Speech, vol. 6, no. 1, 1930, pp. 19–28.

Eisen, Kurt. “Novelization and the Drama of Consciousness in ‘Strange Interlude.’” The Eugene O’Neill Review, vol. 14, no. 1/2, 1990, pp. 39–46.

Wolff, Tamsen. “‘Eugenic O’Neill’ and the Secrets of ‘Strange Interlude.’” Theatre Journal , vol. 55, no. 2, 2003, pp. 215–34.

Mandl, Bette. “Gender as Design in Eugene O’Neill’s ‘Strange Interlude.’” The Eugene O’Neill Review, vol. 19, no. 1/2, 1995, pp. 122–28.

Parks, Edd Winfield. “Eugene O’Neill’s Symbolism: Old Gods for New.” The Sewanee Review, vol. 43, no. 4, 1935, pp. 436–51.