- Stephen Greenblatt. The Norton Anthology of English Literature. New York: Norton, 2012.
- Marshall Grossman. Aemilia Lanyer: Gender, Genre, and the Canon. Lexington: The University Press of Kentucky, 2015.
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Greenstadt, Amy. “Aemilia Lanyer’s Pathetic Phallacy.” Journal for Early Modern Cultural Studies, vol. 8, no. 1, [Indiana University Press, University of Pennsylvania Press], 2008, pp. 67–97, http://www.jstor.org/stable/40339590.
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Kuchar, Gary. “Aemilia Lanyer and the Virgin’s Swoon: Theology and Iconography in ‘Salve Deus Rex Judaeorum.’” English Literary Renaissance, vol. 37, no. 1, Wiley, 2007, pp. 47–73, http://www.jstor.org/stable/24463801.
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Coch, Christine. “An Arbor of One’s Own? Aemilia Lanyer and the Early Modern Garden.” Renaissance and Reformation / Renaissance et Réforme, vol. 28, no. 2, Renaissance and Reformation / Renaissance et Réforme, 2004, pp. 97–118, http://www.jstor.org/stable/43445755.
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Lewalski, Barbara K. “Re-Writing Patriarchy and Patronage: Margaret Clifford, Anne Clifford, and Aemilia Lanyer.” The Yearbook of English Studies, vol. 21, Modern Humanities Research Association, 1991, pp. 87–106, https://doi.org/10.2307/3508481.
- Poetry Foundation. "Æemilia Lanyer." Poetry Foundation. 26 Oct 2021. <https://www.poetryfoundation.org/poets/aemilia-lanyer>.
- The British Library. "Aemilia Lanyer's Salve Deus Rex Judaeorum, 1611." The British Library. 10 Feb 2017. 26 Oct 2021. <https://www.bl.uk/collection-items/emilia-laniers-salve-deus-rex-judaeorum-1611>.