Simile: Steel and Tension
“For now, the tension was subtle, a vibration, like the inaudible cry of overstressed steel” (30). This simile likens the tension between two architecture firms (Burnham/Root and Adler/Sullivan) to the tension of metal in tall structures. By comparing these two things, it plays on the theme of architecture and shows the pressure that the men are under.
Simile: Drugs and Warmth
Holmes’ depravity and fetishization of violence are shown by the following simile: “The chloroform and his own intense arousal made him feel light-headed. The sensation, as always, was pleasant and induced in him a warm languor, like the feeling he got after sitting too long in front of a hot stove” (148). He feels comfortable, at peace, completely satisfied.
Metaphor: Burnham's Charisma
A metaphor is used to describe Burnham’s magnetic personality. “Burnham was handsome, tall, and strong, with vivid blue eyes, all of which drew clients and friends to him the way a lens gathers light” (26). It puts his ability to become successful as an architect in perspective.
Metaphor: Suffocation
When Holmes holds chloroform over a woman’s mouth, her body seizes as she goes under. “Slowly the energy left her, and her hands began to move in slow arcs, soothing and sensuous, the wild drums silent. Ballet now, a pastoral exit” (148). This metaphor, comparing her movements to a beautiful, sensual ballet, shows Holmes's sexual perversion and deepens the reader’s understanding of his sociopathic behavior.
Simile: Big Mary
In a description of exhibitions at the World’s Fair, a statue is compared to a torch. “The gold form of the Statue of the Republic, Big Mary, stood like a torch aflame” (266). This simile makes it appear as though the statue is lighting the way, or shedding light on the glory of the fair. It alludes to themes of hope, light, and freedom.
