The God of Small Things Arundhati Roy

Arundhati has spoken of and written a fair amount of critiques surrounding corporate globalization and the neoliberal agenda; “Confronting Empire” is just one of them. For the interest of familiarity, neoliberalism is a successor of Keynsianism...

Hardt and Negri outline the definition of the word “empire” in their book entitled Empire (2001: xiv) as being a “phenomenon arising from the increasing globalization of the world, transcending the power of even the strongest sovereign nations...

The God of Small Things follows a series of unfortunate events that unravel the lives of the characters of the novel. One major theme echoed again and again through the novel is the theme of guilt and the effect it has on the decisions the...

One, a story about culture, class, family, and love laws, follows the lives of a pair of twins in Kerala, India as they learn one fateful December day how drastically "Things Can Change in a Day." The other, a story about suicide and incestual...

Perception of time plays a peculiar role in The God of Small Things, serving both as linear force, dragging the plot along with it, and as a proverbial tar pit, ensnaring and preserving a moment and time. The entire Kochamma family seems stuck in...

In Arundhati Roy’s The God of Small Things, readers may find it easy to view Sophie Mol and Velutha as the Gods of Colonial circumstances. However, by viewing the characters solely as the embodiments of colonial circumstances, readers fail to see...

The God of Small Things by Arundhati Roy and All the Pretty Horses by Cormac McCarthy are two works that give their respective characters a choice between love and duty. Although these works differ drastically in historical setting, how love and...

In the novel The God of Small Things by Arundhati Roy, the domination of women is a common theme that is manifested by each of the generation in the novel. Roy writes about the fraught social issues that plague Indian society; she wrote The God of...

‘Her reality is magical. She has a heightened awareness of the natural world, of smells and sounds, of colour and light. And she renders palpable this world, at once strange and familiar, in prose of sinuous beauty… A small wonder of style and...

Roy’s “God of Small Things” is a work of literary genius that commentates on the difficulties and divisions created by Colonialism and, more broadly, the impact of western influence on the entirety of eastern culture. In the narrative, the idea of...

Forbidden love is a prominent theme in both The Guide and The God of Small Things. While R.K. Narayan utilizes Raju’s affair as a plot device, Arundhati Roy displays several sexual taboos as part of a broader theme to challenge societal...

Throughout the many relationships in Arundhati Roy’s novel The God of Small Things, love, both familial and romantic, is presented as a beautiful, cruel, unjust, and empowering aspect of life. The story, told through the eyes of the young twins,...

In The God of Small Things, Roy’s main characters Estha and Rahel Eapen face many tragedies during their youth. The non-linear plot of Roy’s novel causes readers to piece together the story once you get to the end. Many times throughout the novel,...

In the novel The God Of Small Things, Arundhati Roy employs numerous irregular stylistic devices which aid in her telling of the story. Set in the small town of Ayamenem in post-colonial India, the non-linear narrative follows the journey of twin...

Scientists often call the first few weeks of life for a duckling the “sensitive period” due to the uniqueness of this time. During these weeks, the duckling’s mind is the most impressionable that it will ever be; the sounds it hears in these weeks...

Both of Roy’s novels explore with the isolation of individual characters from each other, from society as well as from the overall narrative arch. The use of varying narrative form furthers this theme by isolating readers from the fragmented...