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Aragay I Sastre, Mireia. "EXPLORING GENDER ROLES IN THE 60s: ANN JELLICOE'S "THE KNACK" AND HAROLD PINTER'S "THE HOMECOMING"" Atlantis 16, no. 1/2 (1994): 5-19.
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Berlin, Normand. "Traffic of Our Stage: Pinter's "The Homecoming"" The Massachusetts Review 49, no. 3 (2008): 385-92.
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Coe, Richard M. "Logic, Paradox, and Pinter's "Homecoming"" Educational Theatre Journal 27, no. 4 (1975): 488-97.
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Prentice, Penelope. "Ruth: Pinter's The Homecoming Revisited." Twentieth Century Literature 26, no. 4 (1980): 458-78.
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States, Bert O. "Pinter's "Homecoming": The Shock of Nonrecognition." The Hudson Review 21, no. 3 (1968): 474-86.
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Postlewait, Thomas. "Pinter's "The Homecoming": Displacing and Repeating Ibsen." Comparative Drama 15, no. 3 (1981): 195-212.
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Warner, John M. "The Epistemological Quest in Pinter's "The Homecoming"" Contemporary Literature 11, no. 3 (1970): 340-53.
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Hinden, Michael. "To Verify a Proposition in "The Homecoming"" Theatre Journal 34, no. 1 (1982): 27-39.
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Free, William J. "Treatment of Character in Harold Pinter's "The Homecoming"" South Atlantic Bulletin 34, no. 4 (1969): 1-5.
- "The Homecoming." haroldpinter.org. 6/17/17. <http://www.haroldpinter.org/films/films_homecoming.shtml>.
- Garland, Merrick. "The Homecoming: Whores Pimps and Kindly Old Men ." The Harvard Crimson. 6/17/17. <http://www.thecrimson.com/article/1972/2/15/the-homecoming-pibtbhe-homecomingi-is-dedicated/>.