1 What has changed to fear in the beginning of "The Liar"? an image of a tree and cold birds metamorphosis of self flesh feelings of love 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They are a physical representation of all the things the speaker once loved and now fears. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? No; he doesn't technically have a body or soul because he is an alien Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon 4 Does the speaker enjoy bodily pleasures? Why or why not? No; he describes the "comforts" of the spirit as disgusting things that he cannot understand Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he feels trapped inside his body and his bodily pleasures degrade his soul Yes; bodily pleasures are called "pleasures" because they feel good 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" alien, craziness man, birth person, birth man, tides 6 What does the speaker publicly redefine? his name his soul his body his poetry 7 How did the speaker profit from the change in his soul? divinely biblically enormously immensely 8 What was erased from the speaker's face? sight his eyes familiarity his moles 9 Fill in the blanks: "A ____ I think, / an _____" stupor, airiness question, answer question, askance fire, ember 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" minutes, live minutes, die seconds, rest hours, fall 11 What is the title of this poem? The Pretender The Rider The Deciever The Liar 12 What was the author's name when this poem was published? LeRoi Jones Amiri Baraka LeRoy Jones Immamu Amiri Baraka 13 Which of the following is an example of alliteration from the poem? "They / are whithered yellow flowers and were never / beautiful" "We want live / Words of the hip world live flesh & / Coursing blood" "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" "silver spiraled whirled against the / sun" 14 What year was this poem published? 1963 1961 1965 1966 15 What are the two main themes of "The Liar"? Psychological Terror & Separation of the Body and Soul Popular Culture/Oral Tradition & Individuality Individuality & Psychological Terror Metamorphosis of Self & Separation/Unity of the Body and Soul 16 What two qualities would characterize the speaker of "The Liar"? hateful & changing shy & timid vocal & critical alien & scared 17 What does "biblically" mean in the context of this poem? hugely; immensely tinily meekly shyly 18 What is the closest definition of the word "familiarity" in the context of this poem? friendliness the state of being known or familiar inappropriate and often offensive informality of behavior or language relaxed friendliness or intimacy between people 19 What is "Roi" a reference to in this poem? It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem It's a nickname for LeRoy Neiman, Baraka's best friend in childhood Roi Hibbert Roy Halladay 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? allegory allegedly assonance metaphor 21 What does "instances" mean in the context of this poem? examples bodily comforts moments entrances 22 What is the closest meaning of "comforts" in the context of this poem? greasy foods bodily pleasures things that cause pain condolences 23 What kind of literary device is "rattling"? imagery onomatopoeia description simile