1 What has changed to fear in the beginning of "The Liar"? flesh metamorphosis of self an image of a tree and cold birds feelings of love 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They are a physical representation of all the things the speaker once loved and now fears. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit No; he doesn't technically have a body or soul because he is an alien No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. 4 Does the speaker enjoy bodily pleasures? Why or why not? No; he feels trapped inside his body and his bodily pleasures degrade his soul Yes; bodily pleasures are called "pleasures" because they feel good Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he describes the "comforts" of the spirit as disgusting things that he cannot understand 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" man, birth alien, craziness man, tides person, birth 6 What does the speaker publicly redefine? his poetry his name his soul his body 7 How did the speaker profit from the change in his soul? immensely divinely biblically enormously 8 What was erased from the speaker's face? familiarity sight his eyes his moles 9 Fill in the blanks: "A ____ I think, / an _____" question, answer fire, ember question, askance stupor, airiness 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" seconds, rest minutes, live hours, fall minutes, die 11 What is the title of this poem? The Rider The Liar The Deciever The Pretender 12 What was the author's name when this poem was published? Amiri Baraka Immamu Amiri Baraka LeRoy Jones LeRoi Jones 13 Which of the following is an example of alliteration from the poem? "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" "They / are whithered yellow flowers and were never / beautiful" "silver spiraled whirled against the / sun" "We want live / Words of the hip world live flesh & / Coursing blood" 14 What year was this poem published? 1963 1966 1965 1961 15 What are the two main themes of "The Liar"? Individuality & Psychological Terror Metamorphosis of Self & Separation/Unity of the Body and Soul Popular Culture/Oral Tradition & Individuality Psychological Terror & Separation of the Body and Soul 16 What two qualities would characterize the speaker of "The Liar"? alien & scared hateful & changing vocal & critical shy & timid 17 What does "biblically" mean in the context of this poem? meekly tinily shyly hugely; immensely 18 What is the closest definition of the word "familiarity" in the context of this poem? relaxed friendliness or intimacy between people the state of being known or familiar friendliness inappropriate and often offensive informality of behavior or language 19 What is "Roi" a reference to in this poem? It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem It's a nickname for LeRoy Neiman, Baraka's best friend in childhood Roi Hibbert Roy Halladay 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? assonance allegedly allegory metaphor 21 What does "instances" mean in the context of this poem? entrances bodily comforts moments examples 22 What is the closest meaning of "comforts" in the context of this poem? things that cause pain greasy foods condolences bodily pleasures 23 What kind of literary device is "rattling"? description imagery onomatopoeia simile