1 What has changed to fear in the beginning of "The Liar"? an image of a tree and cold birds flesh feelings of love metamorphosis of self 2 Why are the images offered in Stanza I scary? (For extra help, consult "Summary and Analysis" section of the guide.) They constitute scenes that cannot be found in nature but that are easily visualized in the imagination. Thus, they constitute an alienation from nature. They employ dark language that is meant to be eerie, such as "shadow," "frozen," and "rattling." They are a physical representation of all the things the speaker once loved and now fears. All of the above 3 Is the speaker's body completely separated from his soul? Why or why not? Yes; the body and the soul are understood as separate entities and opposing forces in Baraka's literary canon No; every time the speaker tries to find his flesh, all he finds are entrances of spirit. Thus, flesh and spirit are inseparable. No; he doesn't technically have a body or soul because he is an alien Yes; the spirit is trapped in the flesh and the flesh tortures and degrades the spirit 4 Does the speaker enjoy bodily pleasures? Why or why not? No; he feels trapped inside his body and his bodily pleasures degrade his soul Yes; he loves their "chanting weight" that "erased familiarity from his face" No; he describes the "comforts" of the spirit as disgusting things that he cannot understand Yes; bodily pleasures are called "pleasures" because they feel good 5 Fill in the blanks: "Though I am a ____ / who is loud / on the ____ / of his ways" person, birth alien, craziness man, tides man, birth 6 What does the speaker publicly redefine? his name his body his poetry his soul 7 How did the speaker profit from the change in his soul? biblically enormously immensely divinely 8 What was erased from the speaker's face? his moles his eyes familiarity sight 9 Fill in the blanks: "A ____ I think, / an _____" fire, ember stupor, airiness question, askance question, answer 10 Fill in the blanks: "whatever sits / counting the ______ / till you _____" minutes, die hours, fall seconds, rest minutes, live 11 What is the title of this poem? The Pretender The Liar The Rider The Deciever 12 What was the author's name when this poem was published? Immamu Amiri Baraka Amiri Baraka LeRoy Jones LeRoi Jones 13 Which of the following is an example of alliteration from the poem? "We want live / Words of the hip world live flesh & / Coursing blood" "silver spiraled whirled against the / sun" "When they say, 'It is Roi / who is dead.' I wonder / who will they mean?" "They / are whithered yellow flowers and were never / beautiful" 14 What year was this poem published? 1966 1963 1965 1961 15 What are the two main themes of "The Liar"? Popular Culture/Oral Tradition & Individuality Metamorphosis of Self & Separation/Unity of the Body and Soul Individuality & Psychological Terror Psychological Terror & Separation of the Body and Soul 16 What two qualities would characterize the speaker of "The Liar"? vocal & critical hateful & changing shy & timid alien & scared 17 What does "biblically" mean in the context of this poem? shyly tinily meekly hugely; immensely 18 What is the closest definition of the word "familiarity" in the context of this poem? inappropriate and often offensive informality of behavior or language the state of being known or familiar friendliness relaxed friendliness or intimacy between people 19 What is "Roi" a reference to in this poem? It's a nickname for LeRoy Neiman, Baraka's best friend in childhood Roi Hibbert It's a nickname for LeRoi Jones, Baraka's name at the publication of this poem Roy Halladay 20 What kind of literary device is contained in the quotation "It is Roi / who is dead"? assonance metaphor allegedly allegory 21 What does "instances" mean in the context of this poem? moments bodily comforts entrances examples 22 What is the closest meaning of "comforts" in the context of this poem? condolences greasy foods bodily pleasures things that cause pain 23 What kind of literary device is "rattling"? imagery simile onomatopoeia description