XII
ANOTHER SOUTHERN PRODUCT
One morning shortly after the opening of the hospital, while Dr. Miller was making his early rounds, a new patient walked in with a smile on his face and a broken arm hanging limply by his side. Miller recognized in him a black giant by the name of Josh Green, who for many years had worked on the docks for Miller's father,—and simultaneously identified him as the dust-begrimed negro who had stolen a ride to Wellington on the trucks of a passenger car.
"Well, Josh," asked the doctor, as he examined the fracture, "how did you get this? Been fighting again?"
"No, suh, I don' s'pose you could ha'dly call it a fight. One er dem dagoes off'n a Souf American boat gimme some er his jaw, an' I give 'im a back answer, an' here I is wid a broken arm. He got holt er a belayin'-pin befo' I could hit 'im."
"What became of the other man?" demanded Miller suspiciously. He perceived, from the indifference with which Josh bore the manipulation of the fractured limb, that such an accident need not have interfered seriously with the use of the remaining arm, and he knew that Josh had a reputation for absolute fearlessness.
"Lemme see," said Josh reflectively, "ef I kin 'member w'at did become er him! Oh, yes, I 'member now! Dey tuck him ter de Marine Horspittle in de amberlance, 'cause his leg wuz broke, an' I reckon somethin' must 'a' accident'ly hit 'im in de jaw, fer he wuz scatt'rin' teeth all de way 'long de street. I didn' wan' ter kill de man, fer he might have somebody dependin' on 'im, an' I knows how dat'd be ter dem. But no man kin call me a damn' low-down nigger and keep on enjoyin' good health right along."
"It was considerate of you to spare his life," said Miller dryly, "but you'll hit the wrong man some day. These are bad times for bad negroes. You'll get into a quarrel with a white man, and at the end of it there'll be a lynching, or a funeral. You'd better be peaceable and endure a little injustice, rather than run the risk of a sudden and violent death."
"I expec's ter die a vi'lent death in a quarrel wid a w'ite man," replied Josh, in a matter-of-fact tone, "an' fu'thermo', he's gwine ter die at the same time, er a little befo'. I be'n takin' my own time 'bout killin' 'im; I ain' be'n crowdin' de man, but I'll be ready after a w'ile, an' den he kin look out!"
"And I suppose you're merely keeping in practice on these other fellows who come your way. When I get your arm dressed, you'd better leave town till that fellow's boat sails; it may save you the expense of a trial and three months in the chain-gang. But this talk about killing a man is all nonsense. What has any man in this town done to you, that you should thirst for his blood?"
"No, suh, it ain' nonsense,—it's straight, solem' fac'. I'm gwine ter kill dat man as sho' as I'm settin' in dis cheer; an' dey ain' nobody kin say I ain' got a right ter kill 'im. Does you 'member de Ku-Klux?" "Yes, but I was a child at the time, and recollect very little about them. It is a page of history which most people are glad to forget."
"Yas, suh; I was a chile, too, but I wuz right in it, an' so I 'members mo' erbout it 'n you does. My mammy an' daddy lived 'bout ten miles f'm here, up de river. One night a crowd er w'ite men come ter ou' house an' tuck my daddy out an' shot 'im ter death, an' skeered my mammy so she ain' be'n herse'f f'm dat day ter dis. I wa'n't mo' 'n ten years ole at de time, an' w'en my mammy seed de w'ite men comin', she tol' me ter run. I hid in de bushes an' seen de whole thing, an' it wuz branded on my mem'ry, suh, like a red-hot iron bran's de skin. De w'ite folks had masks on, but one of 'em fell off,—he wuz de boss, he wuz de head man, an' tol' de res' w'at ter do,—an' I seen his face. It wuz a easy face ter 'member; an' I swo' den, 'way down deep in my hea't, little ez I wuz, dat some day er 'nother I'd kill dat man. I ain't never had no doubt erbout it; it's jus' w'at I'm livin' fer, an' I know I ain' gwine ter die till I've done it. Some lives fer one thing an' some fer another, but dat's my job. I ain' be'n in no has'e, fer I'm not ole yit, an' dat man is in good health. I'd like ter see a little er de worl' befo' I takes chances on leavin' it sudden; an', mo'over, somebody's got ter take keer er de ole 'oman. But her time'll come some er dese days, an den his time'll be come—an' prob'ly mine. But I ain' keerin' 'bout myse'f: w'en I git thoo wid him, it won' make no diff'ence 'bout me."
Josh was evidently in dead earnest. Miller recalled, very vividly, the expression he had seen twice on his patient's face, during the journey to Wellington.
He had often seen Josh's mother, old Aunt Milly,—"Silly Milly," the children called her,—wandering aimlessly about the street, muttering to herself incoherently. He had felt a certain childish awe at the sight of one of God's creatures who had lost the light of reason, and he had always vaguely understood that she was the victim of human cruelty, though he had dated it farther back into the past. This was his first knowledge of the real facts of the case.
He realized, too, for a moment, the continuity of life, how inseparably the present is woven with the past, how certainly the future will be but the outcome of the present. He had supposed this old wound healed. The negroes were not a vindictive people. If, swayed by passion or emotion, they sometimes gave way to gusts of rage, these were of brief duration. Absorbed in the contemplation of their doubtful present and their uncertain future, they gave little thought to the past,—it was a dark story, which they would willingly forget. He knew the timeworn explanation that the Ku-Klux movement, in the main, was merely an ebullition of boyish spirits, begun to amuse young white men by playing upon the fears and superstitions of ignorant negroes. Here, however, was its tragic side,—the old wound still bleeding, the fruit of one tragedy, the seed of another. He could not approve of Josh's application of the Mosaic law of revenge, and yet the incident was not without significance. Here was a negro who could remember an injury, who could shape his life to a definite purpose, if not a high or holy one. When his race reached the point where they would resent a wrong, there was hope that they might soon attain the stage where they would try, and, if need be, die, to defend a right. This man, too, had a purpose in life, and was willing to die that he might accomplish it. Miller was willing to give up his life to a cause. Would he be equally willing, he asked himself, to die for it? Miller had no prophetic instinct to tell him how soon he would have the opportunity to answer his own question. But he could not encourage Josh to carry out this dark and revengeful purpose. Every worthy consideration required him to dissuade his patient from such a desperate course.
"You had better put away these murderous fancies, Josh," he said seriously. "The Bible says that we should 'forgive our enemies, bless them that curse us, and do good to them that despitefully use us.'"
"Yas, suh, I've l'arnt all dat in Sunday-school, an' I've heared de preachers say it time an' time ag'in. But it 'pears ter me dat dis fergitfulniss an' fergivniss is mighty one-sided. De w'ite folks don' fergive nothin' de niggers does. Dey got up de Ku-Klux, dey said, on 'count er de kyarpit-baggers. Dey be'n talkin' 'bout de kyarpit-baggers ever sence, an' dey 'pears ter fergot all 'bout de Ku-Klux. But I ain' fergot. De niggers is be'n train' ter fergiveniss; an' fer fear dey might fergit how ter fergive, de w'ite folks gives 'em somethin' new ev'y now an' den, ter practice on. A w'ite man kin do w'at he wants ter a nigger, but de minute de nigger gits back at 'im, up goes de nigger, an' don' come down tell somebody cuts 'im down. If a nigger gits a' office, er de race 'pears ter be prosperin' too much, de w'ite folks up an' kills a few, so dat de res' kin keep on fergivin' an' bein' thankful dat dey're lef alive. Don' talk ter me 'bout dese w'ite folks,—I knows 'em, I does! Ef a nigger wants ter git down on his marrow-bones, an' eat dirt, an' call 'em 'marster,' he's a good nigger, dere's room fer him. But I ain' no w'ite folks' nigger, I ain'. I don' call no man 'marster.' I don' wan' nothin' but w'at I wo'k fer, but I wants all er dat. I never moles's no w'ite man, 'less 'n he moles's me fus'. But w'en de ole 'oman dies, doctuh, an' I gits a good chance at dat w'ite man,—dere ain' no use talkin', suh!—dere's gwine ter be a mix-up, an' a fune'al, er two fune'als—er may be mo', ef anybody is keerliss enough to git in de way."
"Josh," said the doctor, laying a cool hand on the other's brow, "you 're feverish, and don't know what you're talking about. I shouldn't let my mind dwell on such things, and you must keep quiet until this arm is well, or you may never be able to hit any one with it again."
Miller determined that when Josh got better he would talk to him seriously and dissuade him from this dangerous design. He had not asked the name of Josh's enemy, but the look of murderous hate which the dust-begrimed tramp of the railway journey had cast at Captain George McBane rendered any such question superfluous. McBane was probably deserving of any evil fate which might befall him; but such a revenge would do no good, would right no wrong; while every such crime, committed by a colored man, would be imputed to the race, which was already staggering under a load of obloquy because, in the eyes of a prejudiced and undiscriminating public, it must answer as a whole for the offenses of each separate individual. To die in defense of the right was heroic. To kill another for revenge was pitifully human and weak: "Vengeance is mine, I will repay," saith the Lord.
XIII
THE CAKEWALK
Old Mr. Delamere's servant, Sandy Campbell, was in deep trouble.
A party of Northern visitors had been staying for several days at the St. James Hotel. The gentlemen of the party were concerned in a projected cotton mill, while the ladies were much interested in the study of social conditions, and especially in the negro problem. As soon as their desire for information became known, they were taken courteously under the wing of prominent citizens and their wives, who gave them, at elaborate luncheons, the Southern white man's views of the negro, sighing sentimentally over the disappearance of the good old negro of before the war, and gravely deploring the degeneracy of his descendants. They enlarged upon the amount of money the Southern whites had spent for the education of the negro, and shook their heads over the inadequate results accruing from this unexampled generosity. It was sad, they said, to witness this spectacle of a dying race, unable to withstand the competition of a superior type. The severe reprisals taken by white people for certain crimes committed by negroes were of course not the acts of the best people, who deplored them; but still a certain charity should be extended towards those who in the intense and righteous anger of the moment should take the law into their own hands and deal out rough but still substantial justice; for no negro was ever lynched without incontestable proof of his guilt. In order to be perfectly fair, and give their visitors an opportunity to see both sides of the question, they accompanied the Northern visitors to a colored church where they might hear a colored preacher, who had won a jocular popularity throughout the whole country by an oft-repeated sermon intended to demonstrate that the earth was flat like a pancake. This celebrated divine could always draw a white audience, except on the days when his no less distinguished white rival in the field of sensationalism preached his equally famous sermon to prove that hell was exactly one half mile, linear measure, from the city limits of Wellington. Whether accidentally or not, the Northern visitors had no opportunity to meet or talk alone with any colored person in the city except the servants at the hotel. When one of the party suggested a visit to the colored mission school, a Southern friend kindly volunteered to accompany them.
The visitors were naturally much impressed by what they learned from their courteous hosts, and felt inclined to sympathize with the Southern people, for the negro is not counted as a Southerner, except to fix the basis of congressional representation. There might of course be things to criticise here and there, certain customs for which they did not exactly see the necessity, and which seemed in conflict with the highest ideals of liberty but surely these courteous, soft-spoken ladies and gentlemen, entirely familiar with local conditions, who descanted so earnestly and at times pathetically upon the grave problems confronting them, must know more about it than people in the distant North, without their means of information. The negroes who waited on them at the hotel seemed happy enough, and the teachers whom they had met at the mission school had been well-dressed, well-mannered, and apparently content with their position in life. Surely a people who made no complaints could not be very much oppressed.
In order to give the visitors, ere they left Wellington, a pleasing impression of Southern customs, and particularly of the joyous, happy-go-lucky disposition of the Southern darky and his entire contentment with existing conditions, it was decided by the hotel management to treat them, on the last night of their visit, to a little diversion, in the shape of a genuine negro cakewalk.
On the afternoon of this same day Tom Delamere strolled into the hotel, and soon gravitated to the bar, where he was a frequent visitor. Young men of leisure spent much of their time around the hotel, and no small part of it in the bar. Delamere had been to the club, but had avoided the card-room. Time hanging heavy on his hands, he had sought the hotel in the hope that some form of distraction might present itself.
"Have you heard the latest, Mr. Delamere?" asked the bartender, as he mixed a cocktail for his customer.
"No, Billy; what is it?"
"There's to be a big cakewalk upstairs to-night. The No'the'n gentlemen an' ladies who are down here to see about the new cotton fact'ry want to study the nigger some more, and the boss has got up a cakewalk for 'em, 'mongst the waiters and chambermaids, with a little outside talent."
"Is it to be public?" asked Delamere.
"Oh, no, not generally, but friends of the house won't be barred out. The clerk 'll fix it for you. Ransom, the head waiter, will be floor manager."
Delamere was struck with a brilliant idea. The more he considered it, the brighter it seemed. Another cocktail imparted additional brilliancy to the conception. He had been trying, after a feeble fashion, to keep his promise to Clara, and was really suffering from lack of excitement.
He left the bar-room, found the head waiter, held with him a short conversation, and left in his intelligent and itching palm a piece of money.
The cakewalk was a great success. The most brilliant performer was a late arrival, who made his appearance just as the performance was about to commence. The newcomer was dressed strikingly, the conspicuous features of his attire being a long blue coat with brass buttons and a pair of plaid trousers. He was older, too, than the other participants, which made his agility the more remarkable. His partner was a new chambermaid, who had just come to town, and whom the head waiter introduced to the newcomer upon his arrival. The cake was awarded to this couple by a unanimous vote. The man presented it to his partner with a grandiloquent flourish, and returned thanks in a speech which sent the Northern visitors into spasms of delight at the quaintness of the darky dialect and the darky wit. To cap the climax, the winner danced a buck dance with a skill and agility that brought a shower of complimentary silver, which he gathered up and passed to the head waiter.
Ellis was off duty for the evening. Not having ventured to put in an appearance at Carteret's since his last rebuff, he found himself burdened with a superfluity of leisure, from which he essayed to find relief by dropping into the hotel office at about nine o'clock. He was invited up to see the cakewalk, which he rather enjoyed, for there was some graceful dancing and posturing. But the grotesque contortions of one participant had struck him as somewhat overdone, even for the comical type of negro. He recognized the fellow, after a few minutes' scrutiny, as the body-servant of old Mr. Delamere. The man's present occupation, or choice of diversion, seemed out of keeping with his employment as attendant upon an invalid old gentleman, and strangely inconsistent with the gravity and decorum which had been so noticeable when this agile cakewalker had served as butler at Major Carteret's table, upon the occasion of the christening dinner. There was a vague suggestion of unreality about this performance, too, which Ellis did not attempt to analyze, but which recurred vividly to his memory upon a subsequent occasion.
Ellis had never pretended to that intimate knowledge of negro thought and character by which some of his acquaintances claimed the ability to fathom every motive of a negro's conduct, and predict in advance what any one of the darker race would do under a given set of circumstances. He would not have believed that a white man could possess two so widely varying phases of character; but as to negroes, they were as yet a crude and undeveloped race, and it was not safe to make predictions concerning them. No one could tell at what moment the thin veneer of civilization might peel off and reveal the underlying savage.
The champion cakewalker, much to the surprise of his sable companions, who were about equally swayed by admiration and jealousy, disappeared immediately after the close of the performance. Any one watching him on his way home through the quiet streets to old Mr. Delamere's would have seen him now and then shaking with laughter. It had been excellent fun. Nevertheless, as he neared home, a certain aspect of the affair, hitherto unconsidered, occurred to him, and it was in a rather serious frame of mind that he cautiously entered the house and sought his own room.
* * * * *
The cakewalk had results which to Sandy were very serious. The following week he was summoned before the disciplinary committee of his church and charged with unchristian conduct, in the following particulars, to wit: dancing, and participating in a sinful diversion called a cakewalk, which was calculated to bring the church into disrepute and make it the mockery of sinners.
Sandy protested his innocence vehemently, but in vain. The proof was overwhelming. He was positively identified by Sister 'Manda Patterson, the hotel cook, who had watched the whole performance from the hotel corridor for the sole, single, solitary, and only purpose, she averred, of seeing how far human wickedness could be carried by a professing Christian. The whole thing had been shocking and offensive to her, and only a stern sense of duty had sustained her in looking on, that she might be qualified to bear witness against the offender. She had recognized his face, his clothes, his voice, his walk—there could be no shadow of doubt that it was Brother Sandy. This testimony was confirmed by one of the deacons, whose son, a waiter at the hotel, had also seen Sandy at the cakewalk.
Sandy stoutly insisted that he was at home the whole evening; that he had not been near the hotel for three months; that he had never in his life taken part in a cakewalk, and that he did not know how to dance. It was replied that wickedness, like everything else, must have a beginning; that dancing was an art that could be acquired in secret, and came natural to some people. In the face of positive proof, Sandy's protestations were of no avail; he was found guilty, and suspended from church fellowship until he should have repented and made full confession.
Sturdily refusing to confess a fault of which he claimed to be innocent, Sandy remained in contumacy, thereby falling somewhat into disrepute among the members of his church, the largest in the city. The effect of a bad reputation being subjective as well as objective, and poor human nature arguing that one may as well have the game as the name, Sandy insensibly glided into habits of which the church would not have approved, though he took care that they should not interfere with his duties to Mr. Delamere. The consolation thus afforded, however, followed as it was by remorse of conscience, did not compensate him for the loss of standing in the church, which to him was a social club as well as a religious temple. At times, in conversation with young Delamere, he would lament his hard fate.
Tom laughed until he cried at the comical idea which Sandy's plaint always brought up, of half-a-dozen negro preachers sitting in solemn judgment upon that cakewalk,—it had certainly been a good cakewalk!—and sending poor Sandy to spiritual Coventry.
"Cheer up, Sandy, cheer up!" he would say when Sandy seemed most depressed. "Go into my room and get yourself a good drink of liquor. The devil's church has a bigger congregation than theirs, and we have the consolation of knowing that when we die, we'll meet all our friends on the other side. Brace up, Sandy, and be a man, or, if you can't be a man, be as near a man as you can!"
Hoping to revive his drooping spirits, Sandy too often accepted the proffered remedy.
XIV
THE MAUNDERINGS OF OLD MRS. OCHILTREE
When Mrs. Carteret had fully recovered from the shock attendant upon the accident at the window, where little Dodie had so narrowly escaped death or serious injury, she ordered her carriage one afternoon and directed the coachman to drive her to Mrs. Ochiltree's.
Mrs. Carteret had discharged her young nurse only the day before, and had sent for Mammy Jane, who was now recovered from her rheumatism, to stay until she could find another girl. The nurse had been ordered not to take the child to negroes' houses. Yesterday, in driving past the old homestead of her husband's family, now occupied by Dr. Miller and his family, Mrs. Carteret had seen her own baby's carriage standing in the yard.
When the nurse returned home, she was immediately discharged. She offered some sort of explanation, to the effect that her sister worked for Mrs. Miller, and that some family matter had rendered it necessary for her to see her sister. The explanation only aggravated the offense: if Mrs. Carteret could have overlooked the disobedience, she would by no means have retained in her employment a servant whose sister worked for the Miller woman.
Old Mrs. Ochiltree had within a few months begun to show signs of breaking up. She was over seventy years old, and had been of late, by various afflictions, confined to the house much of the time. More than once within the year, Mrs. Carteret had asked her aunt to come and live with her; but Mrs. Ochiltree, who would have regarded such a step as an acknowledgment of weakness, preferred her lonely independence. She resided in a small, old-fashioned house, standing back in the middle of a garden on a quiet street. Two old servants made up her modest household.
This refusal to live with her niece had been lightly borne, for Mrs. Ochiltree was a woman of strong individuality, whose comments upon her acquaintance, present or absent, were marked by a frankness at times no less than startling. This characteristic caused her to be more or less avoided. Mrs. Ochiltree was aware of this sentiment on the part of her acquaintance, and rather exulted in it. She hated fools. Only fools ran away from her, and that because they were afraid she would expose their folly. If most people were fools, it was no fault of hers, and she was not obliged to indulge them by pretending to believe that they knew anything. She had once owned considerable property, but was reticent about her affairs, and told no one how much she was worth, though it was supposed that she had considerable ready money, besides her house and some other real estate. Mrs. Carteret was her nearest living relative, though her grand-nephew Tom Delamere had been a great favorite with her. If she did not spare him her tongue-lashings, it was nevertheless expected in the family that she would leave him something handsome in her will.
Mrs. Ochiltree had shared in the general rejoicing upon the advent of the Carteret baby. She had been one of his godmothers, and had hinted at certain intentions held by her concerning him. During Mammy Jane's administration she had tried the old nurse's patience more or less by her dictatorial interference. Since her partial confinement to the house, she had gone, when her health and the weather would permit, to see the child, and at other times had insisted that it be sent to her in charge of the nurse at least every other day.
Mrs. Ochiltree's faculties had shared insensibly in the decline of her health. This weakness manifested itself by fits of absent-mindedness, in which she would seemingly lose connection with the present, and live over again, in imagination, the earlier years of her life. She had buried two husbands, had tried in vain to secure a third, and had never borne any children. Long ago she had petrified into a character which nothing under heaven could change, and which, if death is to take us as it finds us, and the future life to keep us as it takes us, promised anything but eternal felicity to those with whom she might associate after this life. Tom Delamere had been heard to say, profanely, that if his Aunt Polly went to heaven, he would let his mansion in the skies on a long lease, at a low figure.
When the carriage drove up with Mrs. Carteret, her aunt was seated on the little front piazza, with her wrinkled hands folded in her lap, dozing the afternoon away in fitful slumber.
"Tie the horse, William," said Mrs. Carteret, "and then go in and wake
Aunt Polly, and tell her I want her to come and drive with me."
Mrs. Ochiltree had not observed her niece's approach, nor did she look up when William drew near. Her eyes were closed, and she would let her head sink slowly forward, recovering it now and then with a spasmodic jerk.
"Colonel Ochiltree," she muttered, "was shot at the battle of Culpepper Court House, and left me a widow for the second time. But I would not have married any man on earth after him."
"Mis' Ochiltree!" cried William, raising his voice, "oh, Mis'
Ochiltree!"
"If I had found a man,—a real man,—I might have married again. I did not care for weaklings. I could have married John Delamere if I had wanted him. But pshaw! I could have wound him round"—
"Go round to the kitchen, William," interrupted Mrs. Carteret impatiently, "and tell Aunt Dinah to come and wake her up."
William returned in a few moments with a fat, comfortable looking black woman, who curtsied to Mrs. Carteret at the gate, and then going up to her mistress seized her by the shoulder and shook her vigorously.
"Wake up dere, Mis' Polly," she screamed, as harshly as her mellow voice would permit. "Mis' 'Livy wants you ter go drivin' wid 'er!"
"Dinah," exclaimed the old lady, sitting suddenly upright with a defiant assumption of wakefulness, "why do you take so long to come when I call? Bring me my bonnet and shawl. Don't you see my niece waiting for me at the gate?"
"Hyuh dey is, hyuh dey is!" returned Dinah, producing the bonnet and shawl, and assisting Mrs. Ochiltree to put them on.
Leaning on William's arm, the old lady went slowly down the walk, and was handed to the rear seat with Mrs. Carteret.
"How's the baby to-day, Olivia, and why didn't you bring him?"
"He has a cold to-day, and is a little hoarse," replied Mrs. Carteret, "so I thought it best not to bring him out. Drive out the Weldon road, William, and back by Pine Street."
The drive led past an eminence crowned by a handsome brick building of modern construction, evidently an institution of some kind, surrounded on three sides by a grove of venerable oaks.
"Hugh Poindexter," Mrs. Ochiltree exclaimed explosively, after a considerable silence, "has been building a new house, in place of the old family mansion burned during the war."
"It isn't Mr. Poindexter's house, Aunt Polly. That is the new colored hospital built by the colored doctor."
"The new colored hospital, indeed, and the colored doctor! Before the war the negroes were all healthy, and when they got sick we took care of them ourselves! Hugh Poindexter has sold the graves of his ancestors to a negro,—I should have starved first!"
"He had his grandfather's grave opened, and there was nothing to remove, except a few bits of heart-pine from the coffin. All the rest had crumbled into dust."
"And he sold the dust to a negro! The world is upside down."
"He had the tombstone transferred to the white cemetery, Aunt Polly, and he has moved away."
"Esau sold his birthright for a mess of pottage. When I die, if you outlive me, Olivia, which is not likely, I shall leave my house and land to this child! He is a Carteret,—he would never sell them to a negro. I can't trust Tom Delamere, I'm afraid."
The carriage had skirted the hill, passing to the rear of the new building.
"Turn to the right, William," ordered Mrs. Carteret, addressing the coachman, "and come back past the other side of the hospital."
A turn to the right into another road soon brought them to the front of the building, which stood slightly back from the street, with no intervening fence or inclosure. A sorrel pony in a light buggy was fastened to a hitching-post near the entrance. As they drove past, a lady came out of the front door and descended the steps, holding by the hand a very pretty child about six years old.
"Who is that woman, Olivia?" asked Mrs. Ochiltree abruptly, with signs of agitation.
The lady coming down the steps darted at the approaching carriage a look which lingered involuntarily.
Mrs. Carteret, perceiving this glance, turned away coldly.
With a sudden hardening of her own features the other woman lifted the little boy into the buggy and drove sharply away in the direction opposite to that taken by Mrs. Carteret's carriage.
"Who is that woman, Olivia?" repeated Mrs. Ochiltree, with marked emotion.
"I have not the honor of her acquaintance," returned Mrs. Carteret sharply. "Drive faster, William."
"I want to know who that woman is," persisted Mrs. Ochiltree querulously. "William," she cried shrilly, poking the coachman in the back with the end of her cane, "who is that woman?"
"Dat's Mis' Miller, ma'am," returned the coachman, touching his hat;
"Doctuh Miller's wife."
"What was her mother's name?"
"Her mother's name wuz Julia Brown. She's be'n dead dese twenty years er mo'. Why, you knowed Julia, Mis' Polly!—she used ter b'long ter yo' own father befo' de wah; an' after de wah she kep' house fer"—
"Look to your horses, William!" exclaimed Mrs. Carteret sharply.
"It's that hussy's child," said Mrs. Ochiltree, turning to her niece with great excitement. "When your father died, I turned the mother and the child out into the street. The mother died and went to—the place provided for such as she. If I hadn't been just in time, Olivia, they would have turned you out. I saved the property for you and your son! You can thank me for it all!"
"Hush, Aunt Polly, for goodness' sake! William will hear you. Tell me about it when you get home."
Mrs. Ochiltree was silent, except for a few incoherent mumblings. What she might say, what distressing family secret she might repeat in William's hearing, should she take another talkative turn, was beyond conjecture.
Olivia looked anxiously around for something to distract her aunt's attention, and caught sight of a colored man, dressed in sober gray, who was coming toward the carriage.
"There's Mr. Delamere's Sandy!" exclaimed Mrs. Carteret, touching her aunt on the arm. "I wonder how his master is? Sandy, oh, Sandy!"
Sandy approached the carriage, lifting his hat with a slight exaggeration of Chesterfieldian elegance. Sandy, no less than his master, was a survival of an interesting type. He had inherited the feudal deference for his superiors in position, joined to a certain self-respect which saved him from sycophancy. His manners had been formed upon those of old Mr. Delamere, and were not a bad imitation; for in the man, as in the master, they were the harmonious reflection of a mental state.
"How is Mr. Delamere, Sandy?" asked Mrs. Carteret, acknowledging Sandy's salutation with a nod and a smile.
"He ain't ez peart ez he has be'n, ma'am," replied Sandy, "but he's doin' tol'able well. De doctuh say he's good fer a dozen years yit, ef he'll jes' take good keer of hisse'f an' keep f'm gittin' excited; fer sence dat secon' stroke, excitement is dange'ous fer 'im."
"I'm sure you take the best care of him," returned Mrs. Carteret kindly.
"You can't do anything for him, Sandy," interposed old Mrs. Ochiltree, shaking her head slowly to emphasize her dissent. "All the doctors in creation couldn't keep him alive another year. I shall outlive him by twenty years, though we are not far from the same age."
"Lawd, ma'am!" exclaimed Sandy, lifting his hands in affected amazement,—his study of gentle manners had been more than superficial,—"whoever would 'a' s'picion' dat you an' Mars John wuz nigh de same age? I'd 'a' 'lowed you wuz ten years younger 'n him, easy, ef you wuz a day!"
"Give my compliments to the poor old gentleman," returned Mrs. Ochiltree, with a simper of senile vanity, though her back was weakening under the strain of the effort to sit erect that she might maintain this illusion of comparative youthfulness. "Bring him to see me some day when he is able to walk."
"Yas'm, I will," rejoined Sandy. "He's gwine out ter Belleview nex' week, fer ter stay a mont' er so, but I'll fetch him 'roun' w'en he comes back. I'll tell 'im dat you ladies 'quired fer 'im."
Sandy made another deep bow, and held his hat in his hand until the carriage had moved away. He had not condescended to notice the coachman at all, who was one of the young negroes of the new generation; while Sandy regarded himself as belonging to the quality, and seldom stooped to notice those beneath him. It would not have been becoming in him, either, while conversing with white ladies, to have noticed a colored servant. Moreover, the coachman was a Baptist, while Sandy was a Methodist, though under a cloud, and considered a Methodist in poor standing as better than a Baptist of any degree of sanctity.
"Lawd, Lawd!" chuckled Sandy, after the carriage had departed, "I never seed nothin' lack de way dat ole lady do keep up her temper! Wid one foot in de grave, an' de other hov'rin' on de edge, she talks 'bout my ole marster lack he wuz in his secon' chil'hood. But I'm jes' willin' ter bet dat he'll outlas' her! She ain't half de woman she wuz dat night I waited on de table at de christenin' pa'ty, w'en she 'lowed she wuzn' feared er no man livin'."
