Identity and Self-Deception
In the narrative, the characters constantly wrestle with their sense of identity as they hide their true selves under layers of deception. Kathleen, for instance, embodies this struggle. Her former career as a college tennis champion defines much of her self-worth, but she hides her dissatisfaction with her life behind a façade of control. Kathleen’s ability to execute "The Most" tennis move, which she learned from her former lover Billy, symbolizes her ability to manipulate situations while masking her vulnerabilities. In one scene, her manipulation of her husband, Virgil, becomes evident when she keeps him in a volley of emotions, "trapping" him without his awareness of the impending revelations. This act reflects how Kathleen controls both her marriage and the narrative of her life to keep up the pretense while internalizing her dissatisfaction and secrets.
Marriage and Disillusionment
The theme of disillusionment in marriage is most visible in the deteriorating relationship between Kathleen and Virgil. Their marriage which was once grounded in mutual attraction and routine has become a stage for unspoken resentment and infidelity. Virgil’s affair and his sense of guilt represent how the bond between the couple has frayed. He feels trapped by his inability to confess his wrongdoings, assuming Kathleen knows but is unwilling to confront him. Kathleen, on the other hand, plays a waiting game. She is willing to reveal her truths, but only after Virgil admits his faults. Their interactions in the pool where Kathleen swims with a detached demeanor while Virgil grows more uneasy highlight the growing emotional distance between them. This distance serves as a metaphor for the hollow core of their marriage—built on appearances rather than genuine connection.
Mortality and Impermanence
The theme of mortality looms over the novel, which is reflected in literal and figurative representations of death. One notable instance is the discussion of Sputnik 2 and the fate of Laika, which Kathleen refers to as “Muttnik” with concern over the helplessness of the dog sent into space to die. This scene mirrors her thoughts about her own life and the inevitable decay of her marriage. Mortality is also reflected in Virgil’s memories of war, where the specter of death and his lack of significant experience during World War II haunt him. His realization that he has merely "faked" his way through life, unable to fulfill his dream of playing the saxophone like Charlie Parker, underscores the fleeting nature of time and opportunities. As Virgil contemplates his life choices, the burden of unfulfilled potential weighs on him, making him aware that his life and marriage are nearing their ends.
