1 Who is the speaker in the poem? A nine-year-old addressing her older self An adult woman addressing the memory of her younger self An adult woman talking to a friend An adult woman talking to her nine-year-old daughter 2 What perspective does the poem use? second-person first-person third-person omniscient both first- and second-person 3 Describe the construction of the poem's stanzas. Seven stanzas of varying length Six quintains Six tercets Six stanzas of varying length 4 What collection was this poem originally published in? Out of the Blue, published in 2001 The Malarkey, published in 2012 Glad of These Times, published in 2006 Glad of These Times, published in 2007 5 Which best describes the significance of the change in number of lines per stanza? All the stanzas have the same amount of lines. The poem is composed of tercets. All the stanzas have the same amount of lines. The poem is composed of quatrains. The number of lines decrease as the adult speaker reminisces about the past and attempts to connect with her younger self. When she realizes she cannot change anything, the number of lines per stanza increase. The number of lines increase as the adult speaker reminisces about the past and attempts to connect with her younger self. When she realizes she cannot change anything, the number of lines per stanza decrease. 6 Which best describes why the speaker can't be friends with her nine-year-old self? The girl dislikes adults. The speaker hates children, particularly the child she was. The girl only exists in the speaker's memory. They have nothing in common beyond a few shared years. 7 Which of the following is a simile? "You must forgive me" (Line 1) "time to hide down scared lanes / from men in cars after girl-children" (Lines 23-24) “That dream we had, no doubt it's as fresh in your mind / as the white paper to write it on” (Lines 12-13) “careful of a bad back or a bruised foot” (Line 7) 8 Which best describes the tone of the poem? Melancholy, Ironic, and Bitter Nostalgic, Hypercritical, and Abrasive Nostalgic, Reflective, and Conversational Accepting, Dreamy, and Loving 9 What quality most differentiates the nine-year-old from her future self? Fearlessness Her ability to focus on things Abrasiveness Her bookishness 10 What does "perplexed" mean? amazed, astonished surprised flabbergasted baffled, uncertain 11 What is a vole? an apparatus used in gymnastics a small, typically burrowing, mouse-like rodent a musical instrument a green-brown reptile 12 What is symbolic about cesspits? It is a place where society dumps waste Sewage can damage the environment Sewage exposure is harmful to human health It is a place where snakes nest 13 Which of the following is an example of metonymy? tuppence scared lanes spoiled girl-children 14 Which of the following is a transferred epithet? ice-lolly factory scared lanes leap from a height girl-children 15 What is the climax of the poem? When the speaker's younger self hides down scared lanes from men in cars after girl-children When the speaker states that she cannot be friends with her nine-year-old self When the child builds a den beside a cesspit When the speaker departs from her nine-year-old self as the child picks a scab and tastes it 16 What do scars symbolize to the speaker? Pride Unhealed wounds Resilience Lessons learned from past physical mistakes 17 What does summer symbolize? a time of struggle because of drought a time of lushness, freedom, and prime of life a time of hope, renewal, and rebirth a period of intense cold, as the poem takes place in the Southern Hemisphere 18 What is the nine-year-old girl's favorite activity? Picking rosehips Balancing on her hands Leaping from a height Writing 19 What does leaping represent in the poem? Taking risks. Childhood naivety. Fearing the unknown. Childhood naivety. The ability to have fun and enjoy life. Clumsiness. Childhood wonder. 20 What does the speaker mean when she says, "I have spoiled this body we once shared?" The speaker ate too many sherbet lemons. Age has inevitably changed the speaker's body. The speaker treated herself too nicely and now she it spoiled. The speaker lost her fearlessness as she aged. She now has scars and moves carefully. 21 Which line has a more defined rhythm? "Time to pick rosehips for tuppence a pound" (Line 22) "I have spoiled this body we once shared" (Line 6) "I'd like to say we could be friends" (Line 19) "created an ice-lolly factory, a wasp trap" (Line 17) 22 What is significant about the final image of the poem? The speaker's younger self peels a scab and eats it. This contrasts the scars the speaker has as an adult. The speaker's younger self peels a scab and eats it. This contributes to her spoiling her body as an adult The speaker's younger self peels a scab and eats it. She cries and the speaker comforts her. The speaker's younger self peels a scab and eats it. This contributes to the scars she will later have. 23 How does the final image fit in the grand scheme of Dunmore's writing? Dunmore often writes sensuous details about eating. Dunmore's work is environmentally concerned. Dunmore herself is the speaker addressing her nine-year-old self. Dunmore often writes about children eating their scabs. 24 Why did the speaker lose her fearlessness? The speaker broke her leg falling from a height. It is not specified. It could be the maturity that comes with age, or perhaps something traumatic occurred. The speaker did not lose her fearlessness. She is still agile and carefree as an adult. The speaker had a traumatic encounter with a man. 25 How do clouds appear in the poem? The speaker does not want to "cloud" her younger self's summer morning. The speaker is worried clouds will appear in her younger self's summer morning. Clouds do not appear in the poem. It is often cloudy in Britain, where the poem takes place.