1 Who is the speaker in the poem? A nine-year-old addressing her older self An adult woman addressing the memory of her younger self An adult woman talking to a friend An adult woman talking to her nine-year-old daughter 2 What perspective does the poem use? both first- and second-person first-person second-person third-person omniscient 3 Describe the construction of the poem's stanzas. Seven stanzas of varying length Six tercets Six stanzas of varying length Six quintains 4 What collection was this poem originally published in? Out of the Blue, published in 2001 Glad of These Times, published in 2006 Glad of These Times, published in 2007 The Malarkey, published in 2012 5 Which best describes the significance of the change in number of lines per stanza? All the stanzas have the same amount of lines. The poem is composed of tercets. All the stanzas have the same amount of lines. The poem is composed of quatrains. The number of lines increase as the adult speaker reminisces about the past and attempts to connect with her younger self. When she realizes she cannot change anything, the number of lines per stanza decrease. The number of lines decrease as the adult speaker reminisces about the past and attempts to connect with her younger self. When she realizes she cannot change anything, the number of lines per stanza increase. 6 Which best describes why the speaker can't be friends with her nine-year-old self? The speaker hates children, particularly the child she was. They have nothing in common beyond a few shared years. The girl dislikes adults. The girl only exists in the speaker's memory. 7 Which of the following is a simile? “That dream we had, no doubt it's as fresh in your mind / as the white paper to write it on” (Lines 12-13) “careful of a bad back or a bruised foot” (Line 7) "time to hide down scared lanes / from men in cars after girl-children" (Lines 23-24) "You must forgive me" (Line 1) 8 Which best describes the tone of the poem? Nostalgic, Hypercritical, and Abrasive Nostalgic, Reflective, and Conversational Melancholy, Ironic, and Bitter Accepting, Dreamy, and Loving 9 What quality most differentiates the nine-year-old from her future self? Her ability to focus on things Her bookishness Fearlessness Abrasiveness 10 What does "perplexed" mean? amazed, astonished baffled, uncertain flabbergasted surprised 11 What is a vole? an apparatus used in gymnastics a green-brown reptile a small, typically burrowing, mouse-like rodent a musical instrument 12 What is symbolic about cesspits? It is a place where society dumps waste It is a place where snakes nest Sewage can damage the environment Sewage exposure is harmful to human health 13 Which of the following is an example of metonymy? girl-children scared lanes spoiled tuppence 14 Which of the following is a transferred epithet? ice-lolly factory girl-children leap from a height scared lanes 15 What is the climax of the poem? When the speaker's younger self hides down scared lanes from men in cars after girl-children When the speaker departs from her nine-year-old self as the child picks a scab and tastes it When the child builds a den beside a cesspit When the speaker states that she cannot be friends with her nine-year-old self 16 What do scars symbolize to the speaker? Resilience Pride Lessons learned from past physical mistakes Unhealed wounds 17 What does summer symbolize? a time of struggle because of drought a time of hope, renewal, and rebirth a period of intense cold, as the poem takes place in the Southern Hemisphere a time of lushness, freedom, and prime of life 18 What is the nine-year-old girl's favorite activity? Balancing on her hands Picking rosehips Writing Leaping from a height 19 What does leaping represent in the poem? Clumsiness. Childhood wonder. Fearing the unknown. Childhood naivety. The ability to have fun and enjoy life. Taking risks. Childhood naivety. 20 What does the speaker mean when she says, "I have spoiled this body we once shared?" The speaker ate too many sherbet lemons. The speaker treated herself too nicely and now she it spoiled. The speaker lost her fearlessness as she aged. She now has scars and moves carefully. Age has inevitably changed the speaker's body. 21 Which line has a more defined rhythm? "I'd like to say we could be friends" (Line 19) "created an ice-lolly factory, a wasp trap" (Line 17) "I have spoiled this body we once shared" (Line 6) "Time to pick rosehips for tuppence a pound" (Line 22) 22 What is significant about the final image of the poem? The speaker's younger self peels a scab and eats it. This contrasts the scars the speaker has as an adult. The speaker's younger self peels a scab and eats it. She cries and the speaker comforts her. The speaker's younger self peels a scab and eats it. This contributes to the scars she will later have. The speaker's younger self peels a scab and eats it. This contributes to her spoiling her body as an adult 23 How does the final image fit in the grand scheme of Dunmore's writing? Dunmore often writes sensuous details about eating. Dunmore herself is the speaker addressing her nine-year-old self. Dunmore's work is environmentally concerned. Dunmore often writes about children eating their scabs. 24 Why did the speaker lose her fearlessness? The speaker did not lose her fearlessness. She is still agile and carefree as an adult. It is not specified. It could be the maturity that comes with age, or perhaps something traumatic occurred. The speaker broke her leg falling from a height. The speaker had a traumatic encounter with a man. 25 How do clouds appear in the poem? The speaker is worried clouds will appear in her younger self's summer morning. The speaker does not want to "cloud" her younger self's summer morning. It is often cloudy in Britain, where the poem takes place. Clouds do not appear in the poem.