To the Lighthouse Virginia Woolf

The process of perception involves two steps: the recognition of sensory information and the interpretation of sensory information. In order for the truth to be perceived, or, in other words, for something to be perceived accurately, sensory...

"When you're down on the lower levels of this pyramid, you will be either on one side or on the other. But when you get up to the top, the points all come together, and there the eye of God opens" (Campbell, 31). Joseph Campbell presents this...

From the invisible to the visible is but a step, and a very quick step at that. The task of the metaphor is to render concrete and palpable, through analogy, the abstract and unseen, and Virginia Woolf peppers To the Lighthouse, especially the...

Throughout literature the ideology of the society in which the author was living is evident in the text. This can cause certain groups within a text to be empowered while the other groups are marginalised and constrained by the social restrictions...

Virginia Woolf's claim that plot is banished in modern fiction is a misleading tenet of Modernism. The plot is not eliminated so much as mapped out onto a more local level, most obviously with the epic structural comparison in Ulysses. In To the...

Virginia Woolf's To the Lighouse is ultimately a celebration of the human spirit. In the novel, time is synonymous with the ocean and darkness, and this triumvirate of forces, in essence, acts as the antagonist. Time ebbs and flows, continuing on...

"For there are moments where one can neither think nor feel. And if one can neither think nor feel, she thought, where is one?" (Woolf, 193-4)

In To the Lighthouse, Virginia Woolf illustrates a division between her male and female characters. The...

The method of Virginia Woolfâs To the Lighthouse is intensely related to its story. The two are so conflated that the novel is almost about itself. Every character struggles to find a balance between elucidation, creation and representation,...

In To the Lighthouse, Virginia Woolf focuses in great detail on the workings of dark and light on the relationships between her characters. The presence of light or dark tends to govern certain scenes: light brings people together in a harmony...

A "splendid mind," is Mr. Ramsay's most coveted and powerful instrument, the one constantly at his disposal for perceiving, judging and dissecting the universe. His is an intelligence comparable to a mechanism with gears which move steadily in one...

In To the Lighthouse, Virginia Woolf bases her exploration of consciousness on the premise that men and women perceive the world in vastly different ways. However, Woolf believes that creativity can (and must) transcend the boundaries of gender....

To the Lighthouse is a novel about Mrs. Ramsay; her ways, her wiles, and her lasting impact. Though she dies with half the novel left to read, there is no doubt that, whatever intention Woolf had, Mrs. Ramsay is the main character for she is...

The word 'romantic' is derived from the medieval romaunt, which was a tale of chivalry, written in a romance language, that often took the form of a quest. In the 18th and 19th centuries, this idea of romance became an intellectual or artistic...

Throughout To the Lighthouse, Virginia Woolf details the many struggles of the Ramsay family and their houseguests to secure happiness and order within their lives. There are many obstructions to this basic human pursuit, but loss is one of the...

Much of Virginia Woolf's novel To the Lighthouse takes place within her characters' minds. Although, of course, their thoughts cannot stop external happenings, they can and do stop time in one way: through memory. Thus, throughout the novel, Woolf...

Virginia Woolf’s answer to Mr. Ramsay’s philosophical pursuits in To the Lighthouse is a reconciliation of both worlds – subjective perception and interpretation, and external objectivity. The first chapter of the novel is entitled “The Window,”...

In her novel To the Lighthouse, Virginia Woolf lavishly constructs the individual “realities” of multiple characters though a narration of their thoughts, impressions, perceptions, doubts, and the silent, self-questioning processes underlying the...

The construction of subjectivity in relation to the “real” world of objects has long been a concern for critics of Virginia Woolf’s To the Lighthouse. In his seminal work, Mimesis, Eric Auerbach argues that the novel inverts the conventional...

Artists such as Lily Briscoe from To The Lighthouse by Virginia Woolf and Stephen Dedalus from Portrait of the Artist as a Young Man by James Joyce are equally affected by the ways in which society interprets their art. They embody these two...

In Virginia Woolf’s novel “To the Lighthouse” the author explores the theme of light through her characters Mrs. Ramsay and Lily Briscoe. Both women identify light differently in their lives, figuratively and metaphorically, and use light as a...

A heroine can be defined in two different ways: the first, as the principal female character in a novel; or in the second way, as a woman noted for a courageous action or significant accomplishment. The heroines of King Lear, Crime and Punishment...

In To the Lighthouse, Virginia Woolf portrays Mrs. Ramsay as the “model” mother. Loved by her children, depended upon by her husband and admired by her neighbors Mr. Bankes and Lily Briscoe, Woolf creates a seemingly amorphous character made...

Virginia Woolf'sTo the Lighthouse is an experimental novel, in which Woolf uses stream of consciousness to portray family dynamics, gender relations, and attitudes toward the ontology of art and the artistic subject. Thelighthouse itself is an...

Virginia Woolf, one of the most innovative and important writers of her time, emphasizes modernist ideals and the importance of the individual in her work. In Virginia Woolf’s novels To the Lighthouse and The Waves, Woolf argues the idea that...