Volpone Ben Jonson

'I have considered our whole life is like a Play: wherein every man, forgetfull of himselfe, is in travail with expression of another. Nay, wee so insiste in imitating others, as wee cannot (when it is necessary) returne to ourselves' (Jonson,...

I desire / the learned and charitable critic to have so much faith in me / to think it was done of industry.

--Ben Jonson, lines 110-112 of the prefatory epistle to Volpone

Ben Jonson’s play Volpone, or “Sly Fox,” was performed for the first time on...

In Ben Jonson’s Volpone, Celia represents the epitome of femininity in Renaissance literature. She is beautiful, submissive, quiet and helpless to resist her husband's control over her every movement. Although it is disturbing that her gender...

Before delving into the tense relationship between power, possession, and disease in Jonson’s Volpone, it is first necessary to sift through the forbearing tensions between “profit and pleasure” that Jonson mentioned in the Prologue of the play....

In her article on English Renaissance Drama, Katharine Eisaman Maus asserts how “in the Renaissance theater, the generic spectator is male, the spectacle female, and in some sense sexually available” (Maus 577), and the play Volpone by Ben Jonson...

Renaissance dramas still remain among the most popular pieces of literature of today. The ability to create a piece of writing which surpasses time with its wit and humour comes as one of the main reasons why it still does not fail to astonish its...

In the early 1950s, French psychiatrist Jacques Lacan broke into the field of psychoanalysis with his theory of the mirror stage. Within Lacan’s notable text Ecritis, the psychiatrist gives two facets to his theory. In the first, the mirror stage...