1 Which of the following is not true about the speaker? A woman addresses her partner A woman ponders the creation of life from the intimate sexual act until the labor of birth The speaker is definitely Wright herself In speaking about her own situation, a woman connects to all of humanity 2 What is the poem's meter? Iambic pentameter Blank Verse Free Verse Iambic tetrameter 3 What is an iamb? A metrical foot consisting of an unstressed syllable followed by a stressed syllable A metrical foot consisting of an stressed syllable followed by an unstressed syllable A metrical foot consisting of an stressed syllable followed by another stressed syllable A type of meat that is considered a delicacy in Australia 4 What is tetrameter? A verse of six measures A verse of four measures A verse of five measures A verse of three measures 5 Which is an example of sibilance? silent and swift and deep from sight This is our hunter and our chase, This is the maker and the made; This is no child with a child's face; 6 What is sibilance? The process of divination Repetition of "m" sounds The sound a goat makes Repetition of "s" sounds 7 Define "resurrection" Lazarus Another word for death The revitalization or revival of something Jesus's teachings 8 Which is an example of anaphora in the poem? The Maker This is Shapeless Strength 9 Who is the third that lays in the couple's embrace? A ghost The couple's child Another lover Their guilt 10 Which of the following is not used to represent the creation of life? the maker and the made; the strength that my arm knows our hunter and our chase the question and reply; 11 Which is not a theme in the poem? Unity Natural Course of Life Collective Experience Grief 12 How many stanzas are in the poem? Four Five Six Three 13 What is suggested by the title? There exists a collective human experience The speaker is a female deity The male speaker imagines what it is like to be female The speaker is angry at her partner 14 What does light represent in the poem? Blindness Being in the world Evil Being overwhelmed 15 What does the poem simultaneously refer to? Love and hate Anger and forgiveness Being single and being a parent The sexual act and the period of gestation 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? It naturalizes the creation of life There is no significance It is beautiful but has no meaning Roses do not come from trees 17 Which line suggests an ignorance involved in creating life? foresees the unimagined light. the arc of flesh that is my breast, yet you and I have known it well. the blind head butting at the dark, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It negatively compares the couple's bodies It inserts a divine quality into the creation of life It grounds the creation of life inside human anatomy and physiology There is no significance 19 Which line implies some danger in life? This is no child with a child's face; the selfless, shapeless seed I hold, the precise crystals of our eyes. This is our hunter and our chase, 20 What does the last line do in the poem? Suggest the cycle of generations by implying the speaker will one day be a grandmother Focus on holding the baby Complains to the addressee Shifts the focus, voice, and tone 21 In the beginning of the poem, is the baby already developed? Yes The baby does not exist No The baby is born 22 Which description best contributes to a sense of tessellation in the poem? This is no child with a child's face; foresees the unimagined light. the precise crystals of our eyes. This is our hunter and our chase, 23 What is "the blade" suggestive of? Weaponry Pain, danger, walking a thin line Safety Self-defence 24 Who is being addressed in the poem? The speaker's child The speaker's partner, and the reader (all of humanity) Just the speaker's partner God 25 Which line best infuses a divine quality into the creation of life? he blind head butting at the dark, the selfless, shapeless seed I hold, This is the maker and the made; this has no name to name it by;