1 Which of the following is not true about the speaker? A woman addresses her partner In speaking about her own situation, a woman connects to all of humanity The speaker is definitely Wright herself A woman ponders the creation of life from the intimate sexual act until the labor of birth 2 What is the poem's meter? Free Verse Iambic tetrameter Blank Verse Iambic pentameter 3 What is an iamb? A type of meat that is considered a delicacy in Australia A metrical foot consisting of an stressed syllable followed by an unstressed syllable A metrical foot consisting of an unstressed syllable followed by a stressed syllable A metrical foot consisting of an stressed syllable followed by another stressed syllable 4 What is tetrameter? A verse of five measures A verse of three measures A verse of four measures A verse of six measures 5 Which is an example of sibilance? silent and swift and deep from sight This is our hunter and our chase, This is the maker and the made; This is no child with a child's face; 6 What is sibilance? The sound a goat makes Repetition of "s" sounds Repetition of "m" sounds The process of divination 7 Define "resurrection" Jesus's teachings Lazarus The revitalization or revival of something Another word for death 8 Which is an example of anaphora in the poem? Shapeless The Maker This is Strength 9 Who is the third that lays in the couple's embrace? The couple's child A ghost Another lover Their guilt 10 Which of the following is not used to represent the creation of life? our hunter and our chase the maker and the made; the strength that my arm knows the question and reply; 11 Which is not a theme in the poem? Unity Natural Course of Life Grief Collective Experience 12 How many stanzas are in the poem? Five Six Four Three 13 What is suggested by the title? There exists a collective human experience The male speaker imagines what it is like to be female The speaker is angry at her partner The speaker is a female deity 14 What does light represent in the poem? Being overwhelmed Being in the world Evil Blindness 15 What does the poem simultaneously refer to? Love and hate Anger and forgiveness The sexual act and the period of gestation Being single and being a parent 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? Roses do not come from trees It is beautiful but has no meaning It naturalizes the creation of life There is no significance 17 Which line suggests an ignorance involved in creating life? the arc of flesh that is my breast, yet you and I have known it well. foresees the unimagined light. the blind head butting at the dark, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It grounds the creation of life inside human anatomy and physiology There is no significance It inserts a divine quality into the creation of life It negatively compares the couple's bodies 19 Which line implies some danger in life? This is no child with a child's face; This is our hunter and our chase, the selfless, shapeless seed I hold, the precise crystals of our eyes. 20 What does the last line do in the poem? Complains to the addressee Suggest the cycle of generations by implying the speaker will one day be a grandmother Focus on holding the baby Shifts the focus, voice, and tone 21 In the beginning of the poem, is the baby already developed? The baby is born The baby does not exist Yes No 22 Which description best contributes to a sense of tessellation in the poem? This is no child with a child's face; foresees the unimagined light. This is our hunter and our chase, the precise crystals of our eyes. 23 What is "the blade" suggestive of? Pain, danger, walking a thin line Safety Weaponry Self-defence 24 Who is being addressed in the poem? The speaker's child Just the speaker's partner The speaker's partner, and the reader (all of humanity) God 25 Which line best infuses a divine quality into the creation of life? this has no name to name it by; the selfless, shapeless seed I hold, he blind head butting at the dark, This is the maker and the made;