1 Which of the following is not true about the speaker? A woman ponders the creation of life from the intimate sexual act until the labor of birth A woman addresses her partner The speaker is definitely Wright herself In speaking about her own situation, a woman connects to all of humanity 2 What is the poem's meter? Free Verse Iambic pentameter Blank Verse Iambic tetrameter 3 What is an iamb? A metrical foot consisting of an stressed syllable followed by another stressed syllable A metrical foot consisting of an stressed syllable followed by an unstressed syllable A metrical foot consisting of an unstressed syllable followed by a stressed syllable A type of meat that is considered a delicacy in Australia 4 What is tetrameter? A verse of six measures A verse of five measures A verse of three measures A verse of four measures 5 Which is an example of sibilance? This is no child with a child's face; This is the maker and the made; This is our hunter and our chase, silent and swift and deep from sight 6 What is sibilance? The sound a goat makes Repetition of "s" sounds The process of divination Repetition of "m" sounds 7 Define "resurrection" Lazarus Jesus's teachings Another word for death The revitalization or revival of something 8 Which is an example of anaphora in the poem? This is The Maker Shapeless Strength 9 Who is the third that lays in the couple's embrace? Their guilt Another lover A ghost The couple's child 10 Which of the following is not used to represent the creation of life? the strength that my arm knows the maker and the made; our hunter and our chase the question and reply; 11 Which is not a theme in the poem? Unity Natural Course of Life Grief Collective Experience 12 How many stanzas are in the poem? Five Six Three Four 13 What is suggested by the title? The speaker is angry at her partner The male speaker imagines what it is like to be female There exists a collective human experience The speaker is a female deity 14 What does light represent in the poem? Being overwhelmed Evil Being in the world Blindness 15 What does the poem simultaneously refer to? The sexual act and the period of gestation Anger and forgiveness Love and hate Being single and being a parent 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? There is no significance Roses do not come from trees It is beautiful but has no meaning It naturalizes the creation of life 17 Which line suggests an ignorance involved in creating life? the arc of flesh that is my breast, the blind head butting at the dark, yet you and I have known it well. foresees the unimagined light. 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It inserts a divine quality into the creation of life It grounds the creation of life inside human anatomy and physiology It negatively compares the couple's bodies There is no significance 19 Which line implies some danger in life? This is our hunter and our chase, the precise crystals of our eyes. This is no child with a child's face; the selfless, shapeless seed I hold, 20 What does the last line do in the poem? Complains to the addressee Focus on holding the baby Shifts the focus, voice, and tone Suggest the cycle of generations by implying the speaker will one day be a grandmother 21 In the beginning of the poem, is the baby already developed? No The baby is born The baby does not exist Yes 22 Which description best contributes to a sense of tessellation in the poem? This is our hunter and our chase, the precise crystals of our eyes. This is no child with a child's face; foresees the unimagined light. 23 What is "the blade" suggestive of? Self-defence Pain, danger, walking a thin line Weaponry Safety 24 Who is being addressed in the poem? God The speaker's child Just the speaker's partner The speaker's partner, and the reader (all of humanity) 25 Which line best infuses a divine quality into the creation of life? this has no name to name it by; the selfless, shapeless seed I hold, he blind head butting at the dark, This is the maker and the made;