1 Which of the following is not true about the speaker? A woman addresses her partner In speaking about her own situation, a woman connects to all of humanity The speaker is definitely Wright herself A woman ponders the creation of life from the intimate sexual act until the labor of birth 2 What is the poem's meter? Iambic tetrameter Blank Verse Iambic pentameter Free Verse 3 What is an iamb? A metrical foot consisting of an stressed syllable followed by an unstressed syllable A type of meat that is considered a delicacy in Australia A metrical foot consisting of an unstressed syllable followed by a stressed syllable A metrical foot consisting of an stressed syllable followed by another stressed syllable 4 What is tetrameter? A verse of three measures A verse of six measures A verse of five measures A verse of four measures 5 Which is an example of sibilance? This is the maker and the made; silent and swift and deep from sight This is no child with a child's face; This is our hunter and our chase, 6 What is sibilance? Repetition of "s" sounds The process of divination The sound a goat makes Repetition of "m" sounds 7 Define "resurrection" The revitalization or revival of something Another word for death Lazarus Jesus's teachings 8 Which is an example of anaphora in the poem? Strength This is The Maker Shapeless 9 Who is the third that lays in the couple's embrace? The couple's child Another lover A ghost Their guilt 10 Which of the following is not used to represent the creation of life? the maker and the made; our hunter and our chase the strength that my arm knows the question and reply; 11 Which is not a theme in the poem? Collective Experience Unity Grief Natural Course of Life 12 How many stanzas are in the poem? Five Three Six Four 13 What is suggested by the title? The speaker is angry at her partner There exists a collective human experience The male speaker imagines what it is like to be female The speaker is a female deity 14 What does light represent in the poem? Being in the world Being overwhelmed Blindness Evil 15 What does the poem simultaneously refer to? Anger and forgiveness Love and hate Being single and being a parent The sexual act and the period of gestation 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? It naturalizes the creation of life It is beautiful but has no meaning There is no significance Roses do not come from trees 17 Which line suggests an ignorance involved in creating life? the blind head butting at the dark, foresees the unimagined light. yet you and I have known it well. the arc of flesh that is my breast, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? There is no significance It negatively compares the couple's bodies It inserts a divine quality into the creation of life It grounds the creation of life inside human anatomy and physiology 19 Which line implies some danger in life? the precise crystals of our eyes. This is no child with a child's face; the selfless, shapeless seed I hold, This is our hunter and our chase, 20 What does the last line do in the poem? Complains to the addressee Shifts the focus, voice, and tone Suggest the cycle of generations by implying the speaker will one day be a grandmother Focus on holding the baby 21 In the beginning of the poem, is the baby already developed? No Yes The baby is born The baby does not exist 22 Which description best contributes to a sense of tessellation in the poem? This is our hunter and our chase, the precise crystals of our eyes. foresees the unimagined light. This is no child with a child's face; 23 What is "the blade" suggestive of? Pain, danger, walking a thin line Safety Weaponry Self-defence 24 Who is being addressed in the poem? The speaker's child Just the speaker's partner The speaker's partner, and the reader (all of humanity) God 25 Which line best infuses a divine quality into the creation of life? This is the maker and the made; this has no name to name it by; the selfless, shapeless seed I hold, he blind head butting at the dark,