1 Which of the following is not true about the speaker? The speaker is definitely Wright herself In speaking about her own situation, a woman connects to all of humanity A woman ponders the creation of life from the intimate sexual act until the labor of birth A woman addresses her partner 2 What is the poem's meter? Iambic pentameter Iambic tetrameter Blank Verse Free Verse 3 What is an iamb? A metrical foot consisting of an stressed syllable followed by another stressed syllable A metrical foot consisting of an unstressed syllable followed by a stressed syllable A metrical foot consisting of an stressed syllable followed by an unstressed syllable A type of meat that is considered a delicacy in Australia 4 What is tetrameter? A verse of four measures A verse of six measures A verse of five measures A verse of three measures 5 Which is an example of sibilance? This is no child with a child's face; This is the maker and the made; This is our hunter and our chase, silent and swift and deep from sight 6 What is sibilance? Repetition of "m" sounds The sound a goat makes The process of divination Repetition of "s" sounds 7 Define "resurrection" Lazarus Jesus's teachings Another word for death The revitalization or revival of something 8 Which is an example of anaphora in the poem? Shapeless Strength The Maker This is 9 Who is the third that lays in the couple's embrace? A ghost The couple's child Another lover Their guilt 10 Which of the following is not used to represent the creation of life? the strength that my arm knows the maker and the made; the question and reply; our hunter and our chase 11 Which is not a theme in the poem? Collective Experience Grief Unity Natural Course of Life 12 How many stanzas are in the poem? Six Three Four Five 13 What is suggested by the title? There exists a collective human experience The male speaker imagines what it is like to be female The speaker is a female deity The speaker is angry at her partner 14 What does light represent in the poem? Blindness Evil Being in the world Being overwhelmed 15 What does the poem simultaneously refer to? The sexual act and the period of gestation Being single and being a parent Love and hate Anger and forgiveness 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? Roses do not come from trees It is beautiful but has no meaning There is no significance It naturalizes the creation of life 17 Which line suggests an ignorance involved in creating life? yet you and I have known it well. the arc of flesh that is my breast, the blind head butting at the dark, foresees the unimagined light. 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It grounds the creation of life inside human anatomy and physiology It inserts a divine quality into the creation of life There is no significance It negatively compares the couple's bodies 19 Which line implies some danger in life? the precise crystals of our eyes. This is no child with a child's face; This is our hunter and our chase, the selfless, shapeless seed I hold, 20 What does the last line do in the poem? Suggest the cycle of generations by implying the speaker will one day be a grandmother Complains to the addressee Focus on holding the baby Shifts the focus, voice, and tone 21 In the beginning of the poem, is the baby already developed? The baby is born No The baby does not exist Yes 22 Which description best contributes to a sense of tessellation in the poem? foresees the unimagined light. This is no child with a child's face; This is our hunter and our chase, the precise crystals of our eyes. 23 What is "the blade" suggestive of? Safety Self-defence Pain, danger, walking a thin line Weaponry 24 Who is being addressed in the poem? The speaker's partner, and the reader (all of humanity) The speaker's child Just the speaker's partner God 25 Which line best infuses a divine quality into the creation of life? the selfless, shapeless seed I hold, he blind head butting at the dark, this has no name to name it by; This is the maker and the made;