1 Which of the following is not true about the speaker? The speaker is definitely Wright herself A woman addresses her partner In speaking about her own situation, a woman connects to all of humanity A woman ponders the creation of life from the intimate sexual act until the labor of birth 2 What is the poem's meter? Free Verse Iambic pentameter Blank Verse Iambic tetrameter 3 What is an iamb? A type of meat that is considered a delicacy in Australia A metrical foot consisting of an stressed syllable followed by an unstressed syllable A metrical foot consisting of an stressed syllable followed by another stressed syllable A metrical foot consisting of an unstressed syllable followed by a stressed syllable 4 What is tetrameter? A verse of six measures A verse of three measures A verse of five measures A verse of four measures 5 Which is an example of sibilance? silent and swift and deep from sight This is our hunter and our chase, This is no child with a child's face; This is the maker and the made; 6 What is sibilance? The sound a goat makes The process of divination Repetition of "s" sounds Repetition of "m" sounds 7 Define "resurrection" Jesus's teachings The revitalization or revival of something Another word for death Lazarus 8 Which is an example of anaphora in the poem? Strength Shapeless This is The Maker 9 Who is the third that lays in the couple's embrace? A ghost The couple's child Their guilt Another lover 10 Which of the following is not used to represent the creation of life? our hunter and our chase the maker and the made; the question and reply; the strength that my arm knows 11 Which is not a theme in the poem? Unity Collective Experience Grief Natural Course of Life 12 How many stanzas are in the poem? Five Three Four Six 13 What is suggested by the title? The speaker is a female deity The male speaker imagines what it is like to be female The speaker is angry at her partner There exists a collective human experience 14 What does light represent in the poem? Being in the world Being overwhelmed Evil Blindness 15 What does the poem simultaneously refer to? The sexual act and the period of gestation Anger and forgiveness Being single and being a parent Love and hate 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? It is beautiful but has no meaning Roses do not come from trees It naturalizes the creation of life There is no significance 17 Which line suggests an ignorance involved in creating life? the arc of flesh that is my breast, yet you and I have known it well. foresees the unimagined light. the blind head butting at the dark, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It negatively compares the couple's bodies It grounds the creation of life inside human anatomy and physiology It inserts a divine quality into the creation of life There is no significance 19 Which line implies some danger in life? the selfless, shapeless seed I hold, This is our hunter and our chase, This is no child with a child's face; the precise crystals of our eyes. 20 What does the last line do in the poem? Suggest the cycle of generations by implying the speaker will one day be a grandmother Focus on holding the baby Shifts the focus, voice, and tone Complains to the addressee 21 In the beginning of the poem, is the baby already developed? Yes The baby does not exist No The baby is born 22 Which description best contributes to a sense of tessellation in the poem? the precise crystals of our eyes. foresees the unimagined light. This is no child with a child's face; This is our hunter and our chase, 23 What is "the blade" suggestive of? Safety Weaponry Pain, danger, walking a thin line Self-defence 24 Who is being addressed in the poem? Just the speaker's partner God The speaker's partner, and the reader (all of humanity) The speaker's child 25 Which line best infuses a divine quality into the creation of life? the selfless, shapeless seed I hold, he blind head butting at the dark, this has no name to name it by; This is the maker and the made;