1 Which of the following is not true about the speaker? In speaking about her own situation, a woman connects to all of humanity A woman addresses her partner A woman ponders the creation of life from the intimate sexual act until the labor of birth The speaker is definitely Wright herself 2 What is the poem's meter? Iambic pentameter Free Verse Iambic tetrameter Blank Verse 3 What is an iamb? A metrical foot consisting of an stressed syllable followed by another stressed syllable A metrical foot consisting of an stressed syllable followed by an unstressed syllable A type of meat that is considered a delicacy in Australia A metrical foot consisting of an unstressed syllable followed by a stressed syllable 4 What is tetrameter? A verse of four measures A verse of five measures A verse of three measures A verse of six measures 5 Which is an example of sibilance? This is the maker and the made; silent and swift and deep from sight This is our hunter and our chase, This is no child with a child's face; 6 What is sibilance? Repetition of "s" sounds The process of divination The sound a goat makes Repetition of "m" sounds 7 Define "resurrection" Another word for death Jesus's teachings Lazarus The revitalization or revival of something 8 Which is an example of anaphora in the poem? The Maker Strength This is Shapeless 9 Who is the third that lays in the couple's embrace? The couple's child A ghost Another lover Their guilt 10 Which of the following is not used to represent the creation of life? our hunter and our chase the strength that my arm knows the maker and the made; the question and reply; 11 Which is not a theme in the poem? Natural Course of Life Collective Experience Unity Grief 12 How many stanzas are in the poem? Five Four Three Six 13 What is suggested by the title? There exists a collective human experience The speaker is angry at her partner The male speaker imagines what it is like to be female The speaker is a female deity 14 What does light represent in the poem? Being in the world Evil Blindness Being overwhelmed 15 What does the poem simultaneously refer to? Anger and forgiveness Love and hate The sexual act and the period of gestation Being single and being a parent 16 What is significant about the metaphor concerning the blood's wild tree and the intricate and folded rose? Roses do not come from trees It naturalizes the creation of life It is beautiful but has no meaning There is no significance 17 Which line suggests an ignorance involved in creating life? foresees the unimagined light. yet you and I have known it well. the blind head butting at the dark, the arc of flesh that is my breast, 18 What is significant about mentioning the man's strength and the arc of the woman's flesh? It grounds the creation of life inside human anatomy and physiology It negatively compares the couple's bodies There is no significance It inserts a divine quality into the creation of life 19 Which line implies some danger in life? This is no child with a child's face; This is our hunter and our chase, the selfless, shapeless seed I hold, the precise crystals of our eyes. 20 What does the last line do in the poem? Suggest the cycle of generations by implying the speaker will one day be a grandmother Focus on holding the baby Shifts the focus, voice, and tone Complains to the addressee 21 In the beginning of the poem, is the baby already developed? The baby is born The baby does not exist No Yes 22 Which description best contributes to a sense of tessellation in the poem? foresees the unimagined light. the precise crystals of our eyes. This is our hunter and our chase, This is no child with a child's face; 23 What is "the blade" suggestive of? Weaponry Self-defence Safety Pain, danger, walking a thin line 24 Who is being addressed in the poem? Just the speaker's partner The speaker's partner, and the reader (all of humanity) God The speaker's child 25 Which line best infuses a divine quality into the creation of life? this has no name to name it by; he blind head butting at the dark, the selfless, shapeless seed I hold, This is the maker and the made;