Genre
Modernist short story; mystery
Setting and Context
The majority of the action takes place in a bamboo grove near Kyoto in pre-modern times
Narrator and Point of View
Lacking a central narrative authority, the story is composed of multiple first-person testimonies and confessions
Tone and Mood
While the tone is consistently mysterious and matter-of-fact, the mood shifts from procedural to become increasingly dreamlike, mysterious, and unreliable
Protagonist and Antagonist
Due to the contradictions of multiple perspectives, the roles of protagonist and antagonist switch among Takehiro, Masago, and Tajōmaru depending on who is speaking.
Major Conflict
The story's central conflict concerns the difficulty of determining who murdered Takehiro when varying accounts both corroborate and contradict other claims
Climax
Since the story offers multiple perspectives on the events that lead to Takehiro's death, there are several climaxes. In Tajōmaru's confession, the climax occurs when he unties Takehiko and the men engage in a sword fight. In Masago's confession, the climax occurs when she decides to kill Takehiro and herself. In Takehiro's spirit's testimony, the climax takes place when Masago orders Tajōmaru to kill Takehiro.
Foreshadowing
The woodcutter mentions in his testimony trampled leaves, suggesting that Takehiro must have put up a fight. This foreshadows Masago's rape and Takehiro and Tajōmaru's sword fight.
Understatement
Allusions
Imagery
Paradox
Parallelism
Each testimony or confession contains elements that parallel elements of other accounts; however, these parallels merely provide a foundation from which details may differ wildly, and thus the reader is denied the ability to knit together a cohesive narrative.