Genre
Philosophical book
Setting and Context
The book is written in the context of Marxists' perspective.
Narrator and Point of View
First-person narrative
Tone and Mood
Informative, sanguine, captivating, poignant
Protagonist and Antagonist
The protagonist of the book is Ernest Mandel.
Major Conflict
The major conflict is the introduction of postmodernism which intentionally rejects meta-narratives. Consequently, postmodernism rejects truth claims without verifiable facts.
Climax
The climax comes when corporate capitalism is introduced to aid businesses in navigating new markets.
Foreshadowing
The initiation of the postmodern society foreshadowed new opposing ideas to the existing myths and truth claims.
Understatement
Capitalism is understated because it is about corporate business promotion and creates an opportunity for normal business to explore their potential to create wealth in a competitive society.
Allusions
The story alludes to cultural logic and its relations to dialect enlightenment.
Imagery
The author depicts sight imagery when writing, βIt is the realm of architecture; however, the modifications in aesthetic production are most dramatically visible, and that their theoretical problems have been most centrally raised and articulated." This imagery enhances vision and enables readers to conceptualize the realm of architecture in postmodernism.
Paradox
The paradox of capitalism in the postmodernist society is that only the powerful and financially able can compete favorably. Therefore, the less privileged have no place in a capitalist society.
Parallelism
Capitalists parallel modernists' views on life and economic approaches to business and politics.
Metonymy and Synecdoche
There is no specific example.
Personification
N/A