The imagery of cradle rocks
The book commences with imagery that depicts a sense of sight to readers. The author writes, “The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness.” The imagery is vital in aiding readers to visualize the reality of life.
The imagery of the homemade movie
The narrator recounts an experience of a young man who watched a homemade movie that was taken before he was born. The young man did not see the difference between the world before him and the current status. The narrator says, “He saw a world that was practically unchanged – the same house, the same people, and then realized that he did not exist there at all and that nobody mourned his absence.”
The imagery of touch
The author shares how he feels bruised by the walls of time that separate his life. The author says, “That this darkness is caused merely by the walls of time separating me and my bruised fists from the free world of timelessness is a belief I gladly share with the most gaudily painted savage.”
The imagery of a big cretonne
The description of the big cretonne of a game he used to play depicts the sense of sight to readers. The narrator says, “A big cretonne-covered divan, white with black trefoils, in one of the drawing rooms at Vyra rises in my mind, like some massive product of a geological upheaval before the beginning of history.”
