The Sane Society Literary Elements

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The Sane Society Literary Elements

By · Edited by Patrick Kennedy · Last reviewed

Genre

Philosophy

Setting and Context

This work is Erich Fromm’s attempt to analyze a capitalist society and its flaws.

Narrator and Point of View

The writer and the narrator are the same.

Tone and Mood

Tone is thoughtful whilst mood is slightly worrying, for our future is unclear.

Protagonist and Antagonist

Man is the protagonist whilst capitalism is the antagonist.

Major Conflict

The major conflict is person vs. self.
“Never is he free from dichotomy of his existence.”
This sentence shows the inner struggle of a human being.

Climax

The chapter “Roads to Sanity” is the climax of the work, for it is where the philosopher describes the approaches to healing.

Foreshadowing

The first chapter – “Are we sane?” – foreshadows the plot of the work.

Understatement

“The figures of their leaders only emphasize the great deception. Mussolini, a cowardly braggart, became a symbol for manliness and courage. Hitler, a maniac of destruction, was praised as the builder of a new Germany. Stalin, a cold-blooded, ambitious schemer, was painted as the loving father of his people.”

This example shows how people underestimate the danger of totalitarianism.

Allusions

The text alludes to the myth about Oedipus.

Imagery

The work mostly contains images of society and its realities.

Paradox

“He is set apart while being a part.”

Parallelism

N/A

Metonymy and Synecdoche

N/A

Personification

“He is part of nature, subject to her physical laws and unable to change them”

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Study Guide for The Sane Society

The Sane Society study guide contains a biography of Erich Fromm, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

Read the Study Guide for The Sane Society…

Essays for The Sane Society

The Sane Society essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Sane Society by Erich Fromm.

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