Carrie Stephen King

Carrie is a 1974 horror novel, the first by American author Stephen King. Set in Chamberlain, Maine, the plot revolves around Carrie White, a friendless, bullied high-school girl from an abusive religious household who discovers she has telekinetic powers. Remorseful for picking on Carrie, Sue Snell insists that she go to prom with Sue's boyfriend Tommy Ross, though a revenge prank pulled by one of Carrie's bullies on prom night humiliates Carrie, leading her to destroy the town with her powers out of revenge. An eponymous epistolary novel, Carrie deals with themes of ostracization and revenge, with the opening shower scene and the destruction of Chamberlain being pivotal scenes.

King wrote Carrie with the intention of submitting it to be published originally as a short story for the men's magazine Cavalier following the suggestion of a friend that he write a story about a female character. Though King initially gave up on Carrie due to discomfort and apathy, and felt it would never be successful, his wife Tabitha convinced him to continue writing, and rescued the first three pages of the story from the trash. He followed her advice and expanded it into a novel. King based the character of Carrie on two girls he knew in high school and enjoyed fabricating the documents for the narrative. After Doubleday accepted Carrie to be published, King worked with editor Bill Thompson to revise the novel.

Carrie was published on April 5, 1974, with a print run of 30,000 copies, and a paperback edition was published by New American Library in April 1975. The paperback edition became a best seller, particularly after the release of the 1976 film adaptation, reaching four million sales. The novel received generally positive reviews, both contemporaneously and retrospectively. Carrie, King's debut novel, helped launch his career and achieve him mainstream success. It has also been credited with reviving mainstream interest in horror fiction and being influential among contemporary horror writers. Three film adaptations have been released, with one getting a sequel, and a musical adaptation was released in 1988.

In 1979 Chamberlain, Maine, Carietta "Carrie" White is a 16-year-old girl ridiculed for her weight, frumpy appearance and unusual religious beliefs instilled by her despotic mother Margaret. One day, Carrie has her first period while showering in the girls' locker room after physical education class. Carrie is terrified, having no understanding of menstruation as her mother, who finds sexuality sinful, never taught her. While Carrie panics, her classmates, led by a wealthy, popular girl named Chris Hargensen, mock her and throw tampons and sanitary napkins. The gym teacher, Rita Desjardin, has Carrie compose herself and sends her home. On the way, Carrie practices her unusual ability to control objects from a distance. She recalls using this power when she was three to cause stones to fall from the sky. Once Carrie gets home, Margaret furiously accuses Carrie of sin and locks her in a closet.

The next day, Desjardin reprimands the girls who bullied Carrie and gives them a week's detention; Chris refuses to comply and is punished with suspension and exclusion from the prom. After her influential father fails to reinstate her, Chris decides to take revenge on Carrie. Sue Snell, another popular girl who bullied Carrie in the locker room, grows remorseful, and asks her boyfriend, Tommy Ross, to invite Carrie to the prom instead. Carrie is suspicious, but accepts and begins sewing a prom dress. Meanwhile, Chris persuades her boyfriend Billy Nolan and his gang of greasers to gather two buckets of pig blood as she prepares to rig the prom queen election in Carrie's favor.

The prom initially goes well for Carrie: Tommy's friends are welcoming, and Tommy finds he is attracted to Carrie as a friend. Chris successfully rigs the election, and Carrie and Tommy are elected prom queen and king. However, at the moment of the coronation, Chris, from outside, dumps the pig blood onto Carrie's and Tommy's heads. Tommy is knocked unconscious by one of the buckets and dies. The sight of Carrie drenched in blood evokes laughter from the audience. Carrie leaves the building, humiliated.

Outside, Carrie remembers her telekinesis and decides to enact vengeance on her tormentors. Using her powers, she seals the gym, activates the sprinkler system, inadvertently electrocuting many of her classmates, and causing a fire that eventually ignites the school's fuel tanks, destroying the building in a massive explosion. Only a few staff and students narrowly escape. Carrie, overwhelmed by rage, thwarts any incoming effort to fight the fire by opening the hydrants within the school's vicinity, then destroys gas stations and cuts power lines on her way home. She unleashes her telekinetic powers on the town, destroying several buildings and killing hundreds of people. As she does this, she broadcasts a telepathic message, showing the townspeople that the mayhem was caused by her.

Carrie returns home to confront Margaret, who believes Carrie has been possessed by Satan and must be killed. Margaret tells her that her conception was a result of what may have been marital rape. She stabs Carrie in the shoulder with a kitchen knife, and Carrie halts Margaret's heart as she says a prayer. Mortally wounded, Carrie makes her way to the roadhouse where she was conceived. She sees Chris and Billy leaving, having been informed of the destruction by one of Billy's friends. After Billy attempts to run over Carrie, she takes control of his car and sends it into a wall, killing him and Chris.

Sue, who has been following Carrie's "broadcast", finds her collapsed in the parking lot, bleeding from the knife wound. The two have a brief telepathic conversation. Carrie had believed that Sue and Tommy had set up the prank, but realizes they were innocent. Carrie dies, crying out for her mother.

A state of emergency is declared and the survivors make plans to relocate. Chamberlain foresees desolation in spite of the government assisting on rehabilitating the worker districts. Desjardin and the school's principal blame themselves for the disaster and resign from teaching. Sue publishes a memoir based on her experiences. A "White Committee" report investigating paranormal abilities concludes that there will be others like Carrie.

An Appalachian woman enthusiastically writes to her sister about her baby daughter's telekinetic powers and reminisces about their grandmother, who had similar abilities.

Carrie is a horror novel as well as an example of supernatural and gothic fiction.[1][2] It is an epistolary novel:[3] the narrative is organized through a collection of reports and excerpts in approximate chronological order,[4] and is structured around a framing device consisting of multiple narrators. Leigh A. Ehlers, a literary scholar, has argued that this structure is used to indicate that no particular viewpoint, scientific or otherwise, can explain Carrie and the prom night event.[5]

Carrie deals with themes of ostracism, centering around Carrie being ostracized for not conforming to societal norms.[6] A driving force of the novel is her first period in the shower leading to her being pelted with tampons and further scorned.[7][8] Sue is one of the few people to feel genuine remorse for Carrie and arranges a date with Sue's boyfriend, Tommy, for the Spring Ball. However, Chris's need for vengeance against Carrie results in pig blood being dumped on Carrie during the Spring Ball. This results in Carrie committing a massacre among the school and Chamberlain. Following the massacre, Sue is subject to the same exclusion as Carrie, despite her altruistic motives.[9] John Kerrigan, a literary scholar, and Victoria Madden have observed that throughout the novel, Carrie is often associated with pigs, which are considered "disgusting" animals.[6][10]

Another theme found in the novel is vengeance. Throughout the novel, Carrie is forced through various hardships that she manages to endure for years without using her supernatural powers. However, after being invited to a prom only to have pig blood dumped on her, Carrie "breaks" and annihilates the city.[11] Kerrigan considers Carrie to be an example of a revenge tragedy.[12] Ray B. Browne argues that the novel serves as a "revenge fantasy",[13] while novelist Charles L. Grant has stated that "[Stephen] King uses the evil/victim device for terror".[14] Some scholars have argued that Carrie is a social commentary.[15][16] Linda J. Holland-Toll has stated that "Carrie is about disaffirmation because society makes the human monster, cannot control the monster, yet still denies the possibility of actual monster existence while simultaneously defining humans as monsters".[17]

By the time of writing Carrie, King lived in a trailer in Hermon, Maine with his wife Tabitha and two children. He had a job teaching English at Hampden Academy, and wrote short stories for men's magazines such as Cavalier.[18][19] Carrie was originally a short story intended for Cavalier,[20][21] and King started conceptualizing the story after a friend suggested writing a story about a female character.[22]

The basis of the story was King imagining a scene of a girl menstruating for the first time in the shower similar to the opening scene of Carrie and an article from Life about telekinesis.[23] As he wrote the opening shower scene, King experienced discomfort due to not being female and not knowing how he would react to the scene if he were female. He also felt apathy toward Carrie when writing the scene. After three pages, King eventually threw away the manuscript of the story. The next day, Tabitha retrieved the pages from the trash and convinced King to continue writing the story with input from her.[21][24][25][26] King was ultimately able to emotionally connect to Carrie through the influence of two girls he knew. One was constantly abused at school due to her family's poverty forcing her to wear only one outfit to school. The other was a timid girl from a devoutly religious family.[27][28]

King believed Carrie would not be successful, thinking it would not be marketable in any genre or to any audience.[29] He also found writing it to be a "waste of time" and found no point in sending out what he perceived as a failed story. King only continued writing it in order to please his wife and because he was unable to think of anything else to write.[30] When King finished the first draft, Carrie was a 98-page-long novella that he detested. In December 1972, King decided to rewrite Carrie and strive for it to become novel-length. He wrote in fabricated documents that were purported to be from periodicals such as Esquire and Reader's Digest, imitating their style accordingly; a process that King found entertaining. After Carrie was accepted by the publisher Doubleday, King revised the novel with editor and friend Bill Thompson.[31] The original ending of Carrie had Carrie growing demon horns and destroying an airplane thousands of miles above her. Thompson convinced King to rewrite the ending to be more subtle.[32]

King's manuscript for Carrie was given to Thompson in November 1973. Seeing potential in the novel in light of recent horror novels such as Rosemary's Baby (1967), Thompson convinced Lee Barker, executive editor of Doubleday, to accept the novel. In 1973, after much revision, advanced copies of Carrie were sent to salesmen to secure an advance.[33] Eventually, the novel was approved for an advance of $1,500.[34] Thompson convinced Doubleday to boost the advance to $2,500, moderately high for a debut novel at the time,[35] and it was announced to King via telegram.[36] With a print run of 30,000 copies, the hardback edition of Carrie was ultimately published on April 5, 1974.[25][35] Although Carrie was marketed as an "occult" novel, trade reviewers called it a horror novel, unusual for the time.[37]

On May 3, 1974, Carrie was received by the publishing company New English Library and was read overnight by president Bob Tanner. Tanner sent a copy to the parent company, New American Library, which then offered Doubleday $400,000 for rights to mass-market paperback publication of Carrie,[38] of which King received $200,000.[39] New English Library published Carrie in May 1974,[40] and New American Library published Carrie under its Signet Books imprint in April 1975. With the goal of persuading the reader to buy the book, New American Library designed the novel to be "double-covered". The original cover of the paperback edition did not feature the title or the author's name; it consisted of the face of a girl in front of a silhouette. Behind the cover was a two-page picture of New England on fire, with the title and author's name on the far right. New American Library planned for the girl's silhouette to be scored to allow the reader to see the burning New England picture. The printers refused to produce the technique, and the edition was published without the scoring.[41][42] Since initial publication, Carrie has remained in continual print and has been published throughout Europe.[43] On March 26, 2024, a British publishing company Hodder & Stoughton published the 50th anniversary edition of Carrie, which included a new introduction by Margaret Atwood.[44]

The hardback edition of Carrie sold modestly; it was not a best seller.[37][45] Sources of the number of sales for the hardback edition vary, ranging from 13,000 copies to 17,000 copies.[37] In contrast, the paperback edition sold exceedingly well. In its first year, the edition sold one million copies.[35][46] The sales were bolstered by the 1976 film adaptation, totaling four million sales.[45][47] Carrie became a New York Times best seller, debuting on the list in December 1976 and remaining on it for 14 weeks,[48] peaking at number 3.[49]

Carrie received generally positive reviews and has become a fan favorite. Several critics considered it an impressive literary debut.[35] Harold C. Schonberg, writing as Newgate Callendar for The New York Times, stated that despite being a debut novel, "King writes with the kind of surety normally associated only with veteran writers".[50][51] The Daily Times-Advocate's Ina Bonds called Carrie an "admirable achievement" for a first novel,[52] and Kirkus Reviews wrote that "King handles his first novel with considerable accomplishment and very little hokum".[53] Bob Cormier from the Daily Sentinel & Leominster Enterprise wrote that the novel could have failed because of the subject matter, but did not, and thus found King to be "no ordinary writer".[54]

Various critics wrote that the plot will scare readers,[55][56][57] with Library Journal declaring the novel "a terrifying treat for both horror and parapsychology fans".[58] Mary Schedl of The San Francisco Examiner wrote that Carrie "goes far beyond the usual limitations of the [horror] genre" to deliver a message about humanity.[59] Publishers Weekly praised the novel for its sympathetic portrayal of Carrie.[60] Both Joy Antos of Progress Bulletin and Gary Bogart of Wilson Library Journal wrote of enjoying Carrie despite the foregone conclusion.[61][62] Nonetheless, Booklist stated that reading the novel required a "willing suspension of disbelief and taste".[63]

Retrospectively, Carrie has received appraisal. Michael R. Collings and Adam Nevill declared that the plot holds up decades after publication. Collings attributed it to focus and conciseness,[64] and Nevill attributed it to the characterization and structure.[65] In his literary analysis, Rocky Wood called the plot "remarkably short but compelling".[49] Michael Berry of Common Sense Media lauded the characterization and said that the epistolary structure "lend[s] a sense of realism to the outlandish proceedings".[66] While both Grady Hendrix and James Smythe similarly praised the story, Hendrix felt that the writing was awkward much of the time,[67] and Smythe found the epistolary-style extracts to be the "worst [and slowest] parts of the novel".[68] Although Harold Bloom found the characterization and style to be unremarkable, he thought the novel had strong imagery and said that "Carrie at the prom scene ... is a marvelous culmination of melodrama."[69]

Carrie launched King's career as an author;[70] the $200,000 King received when Carrie was accepted for mass-market publication allowed King to quit his job as a teacher and become a full-time author.[19] The novel established King as a horror writer[71] who wrote about "the supernatural, the dark, and the bizarre".[72] Following Carrie's publication, King underwent a six-month period of prolific writing.[73] During this period, King wrote rough drafts for Blaze and 'Salem's Lot, the latter of which became his second published novel, being published in 1975.[71] Both Carrie and its 1976 film adaptation brought King into the mainstream,[74][75] and he has since become one of the most successful authors in the modern era,[65] with his novels consistently becoming best sellers.[73]

For decades prior to the 1970s, horror literature had not been in the mainstream; the last novel to reach the Publishers Weekly best-seller list was Rebecca (1938).[76] Carrie is credited as one of four novels to create a contemporary mainstream interest in horror literature.[a][76][77] This interest was especially bolstered by their respective adaptations, allowing these novels to become best sellers.[78] Carrie has been influential among contemporary writers, with writers such as Sarah Pinborough, James Smythe, and Sarah Lotz claiming to be influenced by Carrie.[65] Joanne Harris refers to her 2023 novel, Broken Light, as "an homage to Carrie".[79] The prom scene when Carrie is covered in pig blood has been referenced in pop culture, with examples including Monsters University, My Little Pony comics, and horror media such as It Follows, Buffy the Vampire Slayer, and Treehouse of Horror.[80] Author Jeff VanderMeer said of Carrie's influence:

Carrie changed the paradigm by announcing a very American form of horror that broke with the past. That process might've been ongoing anyway, but a lot of horror and weird fiction was still in a kind of post-MR James/Lovecraft mode of parchment and shadowy alleys and half-seen horrors, and here was King dropping buckets of blood over everything and making characterisation both more relaxed and more contemporary. But just as sophisticated, if more naturalistic, less stylised.[65]

Carrie has received three film adaptations and a musical adaptation.[75] The first, directed by Brian De Palma and starring Sissy Spacek in the title role, was released on November 3, 1976, to critical acclaim and commercial success,[75][81] and is considered a noteworthy example of 1970s horror films and a major factor to King's success.[82] A sequel to the 1976 film adaptation titled The Rage: Carrie 2 was released in 1999 to mixed reviews.[82][83] From May 12 to 15, 1988, a musical adaptation was performed five times by the Royal Shakespeare Company at the Virginia Theater before closing. It was a commercial and critical failure, losing more than $7 million, among the most expensive failures by Broadway theatre.[84] A 2002 film adaptation received negative reviews,[85] and a 2013 film adaptation received mixed reviews.[86] An off-Broadway revival of the musical was performed from March 1 to April 8, 2012.[87] The television series Riverdale aired an episode titled "Chapter Thirty-One: A Night to Remember" in 2018 based on the musical.[88] In 2024, Mike Flanagan was announced to be helming a television adaptation of the novel with Amazon MGM Studios.[89]

• The Fury, a 1976 novel with a similar premise and its 1978 film adaptation, also directed by De Palma
• Jennifer, a 1978 film with a similar premise

1. ^ The other three novels are Rosemary's Baby, The Exorcist (1971), and The Other (1971).[76][77]

1. ^ Tudor, Lucia-Alexandra (Winter 2014). "Horror, horror, everywhere ..." Romanian Journal of Artistic Creativity. 2 (4): 208+. Retrieved September 1, 2021.
2. ^ Hornbeck, Elizabeth Jean (2016). "Who's Afraid of the Big Bad Wolf?: Domestic Violence in The Shining". Feminist Studies. 29 (3): 491–493. doi:10.15767/feministstudies.42.3.0689. JSTOR 10.15767/feministstudies.42.3.0689. S2CID 151898421.
3. ^ Winter 1989, p. 33.
4. ^ Underwood & Miller 1985, p. 157.
5. ^ Ehlers, Leigh A. (1981). "Carrie, Book and Film". Literature/Film Quarterly. 9 (1): 32–39. JSTOR 43796160.
6. ^ a b Madden, Victoria (March 2017). "'We Found the Witch, May We Burn Her?': Suburban Gothic, Witch-Hunting, and Anxiety-Induced Conformity in Stephen King's Carrie". The Journal of American Culture. 40 (1): 7–20. doi:10.1111/jacc.12675.
7. ^ Kerrigan 1996, p. 58.
8. ^ Dundes, Alan (1998). "Bloody Mary in the Mirror: A Ritual Reflection of Pre-Pubescent Anxiety". Western Folklore. 57 (2/3): 119–135. doi:10.2307/1500216. JSTOR 1500216.
9. ^ Holland-Toll 2001, pp. 79–80.
10. ^ Kerrigan 1996, pp. 57–58.
11. ^ Gresh & Weinberg 2007, pp. 8–9.
12. ^ Kerrigan 1996, pp. 57–59.
13. ^ Browne 1987, p. 7.
14. ^ Underwood & Miller 1985, p. 170.
15. ^ Ingebretsen 1996, p. 65.
16. ^ Cowan 2018, p. 26.
17. ^ Holland-Toll 2001, p. 81.
18. ^ King 2000, pp. 72–73.
19. ^ a b Gresh & Weinberg 2007, p. 2.
20. ^ Underwood & Miller 1985, p. 20.
21. ^ a b Reino 1988, p. 10.
22. ^ Lant & Thompson 1998, p. 31.
23. ^ King 2000, p. 75.
24. ^ King 2000, pp. 76–77.
25. ^ a b Kaloi, Stephanie (April 4, 2024). "Stephen King Says He 'Can't Believe' He's Alive to See the 50th Anniversary of 'Carrie'". TheWrap. Retrieved July 19, 2024.
26. ^ Atwood, Margaret (March 25, 2024). "Stephen King's First Book Is 50 Years Old, and Still Horrifyingly Relevant". The New York Times. Retrieved July 19, 2024.
27. ^ King 2000, pp. 80–82.
28. ^ Wood 2011, pp. 43–44.
29. ^ Underwood & Miller 1985, p. 22.
30. ^ Reino 1988, pp. 10–11.
31. ^ Underwood & Miller 1985, pp. 23–24.
32. ^ Marshall 2020, pp. 291–292.
33. ^ Marshall 2020, pp. 290–292.
34. ^ Underwood & Miller 1986, p. 32.
35. ^ a b c d Beahm 1998, p. 29.
36. ^ King 2000, p. 83.
37. ^ a b c Marshall 2020, p. 295.
38. ^ Marshall 2020, p. 296.
39. ^ Beahm 2015, p. 109.
40. ^ Collings 1996, p. 19.
41. ^ Marshall 2020, p. 297.
42. ^ Underwood & Miller 1985, p. 31–32.
43. ^ Collings 1996, pp. 19–20.
44. ^ Wood, Heloise (January 30, 2024). "Hodder to publish 50th anniversary of Carrie with introduction by Margaret Atwood". The Bookseller. Retrieved October 19, 2024.
45. ^ a b Lawson, Carol (September 23, 1979). "Behind the Best Sellers: Stephen King". The New York Times. Retrieved November 24, 2021.
46. ^ Winter 1989, p. 41.
47. ^ Geary, Devon (October 14, 2013). "Carrie by the numbers". The Seattle Times. Retrieved November 24, 2021.
48. ^ Marshall 2020, p. 284.
49. ^ a b Wood 2011, p. 43.
50. ^ Callendar, Newgate (May 26, 1974). "Criminals at Large". The New York Times. Retrieved November 24, 2021.
51. ^ Cruz, Gilbert (September 11, 2024). "The Essential Stephen King". The New York Times. Retrieved October 19, 2024.
52. ^ Bonds, Ina (June 16, 1974). "Carrie by Stephen King". Daily Times-Advocate. Retrieved November 24, 2021.
53. ^ "Carrie". Kirkus Reviews. April 1, 1974. Retrieved November 24, 2021.
54. ^ Cormier, Bob (August 29, 1974). "The Storytellers". The Daily Sentinel & Leominster Enterprise. Retrieved November 24, 2021.
55. ^ Huff, Tom E. (May 5, 1974). "Carrie Dangerous Girl to Rile". Fort Worth Star Telegram. Retrieved November 24, 2021.
56. ^ MacPhee, Maggie (November 29, 1975). "Paperbacks". The Sydney Morning Herald. Retrieved November 24, 2021.
57. ^ Cardinale, Liz (March 5, 1975). "Book Review". Times-News. Retrieved November 24, 2021.
58. ^ Minudri, Regina U., ed. (February 15, 1974). "Adult Books for Young Adults". Library Journal. Vol. 99. p. 584.
59. ^ Schedl, Mary (July 7, 1974). "Novel of the Occult". The San Francisco Examiner. Retrieved November 24, 2021.
60. ^ "Carrie". Publishers Weekly. Vol. 205. February 25, 1974. p. 102.
61. ^ Antos, Joy (May 4, 1974). "Supernatural repulsive tale hooks critic". Progress Bulletin. Retrieved November 24, 2021.
62. ^ Bogart, Gary (June 1974). "Elderly Books For Youngerly Readers". Wilson Library Journal. Vol. 48. p. 802.
63. ^ "Carrie". Booklist. Vol. 70. June 1, 1974. p. 1180.
64. ^ Beahm 2015, p. 112.
65. ^ a b c d Flood, Allison (April 4, 2014). "How Carrie changed Stephen King's life, and began a generation of horror". The Guardian. Retrieved November 24, 2021.
66. ^ Berry, Michael (October 8, 2019). "Carrie". Common Sense Media. Retrieved November 25, 2021.
67. ^ Hendrix, Grady (October 18, 2012). "The Great Stephen King Reread: Carrie". Tor.com. Retrieved November 25, 2021.
68. ^ Smythe, James (May 24, 2012). "Rereading Stephen King: week one – Carrie". The Guardian. Retrieved November 25, 2021.
69. ^ Bloom 2007, pp. 2–3.
70. ^ Marshall 2020, p. 298.
71. ^ a b Winter 1989, pp. 41–42.
72. ^ Gresh & Weinberg 2007, p. 7.
73. ^ a b Reino 1988, p. 12.
74. ^ Browne 1987, p. 33.
75. ^ a b c Beahm 2015, p. 111.
76. ^ a b c Marshall 2020, p. 287.
77. ^ a b Barron 1999, p. 214.
78. ^ Barron 1999, p. 222.
79. ^ "Orion Fiction unveils first standalone novel by Harris in 15 years". The Bookseller. Retrieved May 30, 2024.
80. ^ McRobert, Neil (April 5, 2024). "Why Carrie Is Still Scary as Shit". Esquire. Retrieved May 26, 2024.
81. ^ "Carrie (1976)". Metacritic. Retrieved December 15, 2022.
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83. ^ "The Rage: Carrie 2". Metacritic. Retrieved December 15, 2022.
84. ^ Beahm 1998, pp. 30–31.
85. ^ "Carrie (2002)". Rotten Tomatoes. August 12, 2003. Retrieved December 15, 2022.
86. ^ "Carrie (2013)". Metacritic. Retrieved December 15, 2022.
87. ^ Hetrick, Adam (August 13, 2012). "Carrie Off-Broadway Cast Album Will Get September Release". Playbill. Retrieved December 15, 2022.
88. ^ Stack, Tim (January 24, 2018). "The Riverdale cast will sing in an adaptation of Carrie: The Musical". Entertainment Weekly. Retrieved April 20, 2018.
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• Barron, Neil, ed. (June 1999). Fantasy and Horror: A Critical and Historical Guide to Literature, Illustration, Film, TV, Radio, and the Internet. Scarecrow Press. ISBN 978-0-81083-596-2.
• Beahm, George (September 1998). Stephen King From A to Z: An Encyclopedia of His Life and Work. Andrews McMeel Publishing. ISBN 978-0-83626-914-7.
• Beahm, George (October 6, 2015). The Stephen King Companion: Four Decades of Fear from the Master of Horror. St. Martin's Press. ISBN 978-1-25008-131-5.
• Bloom, Harold, ed. (2007). Stephen King. Chelsea House Publishers. ISBN 978-0-79109-317-7.
• Browne, Ray Broadus (1987). The Gothic World of Stephen King: Landscape of Nightmares. Bowling Green State University Popular Press. ISBN 978-0-87972-411-5.
• Collings, Michael R. (1996). The Work of Stephen King: An Annotated Bibliography & Guide. Borgo Press. ISBN 978-0-80951-520-2.
• Cowan, Douglas E. (June 12, 2018). America's Dark Theologian: The Religious Imagination of Stephen King. New York University Press. ISBN 978-1-47981-446-6.
• Gresh, Lois H.; Weinberg, Robert (August 31, 2007). The Science of Stephen King: From Carrie to Cell, The Terrifying Truth Behind the Horror Master's Fiction. Wiley. ISBN 978-0-47178-247-6.
• Holland-Toll, Linda J. (June 15, 2001). As American as Mom, Baseball, and Apple Pie: Constructing Community in Contemporary American Horror Fiction. University of Wisconsin Press. ISBN 978-0-87972-852-6.
• Ingebretsen, Edward J. (May 6, 1996). Maps of Heaven, Maps of Hell: Religious Terror as Memory from the Puritans to Stephen King. M.E. Sharpe. ISBN 978-0-76563-623-2.
• Kerrigan, John (April 18, 1996). Revenge Tragedy: Aeschylus to Armageddon. Clarendon Press. doi:10.1093/acprof:oso/9780198184515.001.0001. ISBN 978-0-19818-451-5.
• King, Stephen (2000). On Writing: A Memoir of the Craft. Scribner. ISBN 978-1-43919-363-1.
• Lant, Kathleen Margaret; Thompson, Theresa, eds. (1998). Imagining The Worst: Stephen King and the Representation of Women. Greenwood Press. ISBN 978-0-31330-232-9.
• Marshall, Helen (May 2020). "A Snapshot of an Age: The Publication History of Carrie". The Journal of Popular Culture. 53 (2): 284–302. doi:10.1111/jpcu.12897. S2CID 218941970. Retrieved November 24, 2021.
• Underwood, Tim; Miller, Chuck, eds. (1985). Fear Itself: The Horror Fiction of Stephen King. New American Library. ISBN 978-0-45200-684-3.
• Underwood, Tim; Miller, Chuck, eds. (1986). Kingdom of Fear: The World of Stephen King. New American Library. ISBN 978-0-45116-635-7.
• Reino, Joseph (1988). Stephen King: The First Decade, Carrie to Pet Sematary. Boston Public Library. ISBN 978-0-80577-512-9.
• Winter, Douglas E. (1989). The Art of Darkness: The Life and Fiction of the Master of the Macabre, Stephen King. New English Library. ISBN 978-0-45049-475-8.
• Wood, Rocky (April 11, 2011). Stephen King: A Literary Companion. McFarland & Company. ISBN 978-0-78648-546-8.

• Shih, Paris Shun-Hsiang. "Fearing the Witch, Hating the Bitch: The Double Structure of Misogyny in Stephen King's Carrie" in Perceiving Evil: Evil Women and the Feminine (Brill, 2015) pp. 49–58.

• Official website for Carrie the Musical
• Identification characteristics for first edition copies of Carrie
• Carrie at the Internet Speculative Fiction Database