Drown Sources and ClassicNote Author

Céspedes, Diógenes, et al. “Fiction Is the Poor Man's Cinema: An Interview with Junot Díaz.” Callaloo, vol. 23, no. 3, 2000, pp. 892–907.

Stringer, Dorothy. “Passing and the State in Junot Díaz's ‘Drown.’” MELUS, vol. 38, no. 2, 2013, pp. 111–126.

Bautista, Daniel. “IN AND OUT OF THE MAINSTREAM: DOMINICAN-AMERICAN IDENTITY IN JUNOT DÍAZ'S ‘HOW TO DATE A BROWNGIRL, BLACKGIRL, WHITEGIRL, OR HALFIE.’” Romance Notes, vol. 49, no. 1, 2009, pp. 81–89.

Manzanas-Calvo, Ana María. “From Locus Classicus to Locus Lumpen: Junot Díaz's ‘Aurora.’” Journal of Modern Literature, vol. 39, no. 2, 2016, pp. 39–52.

Myers, Megan Jeanette. “‘Dos Rayanos-Americanos’ Rewrite Hispaniola: Julia Alvarez and Junot Díaz.” Confluencia, vol. 32, no. 1, 2016, pp. 168–181.

Moreno, Marisel. “Debunking Myths, Destabilizing Identities: A Reading of Junot Díaz's ‘How to Date a Browngirl, Blackgirl, Whitegirl, or Halfie.’” Afro-Hispanic Review, vol. 26, no. 2, 2007, pp. 103–117.

Fagan, Allison. “Translating in the Margins: Attending to Glossaries in Latina/o Literature.” Journal of Modern Literature, vol. 39, no. 3, 2016, pp. 57–75.

Torres, Lourdes. “In the Contact Zone: Code-Switching Strategies by Latino/a Writers.” MELUS, vol. 32, no. 1, 2007, pp. 75–96.

Siebers, Tobin. “Words Stare like a Glass Eye: From Literary to Visual to Disability Studies and Back Again.” PMLA, vol. 119, no. 5, 2004, pp. 1315–1324.

Friedman, Natalie J. “Adultery and the Immigrant Narrative.” MELUS, vol. 34, no. 3, 2009, pp. 71–91.