The White Helmets Literary Elements

The White Helmets Literary Elements

Director

Orlando von Einsiedel

Leading Actors/Actresses

Khalid Farah, Mohammed Farah, Abu Omar, and Raed Saleh

Supporting Actors/Actresses

N/A

Genre

Short Documentary

Language

English and Arabic

Awards

Won the Academy Award for Best Documentary - Short Subject

Date of Release

September 16th, 2016

Producer

Joanna Natasegara

Setting and Context

Syria and Turkey

Narrator and Point of View

Told from the point of view of a few members of the White Helmets

Tone and Mood

Violent, Chaotic, Solemn, Sad, Depressing, and Hopeful.

Protagonist and Antagonist

The White Helmets (Protagonists) vs. Bashar al-Assad and the Syrian Military (Antagonists)

Major Conflict

The White Helmets' struggle to save everyone possible in war-torn Syria

Climax

Not applicable -- this is a documentary film and doesn't have a discernible climax

Foreshadowing

N/A

Understatement

How much the White Helmets have to give up to do what they do is understated throughout the film.

Innovations in Filming or Lighting or Camera Techniques

N/A

Allusions

To geography, history, other documentaries, current events, and popular culture.

Paradox

The White Helmets almost never have rescue training, but they have saved over 58,000 people.

Parallelism

The story of each of the White Helmets are paralleled in one way or another (i.e. some lose a family and then get into the White Helmets).

Update this section!

You can help us out by revising, improving and updating this section.

Update this section

After you claim a section you’ll have 24 hours to send in a draft. An editor will review the submission and either publish your submission or provide feedback.

Cite this page